Tokyo Ghoul Review

You know when you launch a firework there’s a thrilling rush as you flick the match and light the string? After, there’s this awkward wait to see if it takes off and, if it does so correctly, then it’s followed by a long, dry pause, everyone just staring at it, most losing sight of it. Finally BOOOOOOMMM!!!  it explodes furiously, and everyone applauds, expecting more to come, right?

That, friends, is Tokyo Ghoul,  a new dark fantasy/horror anime that starts and ends with quite the bang, but in the middle leaves us squinting our eyeballs to spot any real development.

Creeping around the dark alleyways of modern Tokyo are the Ghouls, monsters that devour human organs as food. Everyone knows about them, and some even fear for their lives of taking a daily death stroll, but most just continue on with their day. Why would you do something so insane?? Because these Ghouls look exactly like normal people: adults, teens, children, elderly, husbands, wives, etc. The only distinguishing feature of these demons is their black and crimson eyes that burn when they exhibit fierce emotions.

Kaneki Ken is your average college student who frequents a local cafe for one main reason: the enchanting Rize. Since they both enjoy reading from the same author, Kaneki musters the courage to ask her out, thinking that they have so much in common. Kaneki’s date quickly soils into a blood fest when Rize “the Binge-Eater” reveals her wicked Ghoul powers and then tries to kill Kaneki. Suddenly, an accident occurs in their location, and the critical medical situation results in her organs being transplanted into Kaneki to preserve his life.

But now Kaneki feels strange. All normal food makes him want to vomit, and instead he craves . . . human flesh. The story is about Kaneki’s struggle as this new “Half-Breed” for his remaining humanity, and what he’ll risk to remain moral no matter what – or give in to Ghoul within!

Right from the start Tokyo Ghoul latches on with an interesting predicament for our protagonist. The show quickly appeals to your senses when, after the operation, Kaneki tries to cram his face with his favorite foods, all to no avail. They taste like charcoal and rotten dung. Those incredibly morbid realizations that he’s become a monster attack the heart, causing you to feel all of the suffering that he does. This deep argument of human VS Ghoul develops as the show progresses, mostly to build around Kaneki and a little girl named Hinami, though.

I think Kaneki fits the mold for the intense themes of humanity and life better than any other character could have. Cocky like let’s say Eren Yeager (Attack on Titan) and everyone at the cafe will despise him. But too kind like Armin Arlert and I don’t think we’d get anywhere. Kaneki embodies the middle ground of what I’d like to call a “real human being.” He’s never too innocent, yet never totally ridiculous either, and that makes him easily likeable.

Hanae Natsuki portrays all of Kaneki’s hardships believably well, be it screaming in Ghoul mode, conversing calmly with friends, or choking on blood. He’s amazing!

The rest of the characters range from a tsundere teen somewhat goth girl, to an overly-attached whimsical genius, to a desperate family, and finally to a pair of Ghoul counter team members. Even with all of the variety, however, I just didn’t feel the characters nor relate to them in any way. In fact, I can hardly recall names, which is crucial to note because I hardly ever forget a name. Other than Kaneki and possibly Touka, another cafe Ghoul refugee, Tokyo Ghoul lacks in the character department.

Quite stunning is the art and animation by Studio Pierrot (Yona of the Dawn), who puts together intense action sequences with outrageously beautiful and surprisingly colorful animation – especially of the Kagunes, the Ghoul blood weapons. Supposedly, there’s a lot of gore, but I couldn’t see half of the screen because of all of the DAMN CENSORING!! Sheesh, like seriously, they’re only gonna make me more curious about what’s going on. And you know what, it probably wasn’t that bad of gore anyway! But I suppose that’s not the studio’s fault, as the various censoring depended on what your source you watched from.

Yutaka Yamada provides a supportive soundtrack that easily surpasses your average OST. Loneliness, tragedy, melancholy, and epicness are all packed into his tracks. “Licht und Schatten (Light and Shadow)” and a battle theme entitled “Symphony” are model examples of his high-quality work. Though the OST is a rather small one, the few tracks played are not only longer than usual but great to listen to. Quality over quantity is what I believe wins the day!

I’ve gradually become more and more familiar with Ling Tosite Sigure’s opening “Unravel,” which is a step up considering that I don’t care for that high-pitch screamo voice. The song matches the show perfectly, and it became one of my favorite parts of the experience. 🙂

As mentioned previously, the anime’s ending is an unexpected thriller, one that I didn’t see coming a mile away. The show steps away from its usual routes to do something very, very interesting – something that hopefully pays off in the second season. If you can watch the end without flinching, then congrats to your balls of steel.

And now for my major problem with the show: we don’t have explanations for anything! Where did Ghouls come from? What determines their powers? Do the Kagunes have special properties, and how can normal people wield them? What can a half-breed do better than anyone else? How is the main antagonist roped in with all of this? How did Rize actually die?? Tokyo Ghoul has a crap ton of potential, enough to be considered one of the best – that is, if the second season pans out well, because at this point, Tokyo Ghoul is definitely unfinished. If you’re gonna get into it, just be sure you can stomach the gore, and please, watch it uncensored. It tastes better that way >.<

“What is this? What is it to be a Ghoul? Killing people . . . killing each other . . .I’m not like that! I’m . . . human!” – Kaneki Ken

+ Easily likable, non-annoying lead character with good development

+ Gripping start, intense, bloody and sweaty cliffhanger

+ Quality colorful visuals, gorgeous fights, matching OST to back it up

– SO many unanswered questions, literally no explanations!

– Weak secondary character development

– Middle of show deviates from an psychological alley horror to a slice of life coffee shop drama (no JK, but seriously, what?)

I’m pretty excited for the sequel! It has a lot riding on its shoulders, and I can only hope it doesn’t disappoint (even though I heard it sucks, I will be the judge of that myself). What did you think of Tokyo Ghoul? Were you thinking “Welp, this makes absolutely no sense, why aren’t people screaming for their lives? At least it’s pretty :3” FUNimation has licensed the anime for North America with an English dub on the way, though you can watch it for free on their site if you’re +18. Clobber that like button for more material like this and until next time, this has been

– Takuto, your host

Love Live! School Idol Project (1st and 2nd Season Review)

Apparently, poppy young girls called “idols” dominate urban culture regions of Japan. This bright form of vocal art is definitely hit or miss by most. I’m only glad that Love Live! could be my first segue into this genre of anime, and not some generic idol series instead. For others new to spunky idols, here’s Love Live!, a true story of struggle and determination.

Honoka dives into her second glorious year at Otonokizaka High School with overwhelming passion only to find out that if the school doesn’t receive enough transfer students the following year, then it will close down forever. In an effort to save her beloved school, Honoka starts an idol group, which are currently popular, with her best friends Umi and Kotori to attract new students.

As the hardships stack up, μ’s (pronounced “Muse”) recruits six new members including three first-years and three third-years. Pouring all of their hard work, time, and love into their music, the girls pursue the “Love Live,” the top-dog high school idol contest in the region! But will their combined efforts be enough to save their blossoming high school life?

In terms of plot execution, this anime is a bit rigid. A lot of the characters have individual qualms that conflict with the idol competitions, for instance: studying abroad, future professions, failing grades, and other talents besides singing and dancing. And while I’m glad that these characters have realistic conflicts of their own, the show never bothers to touch up on some of these issues, some development even being dropped as “the show must go on” with all nine members intact (end of first season specifically). Don’t get me wrong, I love happy endings, but had some of these characters gone their own ways, then the show could have been more gripping, tear-jerking, and even relatable.

But where the show falters, the characters easily fill in the holes as the show’s richest feature. Each and every one of the girls are overly loveable, memorable, unique and just plain cute! Their constant teasing yet support of each other adds to the overall enjoyment and sense of reality that the show carries. Additionally, each of the characters, including the rival members of “A-RISE,” have some sort of back story and/or standout characteristic that adds a whole new level of depth to them. I’ve never seen a cast of girls so likable and so well-developed like they are in Love Live!

Honoka is seriously the most bubbly, loveable, natural-born leader character ever! Obviously being the main character, she undergoes the most development. You can definitely tell a difference before and after the two seasons. Her charisma and perseverance is nearly unmatched – well, until the rest of the girls step in to cheer Honoka up when she’s discouraged!

Two other characters in particular stuck out to me, which are the third-year student council members Eli and Nozomi. Eli embodies the student council attitude with her over-concerning will to protect the school. Of all the girls, she sets the standard for maturity and true talent (besides Maki), as she was a professional ballet dancer during her childhood in Russia. Though her story is never glanced back to, she just has this irresistible kindness and devotion that can’t be ignored.

Nozomi is vice-prez of the student council and serves as Eli-cchi’s advisor/best friend. After they both become a member of μ’s, however, Nozomi becomes a motherly figure that everyone looks up to. From the start, she is always watching over everyone and never loses faith in μ’s. She is the key that all things related to μ’s creation tie back to, and Nozomi hilariously uses these tarot cards to predict the outcome of everything. Nozomi also has this strange impulse of rubbing the other girls’ breasts when they “misbehave” and whatnot. It’s totally out-of-character, but it was always funny to witness!

As for visuals, the producers at Sunrise like to keep things very colorful and dazzling. Each of the girls have their own concept design to them as well, which helps to define their personality and distinguish them in the crowd. Especially enjoyable are the expressive faces that the characters give off. All of the emotions and feels are perfectly captured on their cute lil’ faces, allowing you to feel exactly what they do without them needing to say a word. And speaking of cute, some of them can pull of the most devilish smiles I’ve ever seen – Umi and Eli can be pretty freakin’ terrifying when they want to! 😀

The only “glaring” issue I found with the animation was actually with the CGI used in the performances. There’s such a crude switch between 2D and 3D in every other frame that becomes really distracting after even a few seconds. I understand why they did it an all – 3D is much smoother to animate, especially with dancing – but man, some of these transitions are pretty rough.

And while I’m hitting the dance scenes, I’d also like to point out that for a “music anime,” the songs weren’t that catchy or memorable. Perhaps that was just the idol music to my ears, but it was all just too bland for me. Happy, sure, but bland. Between both seasons, the only songs that I really liked were “Bokura no LIVE Kimi to no LIFE” performed in the anime by μ’s, Maki’s “Aishiteru Banzai!” and the anthem the song that started it all, “START:DASH!!” sung by the original three members in episode three and in episode 13 with all of the members. Now, my favorite song award goes to “Susume→Tomorrow,” initiated by Honoka in episode one – the first thing we hear, might I add. I absolutely fell in love with this sweet, delicate melody!

Love Live!‘s most enjoyable moments come from the enduring, harsh beginnings of the idol group. Their first concert in episode three in particular left me on the verge of tears. But once μ’s is up and off the ground, the lovable girls carry the story home. What I liked most about this show overall was that no matter how desperate situations seemed, the girls, primarily Honoka, endured it all.

Love Live! radiates POSITIVITY, and is UNEXPECTEDLY a stand-out anime! While the first season has a couple of plot issues, the second season makes up for that with great character development. Just know that all good things eventually come to an end, though . . . If you’re new to this idol business, I full-heartedly recommend this show – it’ll cheer you up no matter what and make you feel dem feels as well! “Nico Nico Ni :3”

“All we can ask for is just a tiny bit of support from you. We truly believe that with your help, we can change the world around us. We will make our dreams come true!”

+ Amazing, well-developed, fun main cast

+ Positive vibe is irresistible

+ Harsh reality of the idol business approached step by step

– 2D to 3D shifts jarring

– Plot cuts back stories short and forces the group over personal conflicts

– Music could have been better

Thanks so much for reading – hit the like if you enjoyed it! You can watch both seasons of Love Live! over on Crunchyroll for free. I can’t wait for NIS America to dub it all in English! Woot! Until next time, this has been

– Takuto, your host