LitaKino commemorated this piece on writer’s block to me, as well as any of us struggling in the fight to write. Learn her tips from her own experience and pass on whatever you can to those also needing a helping hand. Thank you so much, Lita~!
That’s right, we’re halfway through the summer of anime! Even though school kicks up in a couple of weeks for many (myself unfortunately included), at least we’ll still have the exciting finales of many great titles to look forward to. Speaking of, what have I been following this summer? Let’s take a look!
But before we dive into what’s new, despite the lack of reviews I’ve actually watched a lot of anime this summer. For the recently finished titles, I’ll be looking as far back as the end of May until now. Crazy behind, I know! Also, I’ve got pictures in my updates now, so that’s cool!
Bungo Stray Dogs Season I – Bungo Stray Dogs fans already form this occult following; either you love it and are willing to buy everything Bungo, or you’re just biting your nails until it’s over. I found myself on the latter side, but hear me out!! Animation: awesome. Characters: great amusement. Story: entertaining enough. So where did it go wrong for me? It lies in the identities of the characters, or rather, who they are pingbacks to in history. From what I grasped, each boy identified as an allusion to a famous author in history. Half the fun of the show was, like with Fate or Touken Ranbu, probably in seeing how these historical figures interacted with one another, and sadly, my literary history is quite lacking! Maybe I’ll give the second season a try, but I’m in no hurry at the moment.
Buddy Complex – This was actually a title I was intending on reviewing once I finished, but I got caught up in other things before that could happen. Anyway, Buddy Complex is a title that went unnoticed as it aired—it even got a release by Funimation, sub only, though. That’s sad, cause I would’ve bought the heck out of a dub! I LOVED this anime. While it felt so cheesy and cliche at first, it kept on making all of these nonsensical calls that only made me curious as to how badly it would crash and burn in the end. Surprisingly, I found myself enthralled with how everything came together. It only goes to show how much a little OVA or two can make the world of difference. Definitely glad I didn’t give up on Buddy Complex, and hey, maybe I’ll revisit it when I pick up the Blu-ray.
Hanasaku Iroha – If there’s one title I’ll remember for my 2017 summer, it’ll be this one. So soft and sweet but knows when to throw down the hammer, Hanasaku Iroha stands as another WIN for P.A. Works, and a huge victory for slice-of-life/drama shows. I could go on, but I actually tied my review for it into this month’s OWLS post, a two for one you could say! Here it is in case you missed it!
Corpse Party – Ugh, I knew what I was getting myself into before I even started. Watched it with a couple of friends, one who said that we had to watch it. It wasn’t fun. At least I didn’t waste too much time on this shit show.
Eureka Seven – Do you know of that one title that EVERYONE loved but you didn’t? For me, it’s Eureka Seven, and this is particularly tragic considering as I was really hoping to walk out of it claiming it to be perfect. I mean, it’s got all of the elements of a mecha anime that I love, but it was the characters that dropped the ball for me. All of the Gekkostate crew were dicks to Renton, and rather than taking the time to work him into the team, showing the audience some of their personalities in the process, they all either picked on him or ignored the poor guy! I guess they were certainly a realistic bunch, but not a crew that I would ever want—and these are supposed to be the good guys! The whole way I kept telling myself, “It’s gonna get better, it’s gonna get better,” and when it finally did in those last 12 episodes, it soon after ended. It’s the first time community hype has ever failed me. I’m still eager to watch the three new films within the coming years; maybe those will change my mind about the series.
Fate/Grand Order: First Order – Anyone else utterly consumed by the Fate/Grand Order mobile game? If I ever have a spare hour, you know what I’ll be doing: plugging away, earning gold four-star EXP cards until the next story update. Anyway, this is just a 45-min adaptation of the game’s beginning, and it wasn’t bad at all. In fact, I could have watched more for sure. Like the recent Fate trend, it wasn’t done by Ufotable, but whoever did make it did a pretty solid job with it. Nothing too fancy, but pretty cool for those playing the game. Otherwise it’s a pass.
KADO: The Right Answer – Unlike what the popular opinion about the ending is, this was a show that intrigued me from beginning to end, making me ponder endless hours as to the possibilities, the what-ifs, and could-have-beens about our own universe. KADO may have been done up in 100% CG, but not only is it good CG, the impossibly smooth texture of the models gives the series that extra edge, making it feel all the more otherworldly and spatial. The series is about a cube measuring 1 kilometer on each side (I think) that suddenly lands on a Japanese airport runway. A mysterious man calling himself a being from outside the universe offers mankind gifts beyond comprehension, but they may only keep those gifts if they make the right answers to his actions. Awesome show, might have to review!
The Vision of Escaflowne – I DID IT LITA, I FINISHED IT!!! About a year ago, Funimation created a Kickstarter for the show’s 20th anniversary and a new English dub to go along with it. I supported it, and when I received the first part in the limited edition box I remember being overjoyed! It was my first Kickstarter, after all, so it kinda felt like owning a piece of history that I contributed to. I finally picked up part 2 this summer, watched it all, and finished just a couple days ago. While I was simply swept of my feet with the first half, the second started off pretty rough. At least it pulled itself together for the ending, and I’m glad to have watched another 90s gem. Will review this one for sure, so please look forward to that!
Divine Gate – Hahaha I can’t believe I’m using my free 2-week Funimation trial for this dumbass show. I finished this one earlier this morning, and while the English dub was quite satisfactory, everything else about it . . . wasn’t. Like Buddy Complex and KADO, it was the trailer that convinced me to watch it, even if the YT comments were screaming otherwise. Call me a badass. But yeah, it had an exciting premise with decent animation to back it up (granted that other than the characters it was all CG), but man, either it needed a longer run than 12 episodes or Studio Pierrot (Tokyo Ghoul) just reeeaaallly sucks at adaptations. It was a tolerable show, but it’s not anything to write home about.
Tales of Zestiria (PS3) – Takuto played a game?! Yup, gotta do anything for the Tales franchise! This marks my second Tales game, first being Symphonia. While Symphonia offered a much, much better story (it’s actually one of my favorite stories in any media ever!), Zestiria‘s gameplay was a lot more fun—and easier, at that. For me, a person who does very little gaming, that’s incredibly important. I set out on this adventure after meeting Robbie Daymond at Naka-kon. He’s the Viz Tuxedo Mask from Sailor Moon, Prompto from what is it Final Fantasy IV(?), and he’s Sorey from Zestiria. It inspired me to hear more of him, and seeing as how I’m already acquitted with the Tales franchise, and that I had been anticipating watching the anime for MONTHS now, I just put it all together! Fun game with great, playful characters. I’m very much excited to finally start the anime!
My Hero Academia Season 2 – I mean, who’s NOT watching this show by now?? It’s the new hottest thing, all the kids love it, and I’m no exception. After the dazzling events of the sports festival AKA TOURNAMENT ARC (which I binge-watched), things had settled down in Izuku Midoriya’s world for just a second before rapidly picking back up again, reminding us that even in a world of tournaments and school games, the kids are being trained to be heroes, and heroes have to fight villains. As the second half of this sequel takes MHA back to its roots, I can’t help but miss the true fun and excitement of the tournament. My eyes are still yearning for more Todoroki being his half-n-half badass self, and the thrill of Bakugo’s explosive attitude (and powers), but season 2 is all about the original story, and I guess that’s A-OK too. It still has about 6 episodes to go, so hopefully it can peak the excitement that the first half boasted by the end!
Re:CREATORS – This show was my EVERYTHING when I was marathoning the first 12 episodes that had already aired. Now, not so much. The show is still very good, still visually pleasing and entertaining as a story. I think it’s just the shift from watching the beginning straight through to now where I catch an episode each week. It feels very slow now, and I don’t want to blame the story on that if it’s just the way that I’m consuming the show. Re:CREATORS was a show that I myself hyped up on Twitter a couple seasons back, which has a stacked production cast including Ei Aoki (Fate/Zero) as director, Hiroyuki Sawano on music, and TROYCA as the studio, three components that made up the exciting guilty pleasure of mine: ALDNOAH.ZERO. It’s a show about popular manga and anime characters that are brought to our world by a woman in a strange military/priestess outfit, proclaiming to the creations to force their creators to change their worlds. It’s easily the most interesting simulcast I’ve watched in a while, and I can’t wait to see where it goes!
Fate/Apocryhpa – Did someone wish for a year of Fate? Well, with Fate/Grand Order, Fate/Extella, Fate/stay night: Heaven’s Feel, and the newest adaptation to this perplexing arena, Fate?Apocrypha, it might feel this way. I’m a HUGE fan of this franchise, but I am a stranger to this tale about the Great Holy Grail War. Set in an alternate universe to Fate/stay night in where, during the Third War the Grail was stolen by the Yggdmillenia family (that name tho), the Mages Association must reclaim the relic before the family goes too crazy with it. Noticing the intended competition, the Grail conjures up 7 servants of Black to serve the Yggdmillenia family and 7 servants of Red for the Mages Association in addition to one Ruler class servant to oversee the war. It’s a clusterfudge of 14 vs. 14 and all I can say is that I’m glad this show was announced with 26 episodes cause MAN, I DO NOT KNOW ANYONE. JK, I’m slowly picking up names and goals, but if there isn’t some big fighting soon then I’m gonna be in a fit. Rather than Ufotable at the helm it’s A-1 Pictures, and while I’d like to complain, so far I can’t. I can feel the hard work that’s being put into the animation to compensate for Ufotable’s signature high quality style, and so long as the characters keep on interacting and learning about one another, I think the show will turn out just fine.
DIVE!! – This is by far the quietest entry on my simulcast list. Very few people are tagging along with the MDC boys and their journey to the Olympics simply because, well, it’s unremarkable so far. Unfamiliar viewers have been labeling it as another Free!, but we all know it’s far inferior to that beloved title. Animation is pretty average, but the art of the characters does look quite nice. Also, I’ve been jamming to the nostalgic qualities of the ending song!! Something about it reminds me of good times I used to have, IDK. If DIVE!! is lucky, it’ll complete its run telling a full story all on its own, because I know very few would stick around for a sequel—if it even got one. Still, I like DIVE!!, and yes, I’ll keep on watching. 🙂
Katsugeki TOUKEN RANBU – If there’s one show I’ll drop this season, here it is. No, it’s not because the show is bad by any means, it’s just that I am a complete stranger to this generally otome-catered title. It’s sword boys the anime, what can I say? From what I’ve grasped (ha, grasped), it’s about famous Japanese swords that are reincarnated as bishi boys to stop an organization that threatens to alter the course of history throughout time. Did I get that right? I just wished Ufotable took up Apocrypha instead of this because so far, while it’s a very pretty show, I’m still wondering when the main course is supposed to be served.
Welcome to the Ballroom – Annnnd I’ve saved my favorite for last, BALLROOM E YOUKOSOOOO!!! I love everything about this anime, from the sharp character designs and snappy, fluid dance movement to the soft color palette it has. This anime has reigned as most people’s No.1 title for this summer, My Hero Academia aside since it technically is a spring leftover. The show is about Tatara, a young boy who falls in love with professional ballroom dancing after being saved by Sengoku, a dance coach, from some bullies. He’s invited to the studio, where he becomes entranced by his secret idol at school, the beautiful Shizuku Hanaoka. Shortly after, Tatara finds himself taking up lessons in anticipation to one day earn the right to dance with Shizuku on the ballroom floor. The problem is that he’s not the only one that’s head-over-heels for Shizuku, so unless he practices hard he’ll lose the girl and possibly much more! It’s a sports anime that takes me back to when I simulcasted my first sports anime, Free!. While I was hoping for DIVE!! to bring me back to those days, Ballroom has outclassed it in all areas. As the exciting opening song invites us onto the floor and the waltz-like ending theme brings the day to a close, I look forward to this show each and every week! Bless Ballroom and its 24-episode run!!
*deep inhale* And that’s what I’ve been watching lately. Thanks to the NOT-SO-LOVELY services that are Netflix and *shudders* Amazon Prime, I’ve been left with little option but to find my anime elsewhere, as I am not supporting giants that I know can get their money from other resources. That said, it’s been kinda hard moving around the various sites, and it reminds me of days where I did nothing but pirate. I don’t like to do it, but I do help when I can by paying for a Crunchyroll membership, buying Blu-rays (frequently), and very soon, paying for a FunimationNow membership. Sometimes we’re left with very little choice, and I like to think I’m still helping out.
If you didn’t already know, my lack of content here stems from some house/room remodeling and simply not wanting to write. Part of that was also my job, where I work as a lifeguard. When we work, it’s not a shift, but open to close. That means that, on the days where I work, very little watching can get done, meaning less time to review, too. Summer is coming to an end, and so is life-guarding. Maybe now I’ll get more watching, gaming, reading, and blogging in. Sound like a good plan?
Summers are hot where I live. At its peak, it was +100 degrees F for weeks at a time, but now it’s dropped quite a bit to the 80s~90s, and on a day like today, 75 and cloudy, the best kind of days. As a whole, I’m still pretty excited with all of the simulcasts that I’m following, and hopefully my interest lasts until the end of the season where I can review the ones that came out on top! I want to know what you’re watching, too, or if I should be watching something else! Let me know in the comments and (after I catch up on all of the others I’ve left unanswered) we can talk about them! Until next time, this has been
– Takuto, your host
Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s eighth monthly topic, “Bloodlines,” I decided to incorporate what would have been my standard Hanasaku Iroha review into this discourse about “it runs in the family.”
Family means everything (or does it?). This month, we will be discussing the importance of family relationships in anime and pop culture. Familial relationships include a child and his/her parents, sibling rivalries, adoptions, etc. Some questions about family that we will be contemplating on include how does one’s family shapes his or her identity? How do we define family? How does a broken household influence a person’s view on family?
This show probably deserves a review all on its own, but hey, I’m just gonna go for it here! Thanks Lyn for the prompt!
A brief discussion on the 26-episode spring 2011 anime “Hanasaku Iroha: Blossoms for Tomorrow” and the 2013 film “Home Sweet Home,” produced by P.A. Works, directed by Masahiro Ando (Blast of Tempest), based on the original story by Mari Okada (A Lull in the Sea).
Out On Her Own
Ohana Matsumae: bursting with rebellious energy and only 16 years old, her picture-perfect Tokyo life could’ve been every girl’s dream—if only her mom wasn’t such a mess! Carefree, irresponsible, and always on the go, mother Satsuki Matsumae and her boyfriend hurriedly pack their bags to flee from debt collectors, forcing Ohana to seek refuge out in the countryside at her grandmother’s Kissui inn. It is there at the Kissuiso that Ohana forms the resolve to work hard under her grandmo—I mean, Madame Manager’s—cold and strict guidance as a maid to prove that she is just as strong and independent as her mother, reevaluate her unrequited love life, and “fest up” her otherwise mundane city life.
As Ohana grows deeper connections with the quiet countryside land and the changing seasons, she is faced with the trials of working as a maid, as well as countless interactions with the many customers that come and go at the Kissuiso. Bonds of friendship are born, and inexpressible relationships blossom beautifully.
The Kissuiso Staff
Much of the love and respect I have for this show lies right here with the inn’s staff. That said, it can also be the most frustrating part. The busybody maids remain my favorite: Ohana’s fresh, persevering face even if she’s not exactly helping in the best way just makes you want to shout “SHE DID NOTHING WRONG” (at least she’s always trying, unlike some of the others); Nako, the”quite literally” big sister character never fails to support Ohana in that soft and gentle way that she does; and Tomoe, the playful and typically jealous woman tends to catch gossip and spread rumors throughout the inn, adding in the comedic elements.
It’s the cooking staff that annoys me the most. No, not Renji, the stoic and buff head chef who minds to himself—my issues lie with an outspoken young man named Tohru and a girl Ohana’s age named Minko who “secretly” has the hots for him. They’re just both so rude to everyone, scolding one another whenever they can and not leaving much room for fun. I guess part of that adds to the staff’s dynamic (and conflict for Ohana), but Minko’s attitude really got on my nerves; far too distracting for what her character honestly represents. I also couldn’t stand her voice.
Lastly, I couldn’t forget the two loudmouths that pop in throughout the series: Yuina, the daughter of a rival inn’s family and Ohana’s new classmate who honestly only wishes to enjoy her youth while discovering her true passion; and Takako, the glamorous business consultant adviser for Kissuiso who always wants to revitalize the rather old-fashioned inn to suit the times. She often bumps heads with Sui, as her ideas are indeed ludicrous at times, but when it comes down to it, they both only desire what’s best for the inn and its customers.
I could go on about how genuine the personalities and relationships of each character feel, but half the appeal of Hanasaku Iroha is witnessing how they go about their days, both the ordinary ones for those slice-of-life vibes and the hectic ones to see how this seemingly disjointed team tackles wild problems head on!
One of P.A. Works’ Finest Pieces
I’m all about scenery. Whether it’s a schoolyard from heaven (or hell) or an enchanting undersea village, P.A. Works never fails to embody this ideal vision of a “gorgeous world.” The anime’s characters are all beautifully designed and fluidly animated in their own right, Ohana especially, but the colorful Kissuiso takes the cake as a visionary set piece. Perfectly blending antiquity with its polished, hand-carved wooden exterior with the luscious greens from nature, the rustic countryside inn almost feels tangible, one that you can breath fresh air easily in and instantly feel comforted by the relaxing atmosphere. I could probably lose myself in the pages of an art book if I ever got my hands on one (which I will surely try to).
The same glowing things are to be said about the charming piano and string tracks by Shiro Hamaguchi, my favorite being a little sad piece called “Remember that day with a smile like that.” For OPs and EDs, I’m not a huge fan of nano.RIPE’s lead singer’s nasally voice, but its random fifth ending “Saibou Kioku” happened to play at just the right time.
It Runs in the Family
Hanasaku Iroha enters the realm of slice-of-life with a little drama thrown in the mix. While it’s easy to label it as just that—a simply relaxing show—the series poses much more than that. From the beginning, it presents a moving story about family and adulthood, parenting and role-modeling. Like most titles with drama elements, the events of the larger present story are results of a little, once-close-knit group from the past.
This group now makes up the adults in Ohana’s life: her stern grandma, Sui, her defiant mom, Satsuki, and her scatterbrain uncle (Satsuki’s brother), Enishi. When these parental figures were supposed to guide Ohana as a child, Satsuki often left Ohana to do all of the chores and “take care of herself”—a mantra that she still employs—choosing to put her efforts into her work as a pro writer instead of parenthood. Satsuki gave up her entitlement as the inn’s next manager, and as a result Sui stayed behind at the inn, Enishi working for her, and that was that.
Ohana spent her whole life cleaning up after her own mother.
As depressing as that sounds, the story’s realism is probably the best thing that it has going for it. It’s a show that doesn’t want to boast, but simply leave itself out there by remarking, “This actually happens in real life.” By intertwining the lives and efforts of the inn’s staff, using the Kissuiso itself as the anchor, everyone comes to understand the tension between Satsuki and her mother, why Ohana’s personality is so brazen and spirited, why Enishi is so desperate to win his mother’s approval over his big sister, and why their boss Sui acts like such a secluded hag. It all comes down to family in the end, or rather the lack of a strong one to bind them together.
I think we can all relate to this.
Genes have the power to shape a family, but only you can decide what path it takes. As people, we make mistakes—for some of us, a lot of them—and maybe you got that from someone (or you’ll pass it on). But regardless, if we spent as much time thinking about the ones we are supposed to love as we did ourselves, I think we’d all be better off.
Ohana put herself in her mother’s shoes when she reconnected with the source that threw her mom off to begin with, and her entire world changed for the better as a result. She realized that as different as she liked to think they were, they both made the same mistakes as young girls. Knowing this, she vowed to be like her grandma one day, hopefully ending the cycle of familial neglect.
And this made momma very proud of her little girl.
Hard Work Really Does Pay Off
Hanasaku Iroha walks us through the struggles of the worker class for a girl living in a somewhat broken home. As Ohana comes to find beauty and grace in hard work, dignity, and servitude, we can’t help but feel inspired by her bold newfound identity. Most important of all, we’re told an endearing story about being the best that only you can be, and that even in this self-centered world that is so consumed by “give and take,” there exists wonderful places like the Kissuiso, safe havens that offer both a relaxing time to heal old wounds and a staff that only wishes to work hard to serve YOU. And that, well, that’s really special.
“You may come to a standstill or get irritated because things don’t work out the way you want them to, but what you gain from hard work will never betray you.” – Tohru Miyagishi
So there you have it, the very gentle and sweet Hanasaku Iroha. By the end of it, you just want to smile and cry at the same time. For those wondering, the film takes place before the finale, and acts more like three episodes linked together rather than a standalone film. Still wonderful stuff—so wonderful that I present it with the certified “Caffe Mocha” rating, one for the menu and it’s all on me (actually it’s on Crunchyroll for FREE)! You HAVE to let me know what you thought about my review over this quaint little gem if you’ve seen it, as it’s a quiet show that doesn’t get much buzz anymore. I found this to be the perfect show for this month’s OWLS theme since “Ohana” does mean “family” in Hawaiian, after all!
This concludes my August 4th entry in the OWLS “Bloodlines” blog tour. Since I was first again this month, I’ll give you the weekend before handing it off to my buddy Matt (Matt-in-the-Hat) with Final Fantasy VII: Advent Children (I REMEMBER THIS FILM!) on Monday, August 7th! Thank you so much for reading, and until next time, this has been
– Takuto, your host
A brief spoiler-free review of the 2017 live action film “Ghost in the Shell,” produced by Paramount Pictures and DreamWorks, directed by Rupert Sanders (“Snow White and the Huntsman”), based on the original manga by Masamune Shirow, as well as loose ideas from the entire franchise, especially the original 1995 film of the same name.
The First of Her Kind
In a future not too far from our own, people have grown to love technology. You can bet that anyone you run into on these cold streets will sport some sort of cybernetic enhancement modded to their body: prosthetic limbs, wired inner organs, or the trending metal-encased cyberbrain. These advanced augmentations were coded to grant humans more convenient lives: quicker, safer, and less cumbersome living.
After a horrifying terrorist attack, Major Mira Killian (Scarlett Johansson) transcends into the first of her kind: the stunning results of the first-ever brain transplant into a fully synthetic body. Now a cyborg soldier programmed to eliminate cyber crime, super hackers, and back-alley schemes, the Major is automatically drafted to hunt down the ultimate next-gen terrorist—one who is able to hack into people’s minds and puppet them.
Suffering from a faintly growing illness of glitching memory fragments, however, the deeper the Major dives into this case, the more intense her glitches become. As the possibility emerges that her new greatest enemy might in fact belong to her blurry past, the Major arms herself for a treacherous night journey. Nothing will stand in the way of satisfying her human curiosity, as well as the inevitable reawakening of her soul to a life that was stolen from her.
A New Story
While I’ll admit that we’re looking at the film’s weakest part—the plot—first, it’s impossible to deny that this live action reigns as one of sci-fi’s more interesting films in recent times, and holds the gold for the best live action iteration of an anime produced thus far, granted that I’ve only seen segments from most of them. What we’re looking at here with GitS (2017) is a fairly well-structured story of self-discovery followed by revenge, a typical Hollywood formula that feels relatively topical compared to the franchise’s classic 1995 film, which explored the deep values of being human, artificial sentience, and of course, the vastness of the Net.
This apparent shallowness works out because of what the film is aiming at, though; in 1995 we dove into present identity and the other weighted themes previously listed—the Major as she is existing, if you will—but in 2017, we’re instead considering how the Major would feel about her past (2nd GIG did this), and what her creation ultimately means for the future of humanity, about feeling disconnected because she lacks the background that everyone else has laid out for them. Dig too deep into the original content and you risk deviating from the main intent: a new story.
How This Live Action Holds on its Own
We take a undoubtedly cliche ride with the Major as she discovers how she came to be, and it all clicks together wonderfully and feels unique because of how huge the title is, what it means to others, and the sheer number of comparisons that can be drawn between this seemingly shallow film and its deep, thought-provoking origination. Everybody’s experience with it will be different, and that notion makes it not only thrilling to watch, but exciting to talk about.
So the film DOES in fact deliver a fresh outlook on an already well-refined series, standing out from its manga, anime, and even video game counterparts by re-imagining the Major’s previous identity, something that purposefully remained ambiguous throughout the franchise. It was a bold, completely unnecessary “prequel” adventure, but now that it’s over, I can’t help but welcome it openly with an applause. GitS is all about varying interpretations, proven true by Motoko’s complexity in 1995 and the franchise itself, which has had several makeovers. The idea of re-envisioning shouldn’t feel new, but everything from its tone, emotional pull, presentation, and core writing should. Speaking of new faces, how does ScarJo hold up as the Major?
Casting the Characters
Several races and colors collide in the astonishing multicultural world that the franchise is known for. I had no qualms with the casting before I entered the theater, and that hasn’t changed. Johansson is a white female actress playing a traditionally Asian character, but that’s in fact where most of the misunderstandings arise—Motoko Kusanagi embodies no one race, no one color, no one gender, and she probably never will. This was stated by 1995‘s director Mamoru Oshii, and for people to be throwing up their pitchforks in revolt of the supposed “whitewashing” is actually kind of pitiful. The context of the show allows for virtually ANYONE to play the Major, and given Johansson’s overly qualified resume for sci-fi action films, I’d hope people would rescind their bombastic comments.
TL;DR I thought Johansson was not only appropriate for the role, but her performance was great considering that Rupert was aiming for the more hot-headed, brash, young Major of the Arise series. I prefer this Major to the 1995 one because she arguably feels more relatable.
But just like she is in her many iterations, the Major is nothing without her Section 9 team, consisting of Chin Han as the very-human Togusa [insert comment about race being appropriate here], Takeshi Kitano as rough and intelligent Chief Aramaki (who actually speaks Japanese since English is hard for him LOL), Pilou Asbæk as the big ol’ softie Batou, and a “surprise” favorite actress of mine: Juliette Binoche as the compassionate Dr. Ouelet. To quote Guy Lodge (Variety), “A warm, wistful Binoche, brings more pathos to the role than the script strictly demands.” She makes my heart weak.
There’s a real chemistry to be felt between Dr. Ouelet and the Major, as well as between Major and Batou, and that’s something that they nailed to a tee.
The World of the Future
Where its story stumbles a bit, GitS (2017) leaves your jaw dropped with its incredibly “exciting and elaborately designed future settings,” plunging you into a visually entrancing world where cyberpunk is clearly the hottest thing. My GOD, this show is everything when it comes to its unique visual style! They use a clever lighting system that projects the color palette of the original 1995 onto the vast metropolis, giving off a vibe that’s so cold and distant, yet very interconnected with the world at the same time. CG solograms (solid holograms) layered over a typical Hong Kong-like setting give the atmosphere a very futuristic edge to it that I simply crave. You can tell that a lot of love and respect was put into the film.
My favorite part of this film were the iconic shots of 1995 and Innocence that were recreated and woven into the story: the shelling sequence, building jump, deep dive, water fight, geisha attack, tank battle, and more. It’s all there, and yes, the scenes do not feel “thrown in” just for the allusions, but well-placed for the story’s flow. It’s a visual style to be praised, and its action sequences and use of practical effects (not just CG, but actual, physical props like the geisha masks, thermoptic suit, prosthetic and cybernetic enhancements, and other costumes) give us artsy people something really freakin’ cool to grasp onto. The hard work that went into replicating the world of Ghost in the Shell, largely from that of the film-loving folks of New Zealand’s Weta Workshop for prop creation and setting design, was very much appreciated.
The Greatest Injustice
Here it is, my biggest beef with the show and it’s NOT EVEN about the film itself. It’s about how it’s being dished out, or rather, that some of it is not. Paramount and Dreamworks refuse to offer Clint Mansell and Lorne Balfe’s mind-blowing sci-fi soundtrack for sale. I understand that the movie’s box office reception was somewhat poor, but for crying out loud AT LEAST FINISH what you started. It’s a shame that a work of art, even if it’s controversial, cannot be appreciated in full just because it might not sell. These are million, probably billion, dollar corporations—it’s NOT too much to ask for by any means. There’s currently a petition going around for the soundtrack’s release (which I have signed), so hopefully we’ll see some change this way. If you value this show and artistic justice, please consider signing here!
If you stuck around for the credits, you’d have heard a remixed version of Kenji Kawai’s memorable main theme of the original film, a remix which I honestly prefer, as the drums in the second half give it a really epic feel! Again, love the throwback! All of the music adds to the gritty sci-fi tone.
Not the Last of Its Kind
It’s not very often that a sci-fi film will shift from a typical revenge mission to a cross-examination of cultures, intertwined human connections, and the irrefutable weight of family warmth. That in itself makes Ghost in the Shell (2017), despite its somewhat cliche story line, an incredibly unique experience. I’ve got nitpicks, but I’m more so thankful that I enjoyed the film beyond those glaring issues. It’s plenty entertaining, and if you look deep enough (or watch it three times like I did), you’ll surprisingly find deep, thought-provoking layers in the subtle actions of the actors.
However much you enjoyed the show, there are bound to be more live action adaptions like it in the future—for me, that’s a hopeful thing, something nice to look forward to. This may not be relevant (not to spoil the ending here), but as a half-white, half-Asian lover of science fiction and the entire Ghost in the Shell franchise, I hustled into the theater prepared with an engaged mind, and left with an unexpectedly touched heart. It’s a show about doing what you feel is right—following your ghost—even if that challenges the world you live in and the people that once trusted you.
Because sometimes, like here, you make the right decision.
“I mean, the character is living a really unique experience. She is a human brain inside an entirely machinate body. She is very brave to take a risk and give up everything she knows, everything that’s ever made her comfortable to discover the truth, to follow this calling. And at the end of the film really makes a huge sacrifice for the greater good of humanity. That, to me, was what was the major draw.” – Scarlett Johansson on the Major’s character
+ It’s A LOT better than I thought it would be for an anime live action; it only gets better the more I sit and think about it
+ Homages to the original material and the rest of the franchise are worked in fantastically
+ Visuals easily rival those of high-dollar action films; cool and damp futuristic atmosphere is established with excellent lighting; stylish designs and neat aesthetic all around; a very immersive world
+ Props, costumes, etc. layered beautifully with limited special effects for maximum potential; practical, physical props engineered perfectly
+ Ghost in the Shell is all about varying interpretations and new ideas, to which this is no exception; multicultural and multiracial world embraced
+ A fine movie if you ignore all the pointlessly controversial backlash nonsense, and this is coming from a hardcore fan of the original
– Story remains weakest part; revolves around somewhat predictable plot twists; boring antagonist; fails to explore Kuze’s Net and the world that could potentially await
– Major’s “strandy” hair can be a bit bothersome at times
– No official soundtrack release as of yet
Ghost in the Shell (2017) may not be an anime, but I’ll still welcome it here at the cafe as a “Cake,” a film that’s shy of master status but certainly worth watching for GitS or plain-old sci-fi fans in general! Despite it being an unfairly received film, I had the time of my life witnessing my Ghost in the Shell journey come to an end. It’d been a long time since I was that happy to see a film in theaters, and I’ll be coming out with a second post chronicling my loose thoughts on its reception, controversy, and the theater experience, so stay tuned for that!
I’m happy and proud to call this one of my favorite sci-fi live action movies of all time! PLEASE, let me know your thoughts on the film! Also, had you been familiar with parts of the franchise prior to, or did you dive in blind? I may be a bit of an optimist, but I enjoy hearing all sides. If you enjoyed the review, let me know with a “like” or a comment! Until next time, this has been
– Takuto, your host
Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s seventh monthly topic, “Mirrors,” I decided to incorporate what would have been my standard Time of EVE review into this reflection on artificial intelligence and robotic spirit.
“Magic mirror, on the wall—who is the fairest one of all?” When we look in the mirror, what do we see? Do we see ourselves or someone we don’t want to be? For this month’s theme, we will be exploring some of our favorite anime and other pop culture media that redefine individual beauty—inside and out. Some topics we may explore are physical appearances, social expectations on gender, and the importance of self-confidence.
I’ve always loved that wicked mantra, so thanks Lyn for the prompt!
A brief discussion on the spring 2010 anime film “Time of EVE: The Movie,” produced by Studio Rikka, directed and created by Yasuhiro Yoshiura.
She Left the House, and He Got Curious
Rikuo is just another Japanese student owning an android in the near future. While checking his android’s behavioral log one day, he notices odd check-in and check-out times. When Sammy, his android, finally takes another detour, Rikuo and his friend Masaki head out and stalk her. It turns out Sammy frequents a hidden cafe called “Time of EVE,” and the cafe’s barista Nagi only has one request: that there is no discrimination between humans and androids.
Being the compilation of a 6-episode series by the same name, Time of EVE follows a pretty basic formula: Rikuo and Masaki frequent the cafe in order to uncover more about each of its interesting patrons and, of course, find out just what kind of character Sammy really is. A tale of unrequited feelings, childhood dreams, and understanding comes to fruition.
Director Yasuhiro Yoshiura solidified his wacky and weird yet oddly comedic and intelligent presentation style with this one. It’s subtle in execution, but anyone could still identify it as science fiction—and good sci-fi at that. I know people who don’t care sci-fi that walked out loving Time of EVE, and I think that’s largely because the film aims at much more than pondering ideas like sci-fi does; instead, it goes deeper, showing you that the genre also has a lot of heart once you pull the wires away. The story is touching, sometimes even hilarious with all the sudden zoom-ins, and its visual artistry still holds quite well as a visionary piece even today!
THIS 10/10 AESTHETIC IS WHAT INSPIRED MY CAFE
Yup, that’s right. Time of EVE so inspirational to me that it inspired the clean and modern look of my cafe here (or at least I hope it comes across this way . . . do I need to remodel!?). If I could spend all of my days writing and reading in one place, it’d be here, at the Time of EVE! Everything just feels so sleek and simple, yet intricate and “underground” at the same time. Like, the coffee (EVLEND) cups, and bar, the tall tables, the ceiling fans—ALL OF IT! It’s just a chill, quiet, aesthetically pleasing place = the perfect kind of place for me.
And I couldn’t forget Tooru Okada’s VERY 2008 soundtrack, which just happens to be included on the Blu-ray release, yay! The music adds wonderful immersion into the wonder and fun of the cafe, not to mention all of the very peculiar interactions that take place. The energetic child, the grandpa and his crazy kid, the sexy couple, and even the stoic man in the back: it’s as if they all have their own track, as well as a story to be told within the music and the dialogue. I’m very pleased that the show was crowdfunded via Kickstarter with a dub, too. (I only wish I could have participated to get the coffee set >.<)
Sammy, You are an Android
a letter from Rikuo to Sammy, fan-written by Takuto
Sammy, what is it that you see in the mirror each morning when you wake up? I’ve noticed that you tie your hair up with a headband, scrunchy, or a flower when you go out sometimes. It’s unusual. You are an android, but don’t let that stop you from looking the way you want to look.
Now, Sammy, who is it that you see in the mirror each morning when you wake up? I’ve picked up on your subtle cues as to my tastes, preferences, and mannerisms. Perhaps that’s just the activity log recalling my “most recent selections.” But I like to believe that you’re growing, just like all of us are each and every day. You are an android, but if you find yourself wanting to be happy or sad, angry or surprised, I’ll understand.
After frequenting that place you visit, that Time of EVE, I realized that it’s no ordinary cafe, but a safe haven from prejudice and routine. I’m kind of a nerd, one who gets picked on sometimes for saying please and thanks to you, my android, and if I had a place where I could go to escape all of the name-calling and expectations, well, I’d probably be at that cafe all the time, too.
We live in a pretty convoluted world. It’s not necessarily bad, but people make it much harder than it needs to be. Why does it matter if you’re an android or a human? If we both value our own lives and only wish to help each other out, then I’d just rather avoid “things or beings” altogether. Sammy, you’re an android, and in this world so bent on exclusion and division, I only wish you the best.
The fact that we gaze into the mirror to begin with reveals that we’re only insecure about something, really. But last I checked, androids don’t “feel insecurity,” only assurance in their code. This proves you can be anything and anyone you desire, so do it with pride for not only yourself, but anyone you inspire in the process, like Nagi, Masaki, and myself.
For me, however, just please stop looking into the mirror—you look great with that headband on.
“Are you enjoying the time of EVE?” I sure am, so much so that I wish I never had to leave, haha! For Sammy, reflection about who she wanted to be came from experiences with the world around her, a fashion decision, and, of course, a trip to the cafe. Through the interactions with Rikuo, Nagi, and the other “people” at the cafe, she, an android, found individuality and character for herself, defying the laws of her creators and the social norm—strict servitude to the master. Considering its impact on myself, this blog, and sci-fi entertainment in anime, Time of EVE: The Movie is no undoubtedly awarded the “Caffe Mocha,” a film for all those even remotely interested in AI, as well as what it means to be human. It’ll fill you with warm fuzzy feelings for sure. Let me know your thoughts on this post and show if you’ve seen it!
This concludes my July 17th entry in the OWLS “Mirrors” blog tour. Please check out Rai (Rai’s Anime Blog) who went right before me and wrote about accepting every fiber of one’s being in the gorgeously grim Elfen Lied. And now, I’ll turn it over to Carla (Pop Culture Literary) for this Wednesday, July 19th! Thank you so much for reading, and until next time, this has been
– Takuto, your host
The title says it all, but woah, long time no see, right?
Hi all, it’s Takuto, the host here at my anime cafe (whenever I actually decide to show up)! Before I go into the details of my absence, I do hope you’ve been doing well, and an extended “How do you do?” to the few of you who even followed me recently during this past month. It’s crazy to think that people would even read, let alone follow a slacking blogger, and for that I thank you, and welcome you, too!
The reason I haven’t been here is simple: I just haven’t felt like writing, that’s all! Nothing new to any of us, since we all go through that phase. But I figured over a month was pushing it, and that since I’m sorta back in the game I’d stop by here.
But EVEN though I’m here, I still don’t feel much umph for writing. I’ve watched A LOT of anime during this past month, so my passion for anime definitely hasn’t gone anywhere (which is VERY GOOD considering that blogging hiatus can sometimes indicate lack of love for the topic)!! I’ve even done some gaming which I’D NEVER do unless I was really trying to run from something.
It was just that, once I finished watching a show or film, I didn’t want to talk about it. Guess you could call me lazy, haha, or perhaps not feeling like wanting to shove my most recently watched title under a friggin’ black light with the reviews and all.
Another thing that stopped me was actually just that—formatting and good writing. An awesome and very helpful aniblogger by the named of Seasoned Prattle writes what to me is insanely high-quality posts. One of my favorites is about my current flu—writing when you simply can’t. Another recent post was about what I started talking about, formatting and the like, and it got me thinking:
What is my format, and am I jealous of Prattle’s work?
To answer both, I’m still not sure, and heck yes, of course I am.
But that’s when I realized, like you do, that I should “focus on doing me rather than constantly comparing myself to others (props to Shay for that encouragement).” I also did a little looking into Prattle’s site and found out that “they” are actually a team of four, not just one person—do fact-check me on this one if you know more or if I’m wrong—which only goes to reinforce the idea that I shouldn’t be comparing myself to four minds in one entity. Still admire Prattle’s work, so if you do read this, keep it up!
On this little self-reflection journey, Prattle and Shay told us readers and viewers alike that, as content creators, we should generally stress less. I can stress less, sure. I think what put me off most during this month was thinking that I needed to write with correct formatting, good grammar, interesting word choice, original thoughts, etc. And while those are certainly things to strive for, if they keep putting you down, you might as well not be writing at all, right!?
If I keep criticizing myself so harshly, which prevents me from posting at all, then I’ll never post, simple as that.
So here’s what I’m going to do—and this is NOT necessarily recommendable, but sometimes there are things that are more important than the rules. I’m going to essentially “care less” when I write. Until I get off my feet and bring the traffic back to this cafe, I’ll write without regards to the laws of formal writing. I’ll write knowing that some works won’t be as polished as my others. I’ll say the things I want to say in fewer words, straight from the heart to you. All this and more, I’ll write because THERE ARE NO rules to blogging. I’ll just get it out there and talk about it with you, and we’ll be dandy again.
Then maybe, just maybe, when the healing is done and the bells have rang, I’ll get back to the “correct format” and “catchy wordplay.” To “quality writing” and “original thoughts.” If you can stick it out with me until then, it would be greatly appreciated.
So YES, more posts are coming. They might not be the prettiest, but at least I’ll still exist.
I’ll be slowly catching up on comments from my OWLS posts, as well as reading from all of you. For the most part I’ve probably caught your posts on twitter if you promote yourself that way, but if not, give me time and I’ll be there! Three posts quickly coming up will be:
– What I’m watching (normal update w/seasonal stuff since I’m back in the game!)
– My July OWLS entry (stay tuned)
– My actual thoughts on the Ghost in the Shell Live Action
Whether it’s wanting to discuss a show, dissect some themes, or even share the things I’ve bought, I’ll just do it. To get myself out there, I’ll imagine it, I’ll speak it, and I’ll change, and we’ll see if it works. Wishing you all the best, and I’m excited to write for both you and me again soon! Till next time~!
– Takuto, your host
Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s sixth monthly topic, “Team,” I decided to incorporate what would have been a “Cafe Talk” about my high school swimming experience, along with my thoughts on the anime Free! into one big post over sticking with a team to the end.
While the prompt was more intended as dedication to “Pride Month” and all of those who support the LGBT & Queer communities both in real life and in anime, the generosity and flexibility, as well as the promoted creativity that OWLS is known for, allows me to bend this topic back to its home nature: companionship found in teamwork. Thanks Lyn for the prompt!
A brief discussion on the 12-episode summer 2013 anime “Free! – Iwatobi Swim Club,” and its 13-episode summer 2014 sequel “Free! – Eternal Summer,” both produced by Kyoto Animation, directed by Hiroko Utsumi, based on the original story by Kouji Ooji.
“After High School, You’re Ordinary”
This was what Haruka Nanase was told long ago and, nearing the end of his own high school experience, Haru is still unsure of what to make of his future. Swimming as early as elementary school and winning races and a tournament with his childhood relay mates—all boys with very much girlish names—Makoto, Nagisa, and Rin, Haru has always loved the water. When they all went their separate ways for middle school, Haru dropped swimming entirely. Now he’s about to enter the real world, all dried up for a life of normalcy.
That is—until the boys reunite in high school. Only desiring to race Haru after all these years, however, Rin could care less about the old team being together—he only wants to find out that HE is indeed the better, faster, stronger swimmer.
Without Rin, the three boys form a new Iwatobi High School Swim Team, and it turns out that their first challenge is not training and practicing hard, but actually recruiting a fourth member so that their relay can face off against Rin’s team later in the season! Eventually, these boys, bound by friendship, the spirit of competition, and the love of the sport, will discover what swimming in a relay means to each of them!
And Just Like That, We’re Off the Blocks!
Free!, like a well-trained athlete, balances episodes of training and technique with bits of fun, slice-of-life ventures and some emotional turmoil inbound. By using races and competitions as peaks of interest (and a way to execute the boys’ hard work), everything flows smoothly and as such makes time fly by. By the end of the two seasons, all relationships and story developments feel comfortably resolved—and that’s all I can ask of most adapted works these days!
If it’s not apparent to you yet, the boys of Free! are very beloved by its fans in the community, and for good reasons, too. They all have such great . . . chemistry, and truly, they’re more than just friends—they’re family, the kind that look out for each other before themselves, as well as value each others’ strengths and weaknesses alike. Each so unique and diverse, they all have their own personal demons, but rather than facing them alone, they fight each battle as a team, causing their bonds to develop even further. I’d dare say that Free!’s characters form one of the most heartwarming squads out there; if not the best, they’re at least favorites of mine!
Name a Better-Looking Sports Anime. I Dare You.
Looking back, Free! was the first Kyoto Animation show to leave its signature mark on my viewing experience, and boy is it delicious. Not the muscles, well, maybe the muscles. I’m talking about the water—to quote Haru, it’s as if it’s ~alive~. Their attention to how water actually flows in real life is incredible. You could almost call it “liquid smooth.” KyoAni has a splendid color palette, which is bright, airy, and cheerful, not to mention that their eye for the cool, modern aesthetic is top-notch. Color and tone values help to distinguish between scenes of comedy and rivalry. I almost feel as if I’m cleansed when I watch this show, if that makes any sense at all.
But the boys, oh yes, they are youthful, breathtaking creatures with beautiful physiques. I said it. No regrets.
The seaside OST also provides a flowing atmosphere from scene to scene, specifically those “go out and do something wonderful” tracks like “Rhythm of Port Town” and “Revelry of Student.” What the show’s probably known for music-wise is its energetic openings “Rage On” and “Dried Up Youthful Fame” by the wild OLDCODEX. And then there’s that ending “SPLASH FREE” by STYLE FIVE, a group composed of the five lead seiyuus (loudly sings 50% OFF ver).
For the Team: My High School Swim Club Story
My 8th grade summer ushered in a whole new set of problems: high school was right around the corner, and I was a) waaaay out of shape and b) wanted to fit in. So I was just like anyone else, right?
That’s when I told myself to do a sport—my first one ever—that no matter what happened or how bad I looked, I’d do it just for the sake of doing it. I was considering track for pole-vaulting since a close guy friend of mine did it. Then I looked at tennis.
Tennis couldn’t be that bad, right?
Then summer got real hot. Like, sure, it was 90+ degrees each day, but, early on during my anime experience when I was unfamiliar with simulcasts, I ran into a 30 sec trailer for something hot.
It was other peoples’ phrasing, not mine!
But there was NO WAY I’d “wear a speedo.” Heck, I didn’t even know if my high school had a boys swim team. So I rummaged the yearbooks and did a little online looking and sure enough, there it was.
As the summer drummed on, Free! kept calling be back to YouTube each week where someone would upload the episodes. Not the best streaming service, but I didn’t mind. Anyway, the way their club started off so small and so closely knit, and then the fact that they were STUNNING to look at—I had to do swimming, I just had to.
Season one ended leaving me in high spirits and hopeful that whatever came that coming winter (cause that’s when swim season was here), I’d be more than ready.
Flash forward, the school announcements read off an early interest meeting for the sport. I was overly nervous, of course, but I showed up, and just like a lost freshman EVERYONE knew each other already. Like 20 guys that all were buds with each other. I was already lost, and ready to give up.
Then the first practice came, oh god, the first practice. I received swimming lessons from a countryside town growing up, and so I thought I was a champ at it. But in fact I sucked. Really bad, hahaha!
The next practice came and five or so of the team didn’t show up.
They quit. Each with their own excuses.
There were so few members on the team that we were all considered “varsity” swimmers, so at least that was neat. Little ol’ me was varsity as a freshman!
I somehow finished that year improving times meet after meet with the other first years. But my eyes never stopped wandering off to our lane four relay. Coincidentally, or perhaps by fate, there were four of them: one for each of the strokes, one for each of the boys in Free!
I wanted to be like them. So I worked my ass off at morning practices and afternoon practices day after day after day.
I was even awarded the “Most-Improved” on the team! Still got the medal displayed in my room.
Then they all graduated. Except for one, since he was a junior, but yeah, they all had left me. They left the team, leaderless.
My sophomore and junior years ushered in new issues. New coaches, new members joining then quickly dropping for all the same things, but the core members of the team never left, and now they’re some of my greatest “upperclassmen” friends. Facing the facts, the others just couldn’t take the heat of practice.
But I could, and I did.
Senior year came. Three other seniors joined me, but then those same three quit the very next day. By the end we were eight strong, but became eight of the closest guys you could ever imagine. We were all swimming Free!.
But there was this one freshman in particular. He was good. Very good. Like crazy good enough to make State qualification times in our first meet.
Then there was me, who had actually peaked his junior year and suffered all season with a young hot-headed coach who didn’t even know what “mercy” meant.
I suddenly felt unqualified. Alone, if you will. Days grew longer, my body grew more tired, and yet my times never improved.
I even remember crying myself to sleep one night, swearing to myself that I’d quit at practice the next day. “Who even needed to say they swam for four years during high school?? It’s not like I’d remember any of it a decade later!!”
But then I thought about me—myself, that scared little guy who, during his freshman year, witnessed several of his upperclassmen leave the lanes for good. If it weren’t for those four boys, our A-Team relay, I probably would have—
I WOULD HAVE QUIT A LONG TIME AGO.
That’s when it hit me: I wasn’t staying there for me anymore. Heck, I didn’t need swimming, or an in-shape body anymore—it’s senior year.
But what kind of message would that have sent to them, their families, this community, that a team of only freshmen and sophomores were left senior-less after they all quit??
Nope. I was there for them. For the team that never left me when I was a first year.
For the team.
So I whipped myself back into shape, my psyche ready for any challenges that came my way, because I wasn’t swimming for my own times anymore—it was for the relay, for the team!
This past spring, we finished seven strong with one of our guys leaving us due to his parents moving away. But we never forgot him, and we never forgot about us.
And it was that fleeting member who got us to compete at State. Relay times are generally left permanently for the team, which is why, when he left, we met consideration time. It was just a few aching days after that we found out that our qualifying time got us in.
We stayed overnight in a fancy hotel, exploring the town together with our coaches, shopping, laughing, making those kinds of memories.
The kinds you’ll never forget.
And then we swam at state. That one really good freshman OF COURSE placed in the top ten. Our relay . . .
We didn’t make it to the second day, hahaha! But we were lucky enough to even be there in the first place, right?
When our splits (individual times) were captured by our coaches and the timing mats, my own time came in:
I swam a 24-some-second 50-yard freestyle in our relay. That is, to date, the fastest I had ever swam, and I nearly cried. We were all yelling and screaming and cheering so loud that we nearly lost our voices, but we didn’t care at that point, cause we all for the most part had swam our best when it mattered most, and ya know,
That means the world to a Team Captain.
Like Free! tries to tell us, you can be the best swimmer or the worst swimmer, but if you don’t work together as a team, you’ll never win what truly matters: friendship, companionship, brotherhood—they’re all synonymous at this point.
We go about our lives thinking and acting like we have to carry our own weight, and to an extent, that’s true. But like a relay, everything we do is ultimately for the team, for some group, tangible or not, that is bonded together through incredible triumphs, pitfalls, or just good memories.
And if you find yourself losing passion with something, or are stuck with a team that frankly isn’t filled with the most wonderful of people, then BE that wonderful person for the team. Do what I did and work your butt off, sweat your tears away, and devote everything you’ve got just to say that YOU never left them when it mattered most.
Cause ultimately, you, too, are part of a team, their team, and you should do things just like that:
This was a very long post (laughs) and I apologize, but there’s a lot to be said about Takuto here. A lot indeed. And if you read it all, from beginning until now, I can’t honestly thank you enough! Free! may be male fanservice to everyone’s eye, but to me, it’s a beautiful and inspirational coming-of-age story filled with compassion and teamwork that inspired me to take on a seemingly impossible journey—impossible alone, that is. It’s about growing up and finding out who you really want to be; about dedication, self-motivation, and life after graduation. Through Free! I made friends and fell in love with a sport, but more that I made memories to last a lifetime, and that’s irreplaceable.
As such, both seasons of Free! are awarded solid “Caffe Mochas” ratings, and should be watched on Crunchyroll or Funimation’s sites for FREE (hah) at one’s earliest convenience. That is, only if you’re craving something really hot.
This concludes my June 5th (now 6th, apologies) entry in the OWLS “Team” blog tour. Being the first one to kick off a tour of this magnitude is quite a heavy weight, but hopefully I did a decent job, and now we can carry that together, right? Please tune in to Remy Fool (The Lily Garden) as he discusses the poor perception of male crossdressers in Japanese media this Monday, June 12th.
To all the guys I swam with throughout my four years, from the team that inspired me to the one that I, myself, hopefully inspired, thank you for all of the laughs and the memories—this one’s for you. Stay silly my guys.
And to you, my favorite readers, an even greater thanks! Until next time, this has been
– Takuto, once a team captain, now just another blogger