Takuto WILL Be Participating in The 12 Days of Anime! | Blogmas 2017 Introduction

Hey guys, been a while!

Initially, I was just planning on sliding through finals week, then returning to the blogging scene for my OWLS post. Well, that OWLS post doesn’t come out for another week or two, and with my last final being just next Tuesday, I thought I’d hop aboard the holiday hype train with the “12 Days of Anime” since it technically starts next Thursday, the 14th! My version is a little different, though. Or rather, it has very few rules or restrictions (partially because I’m super lazy to impose order upon something that, if actually accomplished, is a feat in itself). It’ll be 12 straight days of blogging, which is very different than the typical NOTHINGNESS that I usually post. But what can you expect during these 12 days?

  1. Favorite anime moments from 2017—these will include the top-tier scenes that I bore witness to in the anime I watched this. They may include moments from simulcasts, or even shows that I just now got around to seeing (like Ergo Proxy, for one). They’ll usually include spoilers, but I’ll warn you in advance. 🙂
  2. Best anime-related happenings that occurred this year—from special events to the announcement of sequels or English releases, these will be celebrations of accomplishments from this year relating to anime. AKA it’s “Which anime news updates were my favorite!”
  3. Full-series reviews of shows I watched from 2017—it’s just as it sounds, and it might include titles from both the backlog or those that are hot off the press.
  4. Stuff about me—not sure how much these may encompass right now (for all I know, I might already have enough material to work with), but these kinds of posts are for, in the event, when I don’t feel like writing a review (which is often, because, you know, I’m lazy). They could include long-withheld blog award nominations or tag posts. You’ll just have to wait and see!

From Thursday, the 14th all the way up through Christmas Day, that Monday, the 25th, I’ll be posting DAILY, and though they may be short posts, it’ll still be my way of interacting with you all before the new year arrives—in that sense, it’s as if Takuto’s Anime Cafe will be open from dawn to dusk, welcoming all who are looking for warm drinks and conversation throughout the holidays!

Each day, I will also be looking back on the OWLS blog tour posts by month, starting CLEAR BACK IN MARCH HOLY CRAP (because I procrastinated on reading those). Lastly, anyone remember when I tweeted out my iPhone home screen, which was littered with bins of posts to read by all of you? Yeah, I’m going through those one day at a time, too, because I WILL NOT LEAVE ANY STONE UNTURNED FROM THIS YEAR. It’s all or nothing, and this will clear the slate for all of the great reads in the new year. Looking forward to all that you guys will be writing, by the way.

Lastly, I DO happen to have a couple posts planned, those mainly being my December OWLS entry and one big-ass comparative analysis on the works of Makoto Shinkai. It’ll likely be my last big blogging project this year, so please look forward to that!


Ladies and gentlemen, my name is Takuto, your host at my Anime Cafe, a small underground shack in the vastness of the web that caters hopefully heartwarming reviews and promotes relaxation. I post infrequently—with no schedule to contain me whatsoever–but I hope you still enjoy the things I write and the random stuff I say, be it an in-depth story analysis or about the latest obsession plaguing me.

To celebrate the holidays this year and honor all of my long-time customers (and the new ones, like you, perhaps!), I’ll be opening the doors for 12 consecutive days. Expect a flurry of posts, a messy mish-mash of all of different writing styles that make me, well, me! I can’t wait to follow any of you on your own “12 Days of Anime,” too, so be sure to comment below if you are starting one! Let’s usher in the new year as we anibloggers always do—by reading, writing, and celebrating all of the friends we’ve made, and the long-lasting friendships to come! Until December 14th, this has been

– Takuto, your host

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Hooked on Light Novels: The Amazon USED Blind-Buy Game! | Cafe Talk

Hey all,

I’m back with another “Cafe Talk” (woohoo it returns!), which is, for all my newcomers as of late, a free-flowing, comment-welcome segment that tends to lean towards anime “happenings,” or perhaps loose conversations related to my life and what’s new.

Today I wanted to discuss something that I’ve really been hammering down on in my updates (no, not my Danganronpa obsession). It’s reading, yup, I’ve gotten back into poppin’ open books and inhaling the words off of the pages. Specifically speaking, I’ve been getting into light novels more, partially to get to know them better (what they are, why they are so popular), but more so because I’ve been craving some light, short reads featuring our favorite anime characters. And what do you know? That’s exactly what a light novel is!

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I do not own this image.

Now, I have those couple series that I’ve been following on my own (Monogatari, Sword Art Online), but I was in search of something different at the time, a fresh tale featuring beautiful characters and all their cool adventures and mishaps. So I turned over to Twitter as a tool (and not just a place to retweet Yuri!!! On ICE artwork) to find out the kinds of light novels you guys are into right now. This way, I could also incorporate my Twitter with my blog more. Thank you to all who replied—it was very helpful, as I think I found some great contenders!

BEFORE I tell you the titles I plan to read, I want to let you know a bit about me: I’m a collector, a buyer of books, movies, and everything in between. This tends to put me at odds with libraries, as I find myself unable to simply rent/check out my entertainment—I NEED TO OWN IT, to hold it knowing that it’s MINE. Isn’t this terrible!? Gosh, I’m the worst, haha, but I might’ve found a remedy to my dilemma . . .

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Through Amazon’s USED books system (or eBay), if the volume I desire is available for, say, around $5 (shipping included), I’ll buy it, and hopefully review it, too! Doesn’t it kinda sound like fun? The idea just sorta came to me, and so long as I can get the books for cheap and have time to read them, well then, the more used literature, the better!

(I will ALSO be taking recommendations for single-volume/very short manga stories!)

AND SO, after weeding out the ones that didn’t intrigue me via synopsis, I present you with the following titles I picked up and the wonderful people who recommended them to me:

MelSeraph of the End—Guren Ichinose: Catastrophe at Sixteen

Simply GeeBook Girl and the Suicidal Mime

Lethargic RamblingsThe Empty Box and Zeroth Maria

MoonlitasteriaHarmony

MyselfA Certain Magical Index

As of right this moment, November 16, I’ve yet to actually purchase Guren Ichinose or The Empty Box, but I WILL, I promise!!

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So what do you guys think? Is this a great way to interact with the community, read the works that excite some of you, and give used books a nice home, or is it a terrible waste of money and a poor way to pick up new novels? You ought to let me know! If you see any improvements to this “game” that I can make, let me know those, too. And lastly, if you have a little spare cash, I encourage you to join in on the madness!

Should all of this go smoothly, look out for another spontaneous Twitter call, as I could end up reading one of YOUR favorites so long as it is daring enough to meet the requirements of the game! ‘Till next time, everyone!

– Takuto, your host

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Before the Black Out: More Human Than Human | OWLS “Diplomacy”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s  eleventh monthly topic, “Diplomacy,” I decided to incorporate my loose thoughts on Blade Runner: Black Out 2022 into this glance at the past, the present, and the future of the franchise’s iconic sci-fi world. The matter at hand: In an age rife with incredible development, improvement, and achievement, when did humanity lose its defining future–its ability to reason compassionately?

Whenever we have a disagreement with someone, we use our words to express our thoughts and opinions. However, there are those who would rather use fists instead of words—those who forget that being “right” isn’t the most important thing, and those who lose sight of compromising and acknowledging differences in opinion and belief. Diplomacy is an important skill and tactic that not many of us have or are able to utilize properly especially in “social media wars” for sensitive issues and anime discourse—we just express our opinions without really listening.

We will be exploring some of the best negotiations scenes in pop culture media and discuss how effective these diplomatic moments are and what we can learn from them. We will also discuss why communication and listening are important traits to have, and whether or not there are other means to enforce peace.

I’ll be taking this in a bit of a different direction, like say, what happens in a world without diplomacy—a world without choice—where issues can’t merely be talked through, but require brute force to get a point across. War is necessity. I’m talkin’ about the dawn of a revolution, the beginning of the blackout bigger and darker than the world had ever known. Welcome to Blade Runner.

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Thanks Lyn for the prompt (this month’s theme was admittedly tricky for me, so I hope you all enjoy a VERY different OWLS post)!


A brief discussion on the 15-min fall 2017 anime short “Blade Runner: Black Out 2022,” produced by Cygames, directed by Shinichiro Watanabe (Cowboy Bebop). It serves as one of three short films based on the original film by Ridley Scott as an intended sequel to fill in the events before “Blade Runner 2049.” SPOILERS only for “BLACK OUT 2022” will be present.

A Dystopian Vision of Our World, the Not-So-Far-Off Future

Set three years after the events of Blade Runner, we are presented with a vision of Los Angeles in 2022: a grim, metal and rain-coated field of shacks and skyscrapers that continues beyond the horizon as far as the eye can reach. It’s an overcrowded metropolis in which millions of people roam the streets, shoulders practically touching, yet people couldn’t feel more disconnected on a personal level. The scene is gloomy, very neo-noir in tone, and the only sense of organization comes from not the city’s inhabitants, but its layout and structure; a handful of massive, sprawling, and imposing ziggurats distinguish between the penniless street-dwellers and those empowered with privilege.

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Between the maze of ominous alleyways and towering steel spires, one would find two types of species: the living, us standard human types, and the manufactured, bio-engineered androids coined “replicants” (these happen to be new Nexus-8 models, mind you, which mean that their lifespans are programmed to be just as long as a normal human’s—a significant improvement since the four-year lifespans of Nexus-6 models in the original Blade Runner). Already faster, stronger, and smarter than humans, this latest replicant enhancement robbed humans of their final upper edge against the robots, and unfortunately, this didn’t settle well with the populous.

Hunters, fighters, and police began their assaults on a race that didn’t even get to choose its genes—their maker, in fact, was human, so why the cause for outrage? Human nature, that’s why (cue events of 1982’s Blade Runner). Replicants were brutally hunted down, more killed than imprisoned. Feeling the urge, the drive, the right to power over all they create and manipulate, unjust violence by humanity broke out everywhere, and it’d only be a matter of time before the Replicants as a whole decided to fight back. In their rise, humanity fell further to the lowest levels of jealousy, corruption, and greed.

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A Means to an End

FINALLY, we get to Black Out 2022, a brief tale that begins at the climax of the Replicant Revolution, a stage craftily set by what I’d imagine to be many painstaking hours of sorting out the details so that the franchise’s history flowed smoothly with the coming of Blade Runner 2049. We find a young female, a replicant named Trixie, in the streets being approached by a group of thugs when Iggy, a once-soldier replicant, bursts onto the scene and rescues her. Iggy had left the battlefield once he realized that, in the war on terror, BOTH sides were using replicants as disposable pawns. Flash forward and together the two team up with other members of the underground replicant freedom movement to destroy the Tyrell Corporation’s database of registered replicants, so that replicants can no longer be hunted, as well as plunge Los Angeles into the dark ages via atomic bomb. Heaven and hell are for the humans—now, THIS life, is all the replicants have.

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Too often, these war shows about rebellion cause us to contemplate the same questions: How did things turn out this way? Was this really the only way to win? Did we even really win anything in the end? And you know, I find them to be more rhetorical than anything. Rather than asking a serious question and expecting a straight answer, these questions merely exist to put a point out there. How did things turn out this way? Well, because we kept agreeing to disagree, that’s how. But really, perhaps it’s because, somewhere deep down in the darkest of our human selves, we wanted this result—this form of means to bring us to the end. As the saying goes, “If you go down, go down fighting,” right? Then WHAT is so wrong about rigging a bomb to protect the lives of millions of ill-fated replicants? (rhetorical question, just think)

Maybe there isn’t a way outta this one. Sometimes, words alone are not enough to probe individuals to act. Replicant injustice was akin to a crueler version of slavery by the time of the revolution—it was humanity who created beings capable of achieving self-realization and freedom, and it was humanity who purposefully dangled that freedom in front of their innocent, unknowing faces, far beyond their grasp. I hate to admit it (and no, I don’t condemn the use of atomic bombs, ever), but maybe the replicants were right on this one.

According to basic psychology, Kohlberg’s theory on moral development might have an explanation to the justification of rigging the great black out of 2022:

Of his 6 stages, the last is the rarest case of man, one in which he weighs universal ethical principles. Gifted individuals like Ghandi or Martin Luther King Jr. fit this bill, as they pass judgments based on universal human rights (whether it’s for or against the law, this is inherently right/wrong). They tend to disregard law and social agreement for what is believed to be the greatest good for all, kinda like groovin’ to the beat of their own drum. Whoever is leading the Replicant Revolution is likely such a charismatic character, one who is seeking an end where replicants can live freely regardless of how many laws they have to break getting there. Now, back to the Blade Runner . . .

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If Only We Could Talk Things Through

BEHOLD, THIS is the future you asked for, humanity. THIS is the world in which you gave all of your power up to an oppressive state that knows all and sees all, and thus it created more slaves. THIS is the route where humans essentially reduced a complex lifeform into a machine. This is . . . the black out is . . .

It’s the world you deserve.

Call me bitter, but there’s a time and place for war, there really is. When some people get their head SO far up their asses that they close off their mind to new ideas and thoughts, it’s time for change. And that is EXACTLY what the replicants did and in the most peaceful way possible. Through the black out, two lowly replicants transcend their original purposes to become free-thinking individuals.

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The film ends just as it began: Iggy walking away from a storm of ash and flames with an eye patch, symbolizing that he, like Trixie, has cast aside his original purpose as a replicant soldier (replicant IDs are located under the eye), transforming him into a cold warrior fighting for justice and the freedom of his kind. Now, in theory, all men are equal, and the means of terrorism have brought upon a glorious end: all of the world is painted black. There is no record of who is or isn’t a replicant. Is it an ending of hope? Well, if you find their actions to be “stage 6 justification” like I do, then it might be. Enslavement of any kind should never be tolerated, and as such, sometimes we need action to prove a point—much like asking a rhetorical question. To quote MLK Jr., “Injustice anywhere is a threat to justice everywhere.”

Blade Runner: Black Out 2022, as with the rest of the franchise, shows us a future void of diplomacy. It’s a world where those who are inferior neither get a voice nor a chance to negotiate their terms of living. There is no fairness. There is no thoughtfulness, or sensitivity, or care given to the replicants. To change the treatment of their kind, the replicants had to think bigger and above themselves—to a region of thought that even most humans fail to fathom—accurately becoming, as ironically as the Tyrell Corporation proclaims, “more human than human.” And it is through the awe-inspiring darkness of the black out that we see the light.

“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” – MLK Jr. 
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Once again, I didn’t even get to discuss the art and animation of the world of Blade Runner in the anime style—which is perhaps the single most interesting element about this entire short film!!! Guys, 2022 is seriously beautiful, both fluid and engaging during the action scenes, and simply breathtaking in terms of landscape. JUST LOOK AT IT. MY GOD, what I’d give to just walk through the blue, rainy, compact streets of the city!! It’s like a dirtier, grittier version of Ghost in the Shell, and if that means anything to you then you ought to give the franchise a watch.

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Speaking of, this is NOT RECOMMENDED for a blind watch. You won’t get any of it. It’s designed to serve as a one of three prequel short films to the latest Blade Runner 2049and boy did they help a ton! So yes, start with the 1982 Blade Runner, as I highly recommend it, then make your way up. For Black Out 2022, I’ll gladly place it under the “Cakes” menu for future reference.

This concludes my November 10th entry in the OWLS “Diplomacy” blog tour. A new friend of mine, Irina (Drunken Anime Blog) chose to explore how her otome stories and games taught her that you can’t please all the boys with your charming diplomatic ways. Then look out for Lita (Lita Kino Anime Corner) tomorrow, November 11th with, well, it’s a surprise!  Thank you so much for reading, and until next time, this has been

– Takuto, your host

LISTEN TO THIS. “Almost Human” by pop-singer Lauren Daigle is an interesting choice for an ED theme, and I wouldn’t have picked a different one. SO GOOD!!

 

Filling the Danganronpa Void | End of October Update 11/5/17

Hey everyone, what’s up? Another Spooktober has come and gone and very little blogging has been done. But where there’s a lack of writing there has been an influx in watching—just as much as last month, if not more!

As for school, first year of college is still smooth sailin’. With midterms out of the way, it’s now a barren wasteland until Fall break is over, after which the bomb that is “finals week” will be dropped. But until then, I’ve been trying to read more—and it’s been successful! Now if only I could feel motivated to write about it all . . .

Anyway, let’s take a look at what I’ve read/watched this past “spoop month” and see my desperate attempts at filling the Danganronpa 3 void end in utter failure. (And yes, the itch still has yet to be scratched.)

RECENTLY FINISHED:

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Tsuredure Children—My GOD, what I would have given for a continuation of this mess of high school romances. It’s not even that good, which is why I’m so confused as to how I became so addicted to it all. Maybe the 12-min per episode run-time was a key part, or that I streamed it dubbed via Funimation Now as my weekly comedy. Either way, I’m sad that it’s over—and just when it was getting sooo good! Likely won’t review, as I don’t have much to say, but it ends just as cute as it begins, which is enough for me.

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Knight’s & Magic—I should’ve taken the warnings on this one. No joke, it kinda sucked. I didn’t care for any of the characters (nor do I really remember any of them), and the story gave up on my interests. I wanted to continue learning more about the interactions and affects of combining giant mecha knights with magical forces, but instead it turned into a show “save the kingdom from the enemy evil blah blah blah.” I won’t review this either because of how little I have to say about it, though I’m glad that I did finish it.

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The Dragon Dentist—Another hyped show that turned into disappointment . . . sort of. A 2-episode (40 min each) short from Studio Khara (Rebuild of Evangelion) with Hidaeki Anno somewhere behind the desks, I was STOKED for this show. Only putting his name on two titles since Eva 3.33, this and Shin Godzilla, I was eager to see how this one played out in his journey to Eva‘s end. While episode one was quite pleasant, episode 2 unfortunately became, well, I’m not honestly sure what. It definitely had similar ideas that the OG Eva did, but didn’t have the same strong execution due to the short run-time. Eva is a big story to tell, after all, so you can’t just throw in a similar ending and call it so. Sentai Filmworks just released it with a dub, so maybe if it goes on sale I’ll pick it up and give it another go.

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SHIMONETA—AHAHAHA S-O-X, S-O-X, S-O-X!!! Funimation Peep Show host Cookie Stratford hooked me up with this little title after previewing it at last year’s Naka-kon. FINALLY it went on sale, so bought the blu-ray! (I did stream the dub in its entirety just to double-check that it was worth the money—in which it absolutely was.) I’m ecstatic to have some more “fun” titles on my shelf, as a majority of shows that I do own require you to basically analyze your existence in the universe, and that’s just no fun when I want to fool around on a late Friday night. So here it is, cock, balls, and all! And you know what? I enjoyed every second of it.

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Danganronpa Another Episode: Ultra Despair Girls (PS Vita)—Don’t be fooled by the listing of this game title on my list, as there’s no way I have the money for a Vita right now, let alone the 20+ hours it’d take to complete this massive part of the franchise. Originally, I was watching walkthroughs of it via YT, living vicariously through the silent player as they traversed the game’s ins and outs. After making it a bit over half-way in, I realized that I COULD NOT wait any longer to watch Danganronpa 3, so talked it over with the Twitter fam (thx Gigi) and was directed to some “Recapitations” of the game’s story on the YT. WHAT A LIFE-SAVER, as Ultra Despair Girls just isn’t as neat as the rest of the franchise’s entries. It is still pretty cool though—soon after finishing the recap, I quickly found myself going back to the walkthroughs to watch the “animated” portions of the end, another 5+ hrs of video, but who cares—it was still a thrill ride! I then watched a recap for Danganronpa Zero and was all set for the ultimate despair: Danganronpa 3.

Danganronpa 3: The End of Hope’s Peak High School—The viewing of this crazy third season(s) is as follows: Future Arc episode one, Despair Arc episode one, Future Arc episode two, Despair Arc episode two, so on and so forth. As such, here are my individual thoughts on each arc:

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Despair Arc—Starting with this one because it end before Future does, Despair Arc was basically everything that I wanted from a Danganronpa prequel and more. And much, much, much more. With the knowledge of Zero (an unlicensed light novel—you can find a 20-min recap of this on YT too, bless), Despair Arc combs together all of the grittiness, backstabbing, and betrayal of the viewer’s trust that we’ve come to know and love. Simply put, it’s a story of hope that ends in despair, and I wouldn’t have had it any other way.

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Future Arc—Though wildly unimpressed throughout a good majority of the GREAT Danganronpa‘s supposed “end,” once episode eight hit it was balls-to-the-walls insanity. Seriously, if there’s ever been an incredible comeback mid-season, Future Arc is where it’s at! I rushed to the end, eagerly anticipating each wild episode of this chase against the clock until series’ grand finale . . .

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Hope Arc—I won’t lie, it was kinda anticlimactic, hahaha, but I still love this show too much to complain, goddammit! Such a rewarding finale for all the blood that was shed, all the darkness that was traversed, and while I would have asked for another end-all situation, what we got was still excellent. It’s a shame that I’d be spending the next month or two trying to fill the void left by this show alone, but hey, it’s an opportunity to explore new shows, right? (plz send Danganronpa recs plz send Danganronpa recs)

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Chivalry of a Failed Knight—No joke, the only reason I watched this show (on YOUTUBE NO LESS BAHAHAHA) was because Luci Christian was the English voice of Stella, the female lead. I was expecting it’d be a harem story about a hero of zero somehow defeating the number one ace . . . and sure enough, that’s exactly what I got. Nothing to write home about, but I have no regrets watching, either. High production quality on the animation front, not to mention that it had a kickass OP and ED!

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Riddle Story of DevilDanganronpa knock-off #1 presents itself in this game of assassins killing each other just to off a single girl—Haru Ichinose. “Why her” remains the big question behind the game itself, and though it sounds like the perfect formula for a DR follow-up, it couldn’t have been worse. Seriously, each death is foreshadowed by that character getting the episode’s spotlight (a reoccurring problem with a currently airing title which I’ll discuss soon), leaving no fun in determining who would live or die. At least the dub was good. Morgan Berry needs to be the MC more often. Also, Jamie Marchi always plays best girl. Always.

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The Perfect Insider—Alright, we’re getting somewhere with this one. Recommended by our pal, the Otaku Judge (thanks man!), this one’s a locked-room murder in which a rag-tag group of individuals must piece together the puzzles. I remember it being a big hit when it aired a couple years back, and while I wanted to follow it, time got the better of me. Guess this was a good thing, because I got to save it for future me when I needed it most, and boy, Judge, did this one get me closer to hitting the mark! Though a bit confusing (and towards the end a bit contrived), it seeks a more philosophical, slow-burning case vs. DR‘s fast-paced madness. Both can be appreciated for their own merits, but yes, this one is worth seeing, and hopefully I’ll get to review it soon!

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Blade Runner: Black Out 2022—The last prequel short film in a trilogy designed to fill in and expand upon the world of the latest Hollywood hit, Blade Runner 2049Black Out is unique because it is the only “anime” part of the franchise, the rest being live action. Feeling an inkling to revisit the cluttered and damp world of the 2017 Ghost in the ShellBlade Runner 2049 instantly became a must, and I set aside my DR hunt to revel in the OG Blade Runner and it’s 2049 prequel trilogy. Black Out was not only epic, but absolutely stunning on the animation front. It’s no wonder considering that Cowboy Bebop director Shinichiro Watanabe was invited to direct this short film, as Blade Runner was his biggest inspiration for creating sci-fi during his younger days. Before I knew it, I found myself with my dad in the theaters on the last day of showing, and we had a blast. Such an incredible franchise with wondrous world-building that’ll leave you in utter awe and terror of the near future. Still thinking about this one now . . .

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Devil Survivor 2 The Animation—Aaaannnnd we’re back to Danganronpa hunting, this time for a game-turned-anime series about kids fighting against a mysterious alien force and time itself before their world reaches its end. Very cool premise, but ruined NOT due to the short runtime, but IMO because of the game’s gimmick—each of the 12 or so characters possess a smart phone that allows them to summon demons to fight against the aliens. I think it would’ve been much more enjoyable had the characters fought the aliens themselves somehow (special skills, weapons, whatever) because the demon-fighting thing just wasn’t doing it for me. Now, I realize that it defeats the entire premise of the game this way—I know—but with the demons out of the way, there would have been more room for character interaction, and the motives for survival would’ve been all the more crushing when they met their fate on the battlefield. Not a complete wreck of a show, but it EASILY could’ve been made better. Excellent animation, BTW, with a great OP and chilling ED to beat!

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Harmony—The second Project Itoh film, Harmony is set in a world where good health is king, and the hospital basically runs government. Everyone is consumed with medicine to the point where it becomes their ruler, not the other way around. People have lost their sense of identity, what with having perfect health and nothing to complain about. Tuan, a high-ranking military officer is sickened by everyone’s kindness in this age of monotony, of perfect harmony. And just when she thought she couldn’t hate it enough, a blast from her past causes mayhem in the present, as systematic killings and mass suicides suddenly take over the world. Out on a mission to stop the one robbing everyone of their utopian futures, Tuan comes to understand why she thinks the way she does, as well as what being human means to her. It’s a grossly underrated film, and though the CG action at the beginning can be a bit jarring, what is in store for the viewer far usurps any awkward animation sequences. Do not let the “meh” community rating stop you from trying out this film—it requires a bit of thinking, but it’s well worth the watch for any fans of dystopian fiction i.e. Huxley’s Brave New World. Might review!

CURRENTLY WATCHING:

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Welome to the Ballroom—Not much to say, as I’m a bit behind on this seasonal title. The addition of the new girl throws some chaos into the mix, but I think it’s slowly helping the show all things considered. Also, I’ve come to appreciate the new OP, so that helps. Looking forward to it!

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Juni Taisen: Zodiac War—Five episodes in and all I can PRAY is that it stops doing that formula thing I mentioned earlier. One of the novel’s (OG source) biggest complaints is that this formulaic system of deaths does continue as a prominent force, so I hope the finale at least has some shock saved for us. And I swear, if Rat wins, I will jump off a cliff.

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Electromagnetic Girlfriend—Ahh yes, continuing the DR hunt. Rated highly as a short 2-episode (40 min each) horror mystery show, I’m surprised I haven’t heard more about this series. Probably due to the lack of localization. Anyway, I’ve watched one of two episodes and I can say that, while short, it does have some decent twists and turns in it. Not quite scary [yet], but engaging and will likely end with a decent rating from me. And the background art is incredible, holy shit. The anime follows a delinquent teen and his little stalker friend, a mysterious girl with long black hair claiming to be his knight from another lifetime. Interesting . . .

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Ergo Proxy—In my final efforts to secure a decent sci-fi mystery show, I’ve settled on this classic anime that has sat on my shelf untouched for a good while now. Though drab in terms of color scheme and quite on the slooooow side, I can already feel Ergo Proxy shaping up to be a much better show than half the entries on this list! It almost reminds me of a crossover between Star Wars‘s setting and Avatar the Last Airbender‘s humor. IDK why, it JUST DOES. An unraveling story of what is likely to be self-discovery in a dark future without much individual identity, Ergo Proxy manages to keep me interested by leading me on with new elements to the world at every turn. It’s also a bit of a cop/detective story, much like Ghost in the Shell: Stand Alone Complex. Overall, I like what I’m getting, I only wish it were a bit more, hmm, thrilling.

CURRENTLY READING:

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A Certain Magical Index Light Novel Volume One—This was one of those late-night Amazon pick-ups, but like I mentioned last update I’ve been in the mood for some light novels, particularly to understand how and why they are written, as well as to take advantage of what they are—fairly cheap and disposable fiction meant to be read on a whim; you follow the stories you like, and drop the ones you don’t. Having already watched both seasons of the anime, I’m glad Index continues to be interesting even in novel format, and I’m eager to pick up the second volume soon! Also, did you hear the fantastic news?? INDEX 3 IS COMING IN 2018, REJOICE~!!!!! It’s just ironic that I started reading the original source now after all these years. Oh well.

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Murder on the Orient Express—BOI, you already know. Fall’s been mystery season for me, clearly, and what a better bang to end it on than with classic Christie and her film adaptation of the same name. I’M. SO. EXCITED. FOR. THIS. FILM. Having just rewatched bits of Hyouka (and my guy Oreki bringing up Christie in a case of his), my inspiration to check out the actual book from the library shot up, and now here I am. About 1/3 into the book with no serious evidence given yet, my blind guess for the killer is . . . the maid, cause it’s always the maid LOL. I don’t know, but I can’t wait to find out!


BLOGGING PROJECTS:

In regards to last month’s update, I DID not only end up reviewing Death Parade, but I used it as the focal point in my October OWLS post, WOOHOO! Such a neat show, it came just at the right time to match the month’s theme! If you want to read my thoughts, click below!

Also, prior to OWLS I FINALLY put together my thoughts on Shin Godzilla in post that has surprisingly gotten a decent amount of traffic, appreciation, and EVEN a feature on another cool person’s blog (thank you all so much)!! It was really hard putting that one together, not gonna lie, so it’s nice to see the payoff. In case you missed it, here ya go!


 

The End of Spooky Season

GOODNESS ME, that’s a lot of titles, no? And to think, I’ve also been rewatching Hyouka, Gosick, School Live, and Paprika as a part of the spoopy holidays! October has become a favorite holiday of mine, which is odd considering that I used to hate it. The cool weather and downtime have allowed me to explore reading and watching much more, and hopefully they’ll bring me back to the blogosphere soon. I’ve got two little nominations to attend to, plus a new Cafe Talk in the works, so look forward to, YES, learning even more about me!

How did you spend your Halloween season? Also, any good manga/light novel you’ve been reading lately? I want to know! Also, and last call (maybe), if you know a anime, game, or book that’s even remotely like Danganronpa (whodunnit mystery thriller survival game), PLEASE LET ME KNOW!!! I’m in quite rut, and the obsession has grown so large that I’ll even be cosplaying a male version of a certain “despairing” character in March, upupuPUPUPU!!! ‘Till next time everyone!

– Takuto, your host

 

I’ve Finally Been Recognized as Lovely! (One Lovely Blog Award)

Hey guys,

THE NOMMIES RETURN upupuPUPUPU! It’s been so long since I’ve been awarded one of these—it’s my first “Lovely Blog Award,” in fact! I also just happened to find a 20-min pocket of time, so why the heck not. This’ll be short, and you might learn a thing or two about me here in the next minute, so that’s cool. Special thanks to Mel (Mel In Anime Land) who happened to grace me with this nomination a couple weeks back. (I told you I’d get to it!) Check her out!

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Ok, ok, here are the rules:

  • Thank the person who nominated you and link their blog
  • Add the One Lovely Blog Award to your post
  • Share 7 things about yourself
  • Pass this on to as many people as you like (max 15)
  • Include this set of rules
  • Inform your nominees

And sorry, I won’t be nominating anyone because let’s face it: I can hardly keep up with everything as-is, plus this thing has likely made its rounds by now, haha. If you follow me or are just stopping by, go ahead and take this one on—I’m awarding anyone who feels willing to share more about themselves, for if you are reading this, you likely have good taste (and a lovely blog for sure, hehe :P).

Alright, let’s go!!

1. I was high school Homecoming Royalty

The king, in fact, hehehe! Why bring up high school now though (I mean, wasn’t it “the worst time of everyone’s life)? Well, my high school years weren’t half bad, my senior year being the saving grace. I also mention it now because, just a week ago, I got to hand off the crown to my sister, who is now the ruling queen—isn’t that kinda neat?! [insert “My Little Sister Can’t Be Royalty Just Like Me?!” light novel series here] Makes me wonder where she got it from, certainly not me, right? Ahaha, I kid, but seriously, it was tons of fun. To my class, who I know will never read this but regardless, thank you for all the laughs and the memories—it was an honor serving as your king over the past year~!

Would you have ever guessed it? Now you can can say you are friends with royalty 😀

2. I’m a night owl

Like Mel, I get most of my work done once the moon comes out. This can be a real inconvenience considering how, well, most people play by the sun, but somehow I make it through . . . by staying up late, waking up early, and feeling exhausted 24/7.

3. I LOVE granola bars

No, it’s like, really, really bad. Breakfast, lunch, snack, repeat. I am OBSESSED. I also like all kinds, simple chocolate chip or some kind of yogurt ones being my favorites. In fact, I hate nuts, but eating granola bars with nuts has given me a slight appreciation for them. Guess there are pros and cons to every addiction.

4. I LIVE for mystery stories and survival games

This is probably why anime like Gosick, Hyouka, Future Diary, Another, Higurashi, Fate/Zero, and, holy god, Danganronpa, my most recent obsession (besides the granola bars). I’ve traversed the entire franchise, watching the first anime many years ago, a Let’s Play of the second game last summer, and more Let’s Plays/video summaries of the other entries just these past couple weeks. I’m still searching for SOMETHING to fill the Danganronpa 3 void, so if you’ve got any recommendations, now’s the time to share . . .

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5. I’ve done music all my life and honestly, it’s meh

Sad but true. I’ve dedicated at least 4/5 of my life to something that . . . well, I’m not sure why I’m still involved with anymore. I play the cello (in a symphony, a quartet, and a small trio), and I can’t help but wish, everyday, that I was doing something else: painting, drawing, reading, writing—anything! The only reason I’ve stuck with it is because of the pushy music staff here. If they weren’t so clingy and even rude sometimes, I would have wanted to stick around. But crappy people are everywhere, so for once, I don’t even know what the moral of this story is supposed to be. Call it wasted potential or a future regret like all the others, but I don’t think that’ll stop me from retiring. When I’M ready, I’ll start up again on my own time. Like, “Can I please just move on with my life?”

6. I’m trying to get into light novels more

From the little research I’ve done, Japanese light novels are designed to be affordable, dispensable, and easily digestible written works, either as standalone novels or for a much larger series. They are relatively easy to publish, and that’s awesome for budding authors. What I don’t like is that many, especially now (like all media), rely heavily on the infamous “light novel tropes” to sell copies and hook readers, and while on paper it’s like “whatever,” many animation studios as of late have decided to spend all of their time and manpower on adapting these often times cliche, poorly written books. That said, I want to get into light novels more (which is why on Twitter I asked for suggestions). I want to understand them better, and maybe see if I can, sometime down the line, craft my own.

7. I am a collector, not a renter

That’s right, I don’t go to the library, nor do I occasionally stream shows. Instead, if I can score big sales and [blind] buy a ton of crap I know I won’t get to for 7 years, I’m gonna do it!! It’s actually gotten really bad, haha, so much so that I went on a no-buy (that didn’t last) and realized that “OMG, if I actually watch and read the stuff I actually have, it wouldn’t just have to sit there!” A novel idea, I know. If it’s any consolation, I do buy my stuff at THE BEST price one could ever find it at, so I do know a good deal when I see one. Unfortunately, if I avoided shopping during sales, then that would save money, too.

But enough of that smart thinking stuff. Time to go blow $80 on Sentai DVDs of shows that I wouldn’t buy otherwise unless they were $10 a piece. 😛


That wraps up this award. Did you learn anything interesting about me? Did you sympathize with my problems or just find me to be a big whiner? Either way, I’m curious! Again, if you want an excuse to talk about yourself, I nominate YOU to do so! Just let me know if you did so I can read it and share it. Again, big shout-out and thank-you to Mel for the nomination—it was fun! ‘Till next time guys!

– Takuto, your host

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Death Parade: That’s Just the Name of the Game | OWLS “Dreamers”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s  tenth monthly topic, “Dreamers,” I decided to incorporate what would have been my standard Death Parade review into this retrospective look at beauty stopped short by a cruel twist of fate.

Every individual has a goal or ambition that they devote their whole life to with passion and courage—whether it’s landing your dream job, traveling, or finding the love of your life. However, there are those who spent their whole life working towards a dream, but were cut short due to an unexpected occurrence. Those people are left only to dream and wonder about the possibility. 

We are not going to focus on the individuals that achieved their aspirations, but instead look at characters that weren’t able to. We will explore what happens to characters who had their wings forcefully cut off, as well as those who gave up before they even started their journey.

I’m a little late to the Death Parade game, but better late than never, right? Also . . . IT’S FRIDAY THE 13—KARMA IS GOING TO EAT ME ALIVE AND SPIT ME OUT. Thanks Lyn for the prompt!

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A brief discussion on the winter 2015 anime “Death Parade,” produced by Madhouse, directed and based on the original story by Yuzuru Tachikawa. SPOILERS WILL BE PRESENT.

“Welcome to Quindecim”

What awaits us in the afterlife? Is there even such a place? As we understand it, nobody will remember how they died. There is living, and then the moment after death. So how did I get here—and why is there a bar in the afterlife?

Such is the state of mind of those who—fortunately or not—awaken in a mysterious bar remembering only that they lived, and that they are now here at a chic bar called the Quindecim. You cannot escape, but you are invited to participate in a game where the value of your soul is on the line, and weighed by none other than the discreet bartender Decim himself. Darts, bowling, air hockey—your typical watering hole time-wasters. Terrible joke, right? Honey, that’s just the name of the game.

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As pairs of strangers stumble into the ethereal pub, they quickly ingrain it within themselves that winning is absolutely dire to making it out alive. Little do they know that despite having come from different walks of life, human nature is unchanging, including the worsts parts of it. That precise moment of despair declares the true winner and loser, and just like an arbiter Decim passes judgement based on the revelations alone, sending them to either heaven or hell following the game—that is until, however, the arrival of a strange black haired woman causes Decim to reevaluate this cruel system of judgement he employs upon his poor guests, as well as his own existence as a heartless arbiter.

“Tell me, bartender . . . we’re already dead”

Death Parade centers its focus on three important themes: the act of passing judgement upon others, self-realization, and death itself. What’s really special about this anime is how it breaks down these notions and turns them on their head, causing the lives of the characters in the show to fall short of any real achievement or happiness:

3. Judgement For one, Decim does not believe that the games bring out the true hearts of his guests, but that true shock and terror for one’s own being does instead. He draws forth these intense emotions by the games: slowly, he might re-implant the memories of their deaths back into their minds; or perhaps, he’ll break or disable a function necessary to win the game in order to see how those essentially “cheated  on” accept these brutal circumstances. Actions define your character, after all. But could you even call this fair judgement? Decim thinks so.

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2. Self-Realization All of our guests awaken without a clue as to how they got there. None of them even remember how they died, which is crucial to the game Decim wishes them to play. As the matches progress and the memories begin trickling back, these individuals start to reveal their true colors to one another, some exploding with hypocritical violence like they used to back when they lived, others merely crying at the tragedies that befell them pre-death. What’s common between both the winners and the losers is that they are all struggling while coming to terms with the realities that fate has placed them in. That shock is a lot to take in. All at once, you remember the person you used to be: the sins that you committed, or the evils that were done to you unknowingly—how you were stabbed in the back, or how you yourself took another’s life. Here, self-realization isn’t used to instill individuals with hope, but rather complicate matters, causing some to break because of the pain.

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1. Death One of the anime’s greatest secrets is revealed come episode two: the guests who believe that they’ve just been kidnapped or imprisoned are, in fact, deceased, presumably stuck in a purgatory of sorts until the arbiter judges them, sending them to either heaven or hell. That’s when the second great secret is revealed: there is no life after death, only reincarnation or the void. Adding more trauma to the hopeless situation, Death Parade anticipates that its viewers are left praying for the purest of the two guests, only to have that purity snapped by the ultimate revelation: There are no second chances, in life and after it.

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Why do it all? To Show us Chiyuki, a Dreamer

This is the name of the black haired woman with no name, no memories, but a passing thought: she knows that she’s already dead. Inconveniencing Nona, Decim’s “boss,” the nameless woman is granted a working shift at Decim’s side until . . . hmm, well we don’t really know how long she was supposed to work, just that towards the latter half of the series memories of her past life start resurfacing, creating an unstable existence trapped with little time left to remember everything. Luckily, she does, only to realize that she, too, was ruined long ago.

She was heralded as one of the nation’s top ice-skaters, and as a child growing into an adult, everyone only saw her for that, an athlete. Chiyuki was thrilled with the praise and success, but overtime (especially as a full-grown adult woman) we get the feeling that she wanted to be more than that—to be known for who she was, not what. And nobody cared to explore that side of her. She was judged by the world for what she accomplished, not how she lived.

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To balance the scales, Chiyuki is sent as an assistant to Decim to judge souls herself. She finds herself frequently bumping heads with Decim’s cool demeanor, though, frequently voicing her human emotions and opinions quite loudly—about how wrong Decim is, or how unfair the things he does are. She opens Decim’s eyes to the way of the world, allowing them both to tragically realize that, whether it’s in life or whatever comes after, no soul deserves the unbearable weight of judging others.

She was judged, she had a realization, and then she died. But not in the traditional sense. No—her death came with losing what connected her to others: ice-skating. After suffering a career-ruining injury, she was forced to give up her passions, aspirations, and biggest dreams of becoming one of the greatest ice-skaters to ever live—THIS was what truly killed her, for now, without a purpose, she merely exists and walks along a destination-less path. When Decim shows Chiyuki the world without her in it, she realizes that her suicide marked the finality of her regrets, not her death. The pain she caused her mother absolutely tore her apart, and she is left heartbroken because she wished she had valued her own life.

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Where Justice Lies

Given the once-in-a-“lifetime” chance to return to the living, Chiyuki denies the ultimate wish. Why? Why wouldn’t she want to apologize and reunite with her mom?? Causality, that’s why; give and take. When a soul leaves the earth, a ripple of cause and effect impacts the lives of others. By reclaiming the impossible—a second chance at everything—her soul is exchanged for another. This brings us back to the first theme, where YOU do not get the chance to weigh another’s life, nor the sorrows that would come with that stranger’s death. The revival of one brings about the unfair ruin of another, and if justice has taught her anything by this point, it’s that this is the greatest taboo.

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At the story’s end, we find out that Decim’s existence is part of an elaborate experiment crafted by Nona all for the sake of searching for a better judgement system. Though Quindecim’s tactics are arguably fairer than the ones we have now, it’s still a far shot from true justice. That begs us to ask the essential question:

How long will it take to find where justice lies, and at the smallest cost possible?

Death Parade takes an exceptionally accurate stab in the dark and concludes that, though trial and error brings us inches closer towards the light, true justice still lies many, many lifetimes away. In a story rich with irony where dreams are crushed and lives are weighed like pennies, those parading into the bar of the afterlife died long before they even realized they lived.

“I don’t regret the things I’ve done. I regret the things I didn’t do when I had the chance.” – Chiyuki


Man, I didn’t even get into the slick animation (with amazing texture designs), atmospheric and emotional soundtrack, or the other characters besides Chiyuki and Decim, but perhaps I’ll leave that all up to you to explore yourself! It is, after all, regarded as a “Cake” here at the Quintaku. 🙂 But yeah, Death Parade, it’s a wild ride for sure, though I can’t help but feel that it, like its poor characters, had its expectancy cut short. I doubt there’ll ever be more, considering it’s an original source (the best kind of anime), but who knows, maybe Lady Luck will throw us a curve ball, or an extra toss at the dart board. (Just please, avoid the eyes. That would suck immensely.) Let me know what you thought of this anime!

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This concludes my ~spooky~ October 13th entry in the OWLS “Dreamers” blog tour. The incredible YouTuber Gigi of Animepalooza *FINALLY* put together a video captioning the flawed life and broken dreams of Yuri!!! On ICE‘s KING JJ which you can view right here! Also, look out for our fearless leader Arria’s (Fujinsei) post about the lovely Silver Spoon this upcoming Monday, October 16th!  Thank you so much for reading, and until next time, this has been

– Takuto, your host

Shin Godzilla is Terrifyingly Realistic & Meaningful Ode to History | Review

A brief discussion on the summer 2016 Japanese film “Shin Godzilla” (also known as “Godzilla: Resurgence”), produced Toho, co-directed by Hidaeki Anno and Shinji Higuchi, based on the original story by Anno (Evangelion). 

*I am not overly familiar with the Godzilla franchise (meaning I cannot properly decide whether it is a particularly “good” or “faithful” addition), but I do respect it and the impact it has had on the Japanese people and the rest of the world.*

“A God Incarnate. A City Doomed.”

This is how Funimation captions the deadly film containing the biggest, baddest Godzilla known to mankind, and accurately so. (He’s literally the tallest in the franchise!) But before the King of Monsters surfaced from the deep, it was just another quiet day for Japan. Chaos quickly floods the scene when a giant, strange gilled creature explodes from the ocean’s surface and begins tearing through the city.

Prioritizing citizen safety above all else, the government attempts to keep the situation under control, only to realize that their technicalities and formalities are useless in the face of true terror. It’ll take a rag-tag team of volunteer scientists, engineers, and public safety officials to come up with some sort of way to combat this seemingly perfect lifeform. “But time is not on their side—the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.” – Funimation

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More Than BOOMS! and BANGS!

Despite boasting action (it’s a Godzilla film for crying out loud), there’s a surprising amount of substance, particularly a possible social commentary on the hierarchy of the Japanese government and they way the nation handles foreign affairs during war time. Specifically, we are frequently shown how frustrating and slow policy can be. The film’s first half centralizes on political officials arguing about who should do what, when, and their reactions to the unbelievable events unfolding—most were consumed with disbelief, in fact, except for the young yet forward-thinking Deputy Chief Cabinet Secretary Rando Yaguchi, our basically-main character (and wow, what a title).

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We join Yaguchi in his frustration against the higher-ups, as well as his struggle to make amends with the innocent lives lost because of the government’s inability to act early on. While those above him in rank merely wish to hold fast to their comfortable, well-paying seats, shrugging off the impending doom that is about to likely kill them all, Yaguchi pulls together every asset that he can to find out what Godzilla is, and solve the mysteries surrounding Goro Maki’s research on the subject. It’s sad to admit how painfully real the execution of this all is.

Unlike the other officials who merely bicker about bureaucratic protocol and semantics (and not take things seriously), Yaguchi deals with exactly what’s in front of him. He knows he’s trapped within the system’s web, but he doesn’t fear questioning those above him in order to do his job correctly and honorably. Actor Hiroki Hasegawa conveys the complexity of Yaguchi’s character impressively, balancing fitting facial expressions for each emotional hit: a mix of concern, anger, sadness, and confusion.

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As I side note, I thoroughly enjoyed the excitement that came with watching Godzilla transform from the weird gilled lizard on all fours to the menacing tower of terror we’ve come to know and love. It was so much fun! One small small complaint that I did have was (and I’m not sure if this actually counts) that I couldn’t really tell if the CG done on Godzilla was “good” or not. Seriously, I couldn’t. Was he creepy lookin’? Sure, but I’m not sure how this makeover compares to previous ones. Also, while his explosive beams later on looked absolutely terrifying, I didn’t like the cheesy sound effects for the explosions—they felt like they were missing a low boom to ’em, or perhaps an epic bass you’d expect from a Hollywood explosion.

Intense Dialogue, and the Engrish Doesn’t Help

Most of the film’s complaints are targeted at the lead female, Kayoko Ann Patterson, portrayed by Satomi Ishihara, whose unfortunate script is loaded with English-heavy dialogue. In an interview, she even stated “Sometimes it’s so frustrating, I just want to cry,” and by NO means is any of this her fault—that’s a director issue. Her character is meant to seem very American, and while we definitely get that feeling, I can’t help but think that her normal Japanese speaking would’ve sufficed the whole way through. Anyway, I still love Kayoko to death because of how her character acts as an excellent foil to Yaguchi’s—both see themselves in higher positions, but for now, they work together efficiently with what they’ve got in their own ways.

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The Engrish problem is solved by switching the language settings to Funimation’s English dub, which is especially wonderful because the subtitles just fly by! Shin Godzilla is a film about talking through the problem, and less about any spectacular human actions. The political nonsense in the first 20 minutes, as well as the ending with solving Maki’s quote (which I’ll get to) are much easier to understand with the dub. If you don’t mind live-action dubs, do give this one a go—it could help immensely with understanding the film’s main messages.

Understanding the Legacy of the Atomic Bomb

More than having knowledge of the franchise, it’s historical context that is needed for full emotional effect here. Japan was rocked not once but twice by an evil that shouldn’t have even been unleashed on the planet: the atomic bomb. History has learned that the destruction that follows an atomic bomb is not cool. It’s not something the U.S. or any country should glorify, and this film makes sure of that. Godzilla was birthed once the long-term effects of radiation poisoning revealed themselves as something just as fearsome and frightful as the bomb itself—gosh, perhaps worse.

This brings us back to the film, which could stand an allegory for nuclear war and its long-standing effects, Godzilla itself mirroring the disastrous earthquakes, tsunamis, and radiation that hit the poor nation all at once. Unlike normal action films where you’re just waiting in anticipation for the bad guy to unleash their awesome powers, I was left not cheering, but shaking with fear of the results that, very closely, mimic an atomic bomb. The theme of destruction is a powerful one, a scary one, and that’s how this film shocked the viewers—the moment Godzilla unleashes its wrath is one that can only be witnessed . . . and feared.

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The People that Made this Experience Special

1. Sharla (Sharmander on YT)—Being one of my favorite YouTubers, it’s rare to ever hear about her work life as a dialogue coach, and so I was ecstatic once she put out a video saying that she worked with the cast (particularly Yaguchi and Kayoko on those stubborn English lines) and Anno himself.

2. Shiro Sagisu—Known for his epic music in Evangelion, Shiro gives the film a really neat character. His famous “intense operations planning” music that plays throughout the franchise makes several appearances in this film, and though it felt overplayed at first, a second watch through with the dub made it all feel like it blended seamlessly, as if Eva and Godzilla were truly “a match made in kaiju heaven!”

3. Hidaeki Anno—THIS MAN puts me through so much stress, and yet I can’t ever look away whenever I hear his name involved in a project. He is the reason I jumped into this foreign franchise, after all, so that’s got to mean something, right? He perfectly combs together realism, destruction, and rebirth in such a way that merits a masterpiece with every work. In Shin Godzilla, he took me back to the first time when I saw Evangelion and was impacted in such a way that I’d never be the same without it. I’m glad Anno took the break between 3.0 and the final Rebuild film, because hey, sometimes we have to “Do as we please,” and I respect that.

Thank you for giving me my Evangelion fix—it was an incredibly enjoyable experience!

“Do as you please.”

These are the few words left by the enigmatic Maki, and yet, they remain the strongest message within the work. It’s something so simple, to do as you want to, though I get the impression that it’s not a common Japanese lesson taught. No, this isn’t a wish or a passing thought, but a statement aimed DIRECTLY at Japan. Towards the end of the film, the Prime Minister must either give consent to or deny the United States’s declaration against Godzilla: “Take care of it now, or we will nuke it.” That’s right, history will repeat itself. Japan would risk losing the pride and dignity it spent so many years recuperating to the humiliation of starting at ground zero once again.

With the titular creature MIA towards the end and the U.S.’s threat, it almost begs the question: Are humans deadlier than Godzilla?

But oh, “Danger is an opportunity for personal growth,” remarks the U.S. President in the film. Yeah, not for this country. The true climax of the film comes down to a duel between philosophies—to accept help and then rebuild, or own up to the situation. And when Japan finally does decide to take matters into its own hands, fighting the way only they do best by studying their enemy, the scientific team makes work of the King of Monsters in a way that, without spoilers, makes me proud to be human. Using science, mankind’s greatest weapon, the team transforms the impossible into plausible—theory into reality.

It’s that moment when you realize you CAN stand for yourself WITHOUT having to kill another being—THAT is the big takeaway. Take pride in the things you can create and accomplish together, NOT destroy. And finally, for ONCE in your overly obedient life, do as YOU please, NOT what the others want.

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Shin Godzilla is incredibly smart, realistic, meaningful, and genuinely scary at times. Most of all, my god, if this film had come from my country, I’d be overflowing with pride, too.

“Accountability comes with the job. A politician must decide to own it or not.” – Rando Yaguchi 

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(None of these screenshots belong to me. No copyright infringement is intended.)


Have I been completely Godzilla-fied? Haha, not quite, but I will definitely be keeping an eye out for future installments, including the wildly anticipated CG Godzilla film directed by Gen Urobuchi, another one of my favorite directors in the industry! Shin Godzilla may not be anime, but I’ll let it slide into the “Caffe Mocha” selection as grade-A movie material for sure, and for everything it stands for. Shout-out to Scott (Mechanical Anime Reviews) for hyping me up about it, and for covering the film way better (and quicker) than I did here.

Lastly, thank you so much for reading, as this was a film that has grown to mean a lot to me. I’m dying to know what you thought about Shin Godzilla, especially regarding its production, so let me know your thoughts in the comments! Until next time everyone, this has been

– Takuto, your host