ID:INVADED & Searching for the Answers || OWLS “Adapt”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s fifth monthly topic of 2020, “Adapt,” I wanted to showcase one of the cool psychological sci-fi series that aired this past winter season, ID:INVADED. Although this would’ve been THE perfect month for Shirobako (which I talked about in last month’s OWLS post), I find the premise of a detective constantly dealing with memory erasure to be equally fitting for this topic.

Right now, we all have lost something or gained something in return during this dark time. Our lives have been completely altered due to coronavirus. For this month, we will be talking about anime series and other pop culture media where we have characters having to adjust to changes in their environment. Whether it’s adjusting to a new school or heading towards an isekai fantasy world, we will be discussing characters that had to make changes within themselves in order to adapt to the circumstances they are in. This will also give us an opportunity to express our own personal lives as we try to adjust to a “new normal.”

This all sounds very relevant to our current lives, doesn’t it? Thanks Lyn for the prompt!

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A brief discussion of the 13-episode Winter 2020 anime “ID:INVADED,” animated by NAZ, directed by Ei Aoki, and based on the original story written by Ōtarō Maijō.

A New World Every Time

Specialized police squad Kura solves crime a little differently than your average public safety agency would. Just sitting in the Mizuhanome, a highly advanced system that allows users to enter the minds of others, can help find the culprit at an astonishing pace. It’s an efficient system, and by detecting “cognition particles” left behind at the crime scene by the perpetrator, Kura’s detectives can manifest a criminal’s unconscious mind and dive into this virtual world—the “id well”—and thus reveal the identity of the culprit.

There’s a catch to entering the mind of a killer, though: only killers themselves can comprehend the bizarre stream of thoughts belonging to one of their own. Enter former investigator Akihito Narihisago, once a respected member of the police, and now the “brilliant detective Sakaido” on the other side of the law. Although his gifted detective skills assist him and Kura immensely in the id well, the latest set of crimes bear an uncanny relationship to one another that the agency just can’t seem to shake.

A psychological sci-fi mystery series with a hard law-and-order edge to it, ID:INVADED intricately crafts its entire world from the ground up—in some cases, this is literally meant. We are immediately drawn to the quasi-virtual world of the id well, and how the strange physics of each killer’s mind create a unique set of obstacles for the great Sakaido to overcome. Whether soaring through broken architecture in a zero gravity space or attempting to uncover the logic behind a puzzling stream of numbers, the laws of physics that we know are hardly applicable to the unconventional landscapes of the id well.

id well

The Brilliant Detective

Each time he enters the id well, Narihisago immediately forgets everything he once knew about himself. It is only when he stumbles upon the body of Kaeru, a mysterious girl who is the only constant between id well dives, that Narihisago remembers: he is the “brilliant detective” Sakaido, and it is his mission to solve the workings of this world to find the culprit. Who is Kaeru, and why is she always deceased upon discovery? Sakaido and the Kura team have yet to figure that out. But what they do know is that she’s on their side, as the state of her corpse always possesses a clue to the how and whodunit.

As much as ID:INVADED banks on the whole crime thriller shtick, it really is a story about redemption. For Narihisago, it’s about accepting the loss of his wife and daughter and his own transgressions as their murderer’s killer. The budding young detective Hondoumachi also uses her field experiences to find where she truly belongs in this wild agency. For Tamotsu Fukuda, it’s the chance to help the good guys solve a crime, even if he’s a criminal himself. The mind of a murderer is dangerous, absolutely, but it sure is insightful for tracking down fellow killers.

Kura’s detectives have to be sharp thinkers, but even more so the brilliant detectives risking their own psyche for sitting in the Mizuhonome. Between logging into unfamiliar worlds and dealing with wacky circumstances, it quickly becomes apparent that adaptation plays a critical role in this is a sci-fi mystery series.

kaeru

Deconstruction and Reconstruction

More than any other component, the visual element of ID:INVADED has to be solid in order for this kind of story to work—and thankfully, studio NAZ knew exactly what they were doing. While there are more than a handful of character design inconsistencies (particularly misalignment in the face and eyes), the whole of this project truly does handle director Ei Aoki’s vision astonishingly well.

Especially as an original project, viewers have little to go off of other than the posters and episodes themselves, but the series really works as a wholly unique and compelling visual piece. Sakaido’s mission to unravel the inner mechanisms of each id well relies on confident and daring animation, to which NAZ delivers. The animation supports this theme of reconstructing a deconstructed world.

Abstract puzzles and challenges await the brilliant detective, and as he is quick to think on his feet, Sakaido has to possess an unmatched flexibility to be able to adapt to anything the id well—or his fellow detectives—throw at him. The story largely retains its ability to entertain by following Sakaido has he adapts, reconstructs, and discovers the truth hidden amidst the chaos.

id invaded first id well

Flexibility Paves the Way

We try to show only the best sides of ourselves, but in the process we relinquish the parts that really make us humans, well, human. Some individuals like Tamotsu carry a deep sadness with them, despite the foolish smiles on their face. Others can seem rough around the edges yet are actually quite pleasant to get to know, much like Hondoumachi’s senior and mentor Matsuoka. We truly do not know the extent to someone’s character unless we actively try to understand them—all while keeping an open mind. 

As Narihisago realizes before any of his co-workers, a detective cannot be successful without thinking outside the box and being aware of the seemingly unimaginable. Not every crime is as it seems; similarly, not every person shares with you everything there is to them. Facades and farce run abound in ID:INVADED. Some people can be forgiven, and some people simply can’t. But one thing’s for certain, and you can trust Narihisago on this one: No person is without their flaws. 

mizuhanome


Who would’ve thought that one needs to lose something in order to feel complete. — Tamotsu Fukuda


Afterword

While I only followed a few shows this past winter season, I thought that ID:INVADED was definitely among one of the better watches. For filling the urge for psychological mystery in my heart and giving my mind a bit to chew on, I happy welcome ID:INVADED as a “Cake” title here at the cafe. Should you, too, be looking for something a bit more experimental while adhering to the staples of the crime genre, I strongly recommend this one. If you’ve seen it, I’d love to hear your thoughts on the series or this post down in the comments.

This concludes my May 23rd entry in the OWLS “Adapt” blog tour. My good friend Aria (The Animanga Spellbook) went right before me with a post covering the societal struggles faced by the characters of Wandering Son that you shouldn’t miss! Now, look out for my buddy Scott (Mechanical Anime Reviews) as he shoots for the moon and beyond in his post on Banner of the Stars this Sunday, May 22nd! Thank you so much for reading, and until next time!

– Takuto

Hyouka: Fifty Lazy, Dull, Grey Shades of Curiosity (FEAT. Sherlock Houtarou)

A spoiler-free review of the spring 2012 anime “Hyouka,” produced by Kyoto Animation, based on the “Koten-bu Series” novels by Honobu Yonezawa.

Do you read the newspaper anymore? You know, that compilation of local and global updates printed on cheap, ink-rich, pulpy paper that would arrive every Sunday morning (delivery date varying on location)? Yeah, me neither. Between bright news channels on TV and the instant convenience of the Internet, I have no right reason to order such a monochrome, drab publication (unless you do it for the ink odor, to which I reckon you meet with a psychiatrist ASAP).

But despite my preferences, there are still those who cling to this plain method, which is completely fine, by all means. My only question: Who would want to pay for boring when digital brilliance is free with the click of a button?

This bum. Nice Hair.

This bum. Nice Hair.

Enter Oreki Houtarou, our mundane, dispassionate, high-school culprit who would indeed prefer this simple format. Why? A newspaper is neither flashy nor motivational. Additionally, it comes to you rather than you going to it, which though might not sound like a good enough excuse for us, works fantastically in Houtarou’s favor.

To save his elder sister’s club from disbandment/comply with orders, Houtarou reluctantly joins the Classic Literature Club. There, he reunites with his lively buddy, Fukube Satoshi, and adversary/manga addict, Ibara Mayaka, a couple too energetic for him to be around. That’s not all lurking in the clubroom, however. Violet-eyed Chitanda Eru, a proper, lovely girl, transforms into the quintessential curiosity bomb when something interesting and mysterious catches her eye, or rather, tongue (“Curiosity killed the cat,” or “Cat got your tongue,” anyone?). Anyway, the story follows the Classics Club and their investigations surrounding their beloved Kamiyama High, for the more they unravel mysteries, the more they get tangled up with each other’s personal lives.

And that’s all these kids do. Solve mysteries for the mere sake of solving mysteries – all while satisfying Chitanda’s raging curiosity, of course! The development of the setting and characters comes from each of these case arcs that divide the series. That’s where problems can arise, you see. With the way the anime is set, beginning strongly and upholding that entertainment through the middle, the end pulls the characters out of the thrilling school festival setting to further polish the two relationships. What that creates is a most lackluster ending – as if we ended on just another episode – which is a real shame considering that the suspense from the two previous potent mystery arcs was driving up to this ‘finale.’

Ah, friendship ~

Despite my need to rearrange the story arcs, Hyouka’s characters are at least one-of-a-kind. As you know, Houtarou is and was my site’s mascot prior to my watching this anime, and you might be glad to hear that he’s sticking around! “If I don’t have to do it, I won’t. If I have to do it, I’ll make it quick.” Bent on avoiding a “rose-colored high school life,” that is his faithful motto. But he gradually breaks away from this eternal LAZINESS the more he quells Chitanda’s curiosity. The consequent result of his efforts – He develops a driving curiosity for himself!

“I’m not stupid. I’m just too lazy to show how smart I am.”

This is how I look when people ask to see my notes.

SAME

Houtarou is also incredibly relatable (my bedhead twin). I found his nonchalant way of dealing with the day-to-day schemes of his rather gray life not only amusing but realistic. Besides his dull “oohs” and “ahs,” provided by the charming actor Yuuichi Nakamura, he also has very little to say. Most of Houtarou’s ‘dialogue’ is composed of complex thoughts in that brown bushy head of his (indicated by the tugging of his bangs), while what he actually spouts is concise and to the point.

If Chitanda’s energy combats Houtarou’s laziness, then Satoshi’s spunk grinds with Mayaka’s bluntness. Claiming to be a “database” that can store info but not make conclusions, Fuku-chan supports Oreki regardless of his high expectations for him. All the while, Mayaka tries desperately to win Fuku-chan’s heart and Chi-chan fires questions in Oreki’s direction. Ladies and gents, here you have the musings of the Classics Club!

Calling the animation simply “beautiful” would be the easy way out. The cinematography here makes other KyoAni works look elementary. The dull world around Houtarou is coated in pale browns and yellows to reflect his boring view. In contrast, when he becomes shocked or surprised, lighting plays a key effect, as everything sparkles and brightens the eyes! When it comes to the mystery aspects of the show, each time a new case is introduced, the run-down of the information carries its own unique and quirky animated sequence. It’s as if Shaft and KyoAni birthed a gorgeous, brilliant, and eccentric child!

Kids actually utilizing their public libraries – and it’s cool!

I want to bring up the OST not because it’s necessarily the greatest thing ever, but because it fits the mystery atmosphere so perfectly! For the majority of the tracks, irritated strings, peculiar xylophones, and romantic choirs/pianos/harps pave the way for intense thinking and detective work. Sleuthy, eerie, dramatic, or flat out rambunctious, the music remains an engaging feature of Hyouka. The exciting inclusion of classical music, be it the reoccurring Beethoven, Bach, or Faure adds a, and imagine this, “classy” feel to the whole shebang. I simply can’t get enough of “Sicilienne” and Bach’s “Cello Suite!” *Cue reading letter from Oreki’s sis*

Before we leave the OST department, I’d like to highlight “Yasashisa no Riyuu” by ChouCho, the first opening. This song just oozes with good feels and astonishing visuals, so it was naturally a shame to lose it after the first half! Similarly, the first ending “Mikansei Stride” by Saori Kodama was also a pleasant touch.

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Hyouka’s best feature was its ability to juggle the genres of mystery, drama, romance, and slice-of-life, and do it phenomenally! To parody, it was like “Fifty lazy, dull, Grey Shades” of freakin’ curiosity. Seriously, if I was having the crappiest day ever and was wanting to be cheered up, or if I wanted something fairly heavy to dip my emotions into, then this is one of the bests. Even if the mysteries are lacking towards the end, there are plenty of other great qualities the story has to offer. So why don’t you throw down that dusty newspaper of yours and hop online with Hyouka!? It’s not like you were reading it, anyway.

“People who are confident in themselves never talk about expectations. “Expectation” is a word rooted in giving up. It leaves you with no other choice. It makes it obvious that you’re powerless.” – philosophy of Fukube Satoshi

+ One-of-a-kind characters (especially Oreki, Fukube, and Irisu) with different viewpoints and philosophies on expectation. Great vocal performances for characters

+ Mystery arc “Why Didn’t She Ask EBA”

+ Sensational cinematography of Oreki’s drab world and its contrast, captivating art and animation

– “Just another episode” ending; no satisfying conclusion

I can’t believe I finally got to watch Hyouka! Uf, and what a splendor it was. For the café, Hyouka is a solid 8/10 with a superior caffe mocha rating! It’s a real bummer that, at this point, there is no English localization of the anime (WHY HASN’T ANYONE PICKED THIS UP). While I encourage you to watch it if you have a hankering-for-a-tinkering with some mystery drama, the only way to find it is through fansubs, meaning not-so-legal streaming. Only watch it if that kinda thing doesn’t bother you. To those who have, what did you think of Hyouka? “Watashi KININARIMASU!” *Oreki: . . . shit.* Thanks for reading, keep an eye out for thieves hangin’ around your club room, huehuehue, and until next time, this has been

– Takuto, your host