Battle Angel Alita: The Original Cyberpunk Classic || Manga First Impressions

First impressions for volumes 1-2 (Deluxe Edition Volume 1) of Yukito Kishiro’s manga series “Gunnm” or “Battle Angel Alita,” published in 2017 by Kodansha Comics.


Saved from the Scraps

Only the few and the fortunate are permitted to live in the shining space city of Zalem, a utopian metropolis which floats high above a desert wasteland. What trash and unnecessary dealings the people of Zalem find expendable are tossed into The Scrapyard, an enormous stockpile of waste below the city which is surrounded by a clustering of ghettos and shacks. This is where the rest of humanity–flesh and cyborg alike–eke out a living, surviving by grit and brute strength alone.

While scavenging a pile of discarded android parts, Daisuke Ido, a cyborg repairs doctor, finds the head of a young female cyborg amid the scraps. Dr. Ido builds a new body for the head and names her Alita. Although Alita’s memory upon activation is foggy and lost to her, she still wishes to stay by the good doctor’s side.

The caring relationship between the two is challenged when Alita discovers Ido’s night job as a hunter-warrior, a bounty hunter working for The Scrapyard’s government, and she decides to become one herself against Ido’s warning. While pinning down wanted criminals in the shadows of the slums, Alita awakens to her forgotten knowledge of fighting techniques. As it turns out, Alita is a warrior, though her origins are still unknown. With her newfound strength, Alita determinately fights for justice, recovering bits of her fragmented past to rediscover her original identity.

Lawlessness and Chaos

I love cyberpunk. Whether the clean-cut, glowing neon feel or the technologically clustered vision (as with Alita here), I enjoying seeing how different artists approach their worldbuilding. Whereas Ghost in the Shell is more cerebral-focused–showing how cyber enhancements in the brain transform humanity’s relationship with the Internet–Alita sticks to altering the physical body. The toughest of cyborgs that enjoy fighting in the arena are equipped with metal arms capable of lifting megatons. Might makes right in The Scrapyard.

When not admiring the glorious physiques of the various strongarm hunter warriors, we can look to the background art for cyberpunk influence. Often, pages of the comic will pass with little to no dialogue, leaving the reader to simply awe at the setting artwork and detailed landscape imagery. Yukito Kishiro structures the worldbuilding aspects of the series with elements of action or moments of self-discovery, imbedding the story of The Scrapyard within key character backstories or set pieces.

I’m especially referencing the ghastly yet vast and mazelike conditions of The Scrapyard’s sewer system–a seemingly bottomless world of gross infestation and hellish living for any creature. The bubbling bog’s curious plumes of stench contrast fantastically against the arid and metallic cityscape of the surface world. What binds them, however, is a prevailing sense of lawlessness and chaos.

If You Liked the 2019 Film, You’ll Love This

Despite having come to the manga from watching the 2019 live action film, I found Alita to read incredibly easy on its own. Each story element flows to the next well enough to warrant having the series on your shelf along with the film’s Blu-ray. Both the film and the manga have their own subtle differences (mainly concerning changes to the appearances of certain characters, or their omission entirely), but again, they both hold well on their own.

Perhaps the only major crime (as a film watcher) is the sad discovery that motorball isn’t in the manga at all! Or, at least not in the first couple volumes (*cries anyway*). Kodansha’s first Deluxe Edition volume ends on the film’s climax, so I’ll have to see how that cliffhanger is resolved in the manga. I wonder if it’s anything like the cool ending of the film . . .

Alita is, by and large, one of the most important titles in the cyberpunk genre. Its influence extends far beyond the main genre it belongs to, including the realms of action, adventure, science fiction, and even dystopia. What I discovered from my read of the first 10 or so chapters of the manga, however, was that all of the praise for Alita is well-deserved. Whether you liked the film as much as I did or not, you’re bound to love the empowering female narrative of the Battle Angel Alita manga even more.


“I believe that every human can choose her own way of life! We can choose to be ugly or beautiful!”

Alita


Afterword

I’m sure you’ll hear more about my Alita journey as I pick up more volumes, but we’re off to a fantastic start so far! Now the question is whether I should continue the series in the Kodansha Deluxe hardcovers or move to digital since, you know, it’s cost-effective (and saves a ton of shelf space)! I’ve got lots to think about.

One last thing! With all the cyborg skull-crushing and limb-smashing violence, Alita does lean more on the graphic side. Just wanted to let you know in case you are entirely new to the franchise. 🙂

Have you ever tried out this classic cyberpunk manga? Let me know in the comments! So far, I love the world and the characters in it, and that’s enough to keep me throwing money at this franchise. Thanks for reading these first impressions, and ’til next time!

– Takuto

Alita: Battle Angel — A Warrior’s Tale | Review

A brief spoiler-free review of the 2019 American cyberpunk action film “Alita: Battle Angel,” produced by 20th Century Fox, written by James Cameron and Laeta Kalogridis, directed by Robert Rodriguez, and based on the 1990s manga “Battle Angel Alita” (or “Gunmn” in Japan) by Yukito Kishiro. 

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After the Fall: An Origin Story

Still recovering from a catastrophic war referred to as “The Fall,” humanity remains determined to eke out a living on a devastated Earth in the year 2563. While scavenging the junkyard metropolis of Iron City, Dr. Dyson Ido, a renowned cyborg scientist, stumbles across a disembodied female cyborg—human brain still fully intact. Taking the remains back to his lab, Ido rebuilds the cyborg and gives her a name: “Alita.”

Although she has no recollections of her past, she is able to create new memories thanks to the doc’s healing hands. She eventually meets Hugo, a teenage boy who dreams of one day moving up to the wealthy city in the sky, Zalem. He introduces her to the competitive, cutthroat sport of Motorball, an every-man-for-himself race where cyborgs fight to the death for a chance at ascending to Zalem if victorious.

But sinister connections tie even the friendliest faces to the shadows, and as Alita quickly comes to realize that there’s no force more powerful than the game, the titular cyborg sets out to learn about her past to save the ones she loves most in the present.

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Alita: Battle Angel may be my first introduction to this much beloved franchise, but man, what solid footing director Robert Rodriguez and writer James Cameron provide for this classic origin story. Going in blind, I can already tell you that the franchise is worth the investment. This live action film, albeit a bit fast-paced, serves as a fantastic place to start if picking up four volumes of the manga just isn’t an option for whatever reason.

Admittedly, there’s some cheesy villain dialogue that sours the seriousness at times, and while I wish these lines weren’t delivered with such blatant “evilness,” the script actually feels more anime because of it. Critics may have blasted the script and the plot for their lack of ingenuity, but I—and most audiences, apparently—seemed to enjoy it regardless. Alita‘s wild betrayals and reveals may come as a shock to some; others may have seen the twists from a mile away. But if you still enjoy the story, that’s all that matters. To quote Dr. Ido:


“But that’s just a shell. It’s neither bad nor good. That part’s up to you.”


Surprisingly, the film contains includes a decent amount humor to remind you that Alita is—as much cyberization and machine-slaughter as the plot contains—a very human story. Although the environment is both visually and aesthetically astounding to take in, it’s the characters of Alita that make this powerful story of purpose and destiny resonate with newcomers and longtime fans alike.

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Alita, An All-or-Nothing Gal

From design to personality, I fell in love with Alita the moment I first saw her in the promotional trailers months back. I knew she’d be your typical brave girl fighting against the system character, but I wasn’t expecting her to be the feisty rascal kind—a delightful surprise. Brazen and bold, the girl is drawn to danger like a moth to a lamp. It’s always all or nothing with her, and Alita’s rebellious free-spirited nature makes her a refreshing heroine to cheer for—even if her recklessness tosses her down the rabbit hole more than a few times.

Did I mention that Rosa Salazar is freakin’ OUTSTANDING as the titular role? Cause she’s absolutely phenomenal, able to communicate to the audience that she struggles with fighting this world’s injustice, but is always eager to learn something new. Salazar’s gradual transformation from fluffy, chocolate-loving teenager to hardcore warrior is impressive to behold. Every second Salazar is on screen feels genuine. Through this loss of innocence, she doesn’t let the emotions hold back (even during the tender moments). If she induces a tear in your eye as you watch, I’m not sorry. She’s that awesome.

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The rest of the cast deserves a round of applause too, especially Christoph Waltz’s portrayal of Dr. Ido for making him this benevolent yet fascinating foster figure. What a dad. (And bless his aide, Gerhad, whose mere presence provides enough support for Alita.) The same glowing things could be said about Keean Johnson’s semi-dreamy Hugo, the junk dealer.

As for the villains, Mahershala Ali’s acting is perfect for the intimidating “king” of Iron City, Vector, but his character’s status(es) needed stronger clarification, as I didn’t even realize what his roles were until halfway into the film. Same for Jennifer Connelly’s Dr. Chiren, a somewhat frustrating character given her circumstantial duality.

And NO, the large CG-altered eyes don’t detract from the narrative one bit. After five minutes, they just became part of her charm, and I didn’t even realize it afterwards.

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Motorball & The World Below

Between the numerous sci-fi action sequences and the stunningly brutal sport of Motorball, Alita is a visual feast. Whether fighting in back-alley slums, the dark sewers below, or on the exhilarating race track surrounded by stadium lights and roaring cheers, there’s never a dull moment in this film. And Motorball though, WOW, one of the franchise’s biggest spectacles is brought to life through stellar visual effects and cyborg goodness to make any sci-fi junkie drool just watching.

Alita also does something really neat with visual lighting. The film begins in the rustic, sunlit scrapyard, which transitions to an even brighter, cheerier atmosphere when Alita meets Hugo. But when rain begins to fall, the dark and dreary cityscape—lit only by holographic street signs and neon lights—emphasizes the literal night journey Alita embarks on. Once she uncovers the truth, light returns as she confronts Vector and his pawn Grewishka to finally deliver justice.

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From the intricate and gorgeous detailing of Alita’s cybernetic body to the remarkably thrilling fights, the attention to detail in crafting this postwar cyberpunk world is on a level of its own. If this isn’t a faithful adaptation of the manga, I cannot even begin to imagine what greatness Yukito Kishiro’s original story contains.

No great sci-fi movie is complete without an equally epic score, to which Tom Holkenborg overwhelmingly pulls through. Between the strong symphonic opening in “Discovery” and “Motorball” busting through the gates with its powerful rhythmic tribal drumming, the harmonic balance between strings and dubstep is just right. For the credits, Dua Lipa’s “Swan Song” also ties in well as a piece addressing social injustice and change. Thank god for Apple Music, because I’ll be listening to this soundtrack for weeks to come.

But Will it be Enough?

With so many moments where you just want to pump your fists in the air and cheer, Alita does everything it needs to do to be a great movie. Gripping, emotional, heartfelt even, but will it be enough? Will this be the last we hear of Alita and company on U.S. theater screens, or will Rodriguez and Cameron’s efforts be enough to finally end the trend of live-action anime adaptations being one-off movies?

Either way, I support everything this film tried to accomplish and then some—heck, I went to the theaters twice, and totally would’ve gone a third if my schedule wasn’t so busy as is. Beyond the issues of faithful source reconstruction or the present lack of a thorough conclusion, all I wanted from Alita: Battle Angel was an entertaining film that holds on its own—and boy does Alita stand proud and tall.

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I do not stand by in the presence of evil. — Alita


Afterword

Oh man, such a GOOD MOVIE my friends!! Job well done to the cast and crew for sure, as this is already a good contender for my favorite non-anime film of the year. Whether in theaters or on your home screen in the near future, I hope you got (or eventually get) a chance to watch it, cause Alita‘s not one to miss. They did this one right, holy shit.

I don’t really ever review live action films, but for Alita’s charm, I’ll make an exception. 2019’s Alita: Battle Angel is certified “Cake” here at the cafe, and should we ever see a sequel, there’s a solid chance I’d bump this one up to a “Caffe Mocha,” without a doubt! Guys, let me know your thoughts about this kickass LA-anime-done-right down in the comments, be it your praises or your criticisms, and until next time, this has been

– Takuto, your host