End of April/Mid-May Update 5/24/16

Hello cafegoers, ’tis I, Takuto, with a hodgepodge of updates from this last April to now, the middle-end of May. Woah, it’s been that long?

Whew! So April was a pretty busy month – Well, just busy enough to hold up on an end-of-the-month update at least. Like most everyone on the planet, I was occupied with way too much school for my own good. Seriously, all this homework and you’re telling me it only counts for 20% of my total grade?? F this sh*t, and then these daily grade boosters mini quizzes with only 10 points, so if I score a 9/10 it’s still a B? What is wrong with this system (talking to you, math classes)??

I could go on, but you get the drift. School sucks. Homework sucks. Extracurricular activities are draining. And at the end of each day, the last thing I wanted to do was sit at my desk and write reviews. It’s not like I hate doing it – oh no – it’s that a certain level of creativity and time has to spent on each post – each sentence – so that it all flows together in a unique style. To muster that kind of technical level required for a half-decent post, in my experience, requires a nice long weekend, which was sadly few and far between. In the evening, I just want to watch, not write.

Then May comes alone, and by golly, don’t we all just love May? Who doesn’t enjoy the last-minute cram sessions for chapter tests followed by the study review for the FREAKIN’ final next week, or the hustling and bustling of obligatory graduation parties galore, or how about the short evenings spent stressing about summer jobs, more schooling, and when the HELL am I gonna get back on the blog? Good question. That’s why I occupied myself with a few pre-planned activities, which you will find below. It’s update time!

Recently Finished:

. . . Nothing, I’ve been pushing for more writing and reading. That and I have four lovely simulcasts to keep me hot and bothered. That’ll change this summer, just you wait.

Well, actually there are a couple of reviews for March anime I completed. Those are for Cowboy Bebop and Dimension W. I used a different stylistic approach to Bebop just to stand out of the crowd a bit more, and you guys seemed to enjoy it. I stuck to my more traditional approach with my DW rant, and that got just about the same solid reception, so I must be doing something right, haha. My awesome buddy Matthew of Matt-in-the-Hat and I are actually still talking about that one, so it’s never to late to hobnob with the cool guys 🙂

Click on either of their titles to read! I also appreciate those who took the time to check out my old Fairy Dance posts. That’s cool of you.

Currently Watching:

Kabaneri of the Iron Fortress – While I’m only five episodes in, I can officially say that even if the story goes under the rails, the plummet will be an exciting one. Being an original source (my favorite kind of anime) with only 12 episodes, it will probably wrap up leaving much of the history unexplained. I suppose that’s fine, because the conclusion will more than likely get me to the edge of my seat. At this point, I’m strongly tapping my foot to intense train action and Hiroyuki Sawano’s beats. And that opening, ooh, I think it’s one of Egoist’s best works yet! Kabaneri is still engaging, still epic, but lacking in direction.

Kiznaiver – This is one of those anime that I really want to call in my figurative “Top Ten,” but so far, it’s falling oh-so short. With five episodes watched, I think the biggest problem lies in the characters themselves, in that they’re only shells of the archetypes they belong to simply for the cause of contrasting each other, much like the seven deadly sins do. In theory, Kiznaiver should be great (I am especially captivated by the lead character’s personality for some reason, IDK, maybe it’s his hair, yeah, probably), but unless it really digs deep with its cast, it’ll be nothing more than another pretty piece recycling the same old themes.

My Hero Academia – So I just claimed that the downfall of Kiznaiver would be it’s tropish characters, but then there’s this little gem that is guilty of the same crime, yet gets away with it superbly. MHA is one of those go get ’em, feel good anime. It’s a cliché clash of heroes and an underdog, though it all works because Izuku, the main character, is such a keep-on-keepin’-on youngster, and that’s both heartwarming and exciting. Full of relatable feelings and flashy animation, six episodes is enough to judge that MHA is a good adaptation of its source material. It’s also, and I rarely use this word on action anime, cute.

The Lost Village – AKA Mayoiga, this is the odd egg in the batch of simulcasts this season. It’s really bad – like from a review perspective, the characters are complete one-lined garbage – yet it’s so fun to watch. Isn’t that what all anime strive to be? Fun? With six episodes in, I can’t tell if this anime is trying to pull my leg or be genuinely creepy. Whatever happens, it’s still engaging enough to pull me back each week. That alone is enough to give me a mini heart attack during the nights I watch.

But wait, THERE’S MORE!

As with my Revisit of Evangelion and In Defense of Fairy Dance, I recently tacked another HUGE project called the Heroic Spirit Manifesto or “Hero Week” for short. While I consider it a somewhat ‘failed’ project (huge gap in start and finish), it still was an undertaking that I was proud of accomplishing. If you’re interested in the following anime, click each title because I wrote my thoughts on each one in a specialized format with a heroism section specific to each show. Please enjoy these amazing anime to your heart’s content!

ERASED

One Punch Man

Yuki Yuna is a Hero

My Hero Academia

Café Talk Wrap-Up Segment

So what can we look forward to from me the rest of May? My comments. Lots, and lots, and lots, and lots, and lots of catching up to do on all of the posts you guys have written during my sporadic absences! Don’t expect a review anytime soon, as the only anime I am currently watching are simulcasts. I do, however, have a couple of café talks planned and even an unboxing post (ooh ooh~), so stay tuned for my gradual slide back into the community. I also got a summer job . . . outside . . . as a pool lifeguard. I already have mad sunburns on my shoulders from two days of training. Why do I hate myself? Hahaha, thanks for keeping my seat warm, like ya do, and until next time, this has been

– Takuto, your host

Oh yeah, Twitter? It will happen. Soon. Hopefully. Muah.

Loss Has Little Meaning in Yuki Yuna | Hero Week Review

A brief review of the 12-episode fall 2014 anime “Yuki Yuna is a Hero,” produced by Studio Gokumi, based on original story by Takahiro and Makoto Uezu.

For the third segment of Hero Week, I’ll warn you now that this anime is extremely hit or miss, especially if you’re familiar with Madoka Magica. Despite any polarizing comments I make, I’d like to let you know that this happens to be my favorite of the three Hero Week anime I’ve reviewed, regardless that it is indeed the “worst-written one,” should I even have to pick. I found that it had the most to offer, and I have to be critical of it because something that means so much should be sought in full light.

Five middle school girls—Yuuna, Togo, Fu, Itsuki, and Karin—are on a quest to save the world. That is, community service, volunteer work, and puppet shows for local children. It all seems trivial on the outside, but their Hero Club is determined to do good deeds for love, justice, and happiness, goals which are outlined and pursued religiously in the club’s Five Tenets. Such is the sweet and simple life of Yuuki Yuuna.

The club’s charismatic president Fu is living two lives, however, and upon phone call is forced to drag her friends into a mystical realm. There, they are to protect the God of the natural world and human blessing, the Shinju, from strange geometric entities called Vertexes. By the single tap on a phone app, the girls are transformed into the extraordinary heroes they so desired to be. But transcending the realm of God and obtaining unimaginable power comes with a price almost not worth paying.

As the girls fight for their lives and the people they love, their perception of the world dramatically warps into a cruel land of delusional grandeur. In the depressing struggle for power, the girls might have to point their guns at beings besides the Vertexes in order to preserve their very belief of what it means to be a true hero.

One of the biggest problems I had with Yuki Yuna was the lame world building. Had I not read the summary provided by Crunchyroll, I wouldn’t not have noticed that the story is set in the far future—YEAR 300, the Era of the Gods. WHAT, but it looks like modern-day Japan?! I enjoy it when stories have good reasons to break the rules set by the setting, but you can’t rebel against an outline that otherwise doesn’t exist!

My second beef with the anime was the lack of each girl’s unique drive to be a magical girl. They just sort of accepted the role because of the club’s influence. Individual motive is largely what make hero stories interesting and standout, so to have such weak trope characters (besides Fu and Togo) was a huge shame. For instance, what if the wheel-chair-bound Togo wanted to keep fighting because she could walk once again? That’s much more compelling than “I’ll do it because Yuna needs my help.” The way Yuna clings to the club tenets is also a bit cheesy and a weak excuse for ‘development.’

This is obviously less apparent if you are unfamiliar with it, but the last somewhat spoiler-free issue I had were the painfully obvious similarities to Madoka Magica. The magical girl system, character destinies, and dark, depressing themes in the second half all have strong correlation with its critically-acclaimed predecessor. Heck, even the music (which is still really, really good) and the animation sometimes feel like snippets borrowed from Madoka. While it is occasionally disappointing, Yuki Yuna managed to have fun longer than Madoka did, heavily maximizing its slice-of-life side for the earlier parts. And while I wanted darker, more twisted, nastier Madoka narrative, watching those girls have fun was what I needed more.

On a positive note, the animation was surprisingly incredible. The Vertexes themselves are CG, but because they are basically Evangelion angels crossed-over with the zodiac, it all works to create a fantastic off-putting vibe. I also appreciated the vivid color patterns for the Shinju realm and the cool magical girl outfits (Yuuna’s elegant armor was actually what got me into this show). The style was more rooted in Asian culture (petals, shrines, zodiac), while something like Madoka featured more European-like classical culture (columns, gates, witches).

HERO WEEK SEGMENT: Archetypical Hero qualities represented by Yuuna

I’ve taken a quick trip to Google to provide qualities of the typical hero. Let’s briefly exercise each prompt:

• Hero is of humble origins
  • Yuuna is a very friendly and open girl, often willing to accept help and help others at no cost.
• An event, sometimes traumatic, leads to adventure
  • The Taisha, the organization dedicated to the Shinju, calls upon Fu to advance on the incoming Vertex. Yuuna, even though given a choice, steps up to bat and becomes a magical girl
• Hero has a special weapon only he can wield/always has supernatural help
  • Yuuna is a hero just like her friends. What makes her stand out is her unwavering devotion to the hero cause and her gifted fighting abilities. In episode one, she doesn’t just suddenly transform like the other girls, but is able to gradually make her armor appear upon demand. Her unusually rare strength and “true maiden’s heart” make her unstoppable on the battlefield.
• The Hero must prove himself many times while on adventure
  • Besides fighting off the Vertexes, Yuuna must be able to lift the spirits of her comrades as the show’s ideal hero. The others will lose their way, and it’s up to Yuuna to lead them back on the path of righteousness. She doesn’t seem like a main character, nor does she change much as a character, and that’s mostly because I believe she’s not supposed to; she’s the guiding light of hope and justice, and as such doesn’t stop fighting even at the end.
• ***SPOILERS START HERE***
• PLEASE CONSIDER THIS THEORY TAG BEFORE PROCEEDING
• The journey and the unhealable wound
  • In the end, the effects of going through Mankai so many times and taking on all of her friends’ pain leaves Yuuna in a catatonic state. When she does reawaken, her physical body is only a crutch for her soul, which is always off fighting. Upon the rebellion, Shinju-sama must have changed the rules so that girls don’t have to suffer long-lasting disabilities in the real world. This makes ALL LOSS ESSENTIALLY MEANINGLESS—All of the heartache the girls go through, then you turn around and say, “Oh, yeah, they don’t have to suffer anymore.” Now, I didn’t want a sad ending for the girls, especially Yuuna, but doesn’t that take away most of the emotional weight? Yuuna’s dedication to the heroic spirit causes her to be Shinju-sama’s ultimate protector, and is forced to keep on fighting even though her friends are retired.
• Hero experiences atonement with the father
  • I like to consider the “father” not as Shinju-sama or the Taisha, but as the intelligent Togo instead. At first, Yuuna finds most of her purpose for fighting in protecting her friend and vice versa. When Togo is able to walk again at the end, she somewhat pities herself for letting Yuuna burden everyone’s pain even though she shouldn’t. Yuuna is praised like a goddess but somewhat frowned upon as a fool for sticking so close to the hero path.
• When the hero dies, he is rewarded spiritually
  • Because I find the theory to be so interesting and quite possible, we can conclude that though her real-world body is somewhat “dead,” Yuuna is still alive and fighting behind the scenes. Her reward? She transcends the mortal world and becomes a goddess who will never stop fighting. Not exactly the prize I would want, but because Yuuna fell hook, line, and sinker for the whole hero bait, I’m sure that’s exactly how she would have wanted it from the beginning.
  • In the end, everyone’s illnesses go away, which contradicts the heavy theme of sacrifice Yuki Yuna spent its entire run on building up.
• ***SPOILERS END HERE***

Much of Yuki Yuna is unexplained or at least not evident in the anime adaptation. Should the prequel light novels and the sequel manga ever make it here in the U.S., then I would be thrilled to revisit the franchise. Its fascinating world and the somber warriors fighting to protect it have so much more depth to them, and that lack of depth in the anime hinders a truly wonderful experience. The entire story and production of Yuki Yuna also has too many underdeveloped and forced ties to Madoka Magica, which sadly tampers with the mind-blowing aspect of it.

As a fantasy, drama, slice of life magical girl anime that attempts to see Madoka in a different light, I can appreciate all that it tried to pull off. It tackles the painfully realistic hero themes in the most interesting (and very dark) way that just excites me, yet also has rare moments of joy for our characters and a real built sense of unease instead of just scary/dark imagery like Madoka. Even though it stumbles in appreciating loss, we do wind up with one solid ideal: Ultimately, fight for what you want to save, not for what you are burdened by.

“You know that the fairest flowers fade first. But I made it.” – Fu Inubouzaki (best girl)

I award Yuki Yuna is a Hero with a benefit of the doubt 8/10, narrowly allowing it to breach the “Caffé Mocha” classification. It combats the fantastic with heavy ideals and characters that are honestly cared about (can’t say that for most series). Yuki Yuna won’t impress all—most are quite hard on it, actually—but I still encourage people to try it out especially if you like the wildly mentioned Madoka Magica. I’ve been forgetting, but both ERASED and Yuki Yuna is a Hero can be viewed for FREE on Crunchyroll! While I’d LOVE to own it on DVD, Ponycan is releasing these ‘premium’ sets with an okay English dub for a ridiculous $70 each—AND THERE ARE THREE OF THEM. How do you think Yuki Yuna did? Also, do you think Yuuna is a good hero? How about the other girls? Comment below!! Until next time, this has been

– Takuto, your host

One Punch Man is Absurd, Out-of-this-World Fun! | Hero Week Review

A brief review of the 12-episode fall 2015 anime “One Punch Man,” produced by Madhouse, based on the web manga by ONE (story) and Yusuke Murata (manga art).

Travel back one season from ERASED and you have the anime that etched 2015 in history: One Punch Man. Its grossly over-popular yet dorky concept captivated web manga fans, and when an anime adaptation by THE Madhouse was announced people went hysterical; cosplay, fan art, and “OK.” memes circulated like no other. But what gives OPM a fiery kick like no other, and why do fans gloriously rave about this bald athlete?

In a world under siege by gigantically wacky monsters and bizarre extraterrestrials, Saitama wanted to be a hero. So, he trained ruthlessly for three years, got abs, but lost his hair. Now he has arguably become the world’s strongest hero. Unequivocal strength comes with a price, however, as now all it takes is a single punch—ONE PUNCH—to knock is opponent into next Tuesday. What was thought to be a thrilling and rewarding hobby became tedious and unsatisfactory. Because he defeats his foes in an unbelievably swift manner, people and the media are also unable to credit him properly.

To keep the story fresh, life must change for Saitama. And it does. A cold, brutal, 19-year-old cyborg by the name of Genos stumbles upon the one-hit-wonder’s performance, and urges Saitama to take him as his disciple, admitting he has much to learn from him. Genos then leads his master to the Hero Association, where the two can become certified heroes and *fingers crossed* be officially recognized (and rewarded) for their work saving City Z. As anticipation reignites in odd Saitama’s eyes, he clings to the hope that tougher enemies will head his way, and that one day soon, the people might actually turn to him for help in this chaotic world.

One Punch Man is simple; a tough guy follows his all-powerful master in hopes that the two find excitement in experience, challenge, and fame. While most of the intent is on the explosive battles, much of what people took away from this experience was the comedy, in that it doesn’t try too hard to make us laugh because it’s inherently goofy. The whole scenario of a bald, self-proclaimed hero in a mustard-colored onesie running through the streets yet managing to obliterate any target in one punch is satire in itself. Saitama is an unapproachable fool who defies the typical superhero because he’s an egg-head who exercised a sh*t ton—not receiving any supernatural/monetary help as we know it—to become strong. Since battles are nothing for him, where we see Saitama struggle is against the public eye and the Hero Association’s ranking system itself.

But with the crudely drawn monsters and frankly disgusting defeats, I was turned off by the extreme ends of the repetitive earlier fights. I admit, I thought the anime would run out of steam quite early on, making it just another shounen series out there (but epic-er). Then episode 5 came around—the bout between Genos and Saitama—and I fully realized that this was going to be a good show.

I should applaud Makoto Furukawa’s performance as Saitama because holy crud, how can anyone sound so bland and ordinary yet make me sh*t bricks whenever he opens his dumb mouth?? He really did capture our Egg-head’s nonchalant dialogue, yet appropriately ramped it up for intense battles. I ended up enjoying Saitama as a character much more than I thought I did, for even though he’s clearly the world’s strongest man, he grows as a human in seeking attention and ‘raise’ Genos at the same time. Like the seemingly basic plot, much more development boiled within each emotional scene.

Genos is your typical knight in shining armor (literally, hah!), needing little introduction to sway the crowd in his favor. He’s a straight-up badass cyborg, after all, though he too knows his flaws and overly criticizes himself for the few things he couldn’t do rather than celebrating his accomplishments—there’s always room for improvement. I sympathize with Tin-can on this one. Good thing Genos has a buddy to support him.

We also get to see the variety of heroes, low and high rankings, which are part of the Hero Association. Most A Class top dogs tend to do it for the fame and luxury life, while the C Class underdogs usually put the good of the cause before themselves. Such is the instance of MUMEN RIDER, a “catch-my-flying-balloon” hero who cycles all across the atomically-wrecked City Z to fight evil (even though he’s typically too little, too late). More than that, he represents the “man at the bottom of the totem pole,” and though his arms are weak, his heart burns passionately like a fool trying to stop the rain by yelling at it.

Madhouse. Ah, Madhouse. I’ve seen very little by them, and honestly, the first couple episodes made me cringe more than anything . . . until that episode 5, man, I’m telling you that’s the crazy action I was anticipating from the beginning. Each match just tries to absurdly 1-Up the one that came before it. After that, I was pretty much glued to the screen, appreciating the contrast between Genos and Saitama’s menial routine (hilarious faces and gestures, oh god) and the ridiculously high-octane fight sequences.

A musical score rides side-by-side with the energetic animation. Makoto Miyazaki combines fierce electric guitar rifts with overpowering strings and techno beats to form the definition of “action film music.” Personal favorites include the eerie “Kowa,” the epic “Crisis,” and of course, the “Theme of ONE PUNCH MAN” and its many acoustic and piano renditions. It’s enough to make you want to jump out of your bed each morning, shout a bloodcurdling cry, then proceed with air punches and a billion push-ups.

Where would I be without mentioning the show’s anthem OP “THE HERO!!” by JAM Project? While it alone contains enough awesomeness to serve as a substitute for your morning coffee, I also speak for the ending, “Hoshi yori Saki ni Mitsukete Ageru” by Hiroko Moriguchi. It was just such a nice balance between “GOOD FREAKIN’ MORNING, NOW GO GET ‘EM” and “Welcome back ~ it’s been a long day. Rest.”

HERO WEEK SEGMENT: Archetypical Hero qualities represented by Saitama

(Why not Genos? Because that cyborg fits the formula all too well. With One Punch Man also being an adaption of a longer-running series, we do not know how the overarching story ends. I have taken those bullets out to accommodate this cut-short adaptation.)

I’ve taken a quick trip to Google to provide qualities of the typical hero. Let’s briefly exercise each prompt:

• Unusual circumstances of birth; sometimes in danger or born into royalty
  • We assume that Saitama is as average as middle-aged upstanding Japanese citizen as you can get.
• Comes from humble origins
  • Saitama is about as humble as you can get. You’d frequently encounter him at the local convenient store.
• Leaves family or land and lives with others
  • Again, we don’t know about his family background, but we can guess he lives alone and has bent his life’s goal on becoming a hero for the fun of it.
• An event, sometimes traumatic, leads to adventure
  • No trauma here. Just a monster-invaded world that needs a hero to combat evil. I guess he trained daily with “100 PUSH-UPS, 100 SIT-UPS, 100 . . .” yeah, enough of that.
• Hero has a special weapon only he can wield/always has supernatural help
  • Actually, no. This is just a normal dude who exercised like a maniac to be fit.
• The Hero must prove himself many times while on adventure
  • It’s quite hard for Saitama to prove himself if every challenge just isn’t challenging. Instead, he must be deemed heroic by the public, and as frustrating as that often is, he somehow manages to push through if even just by a tiny margin. He must also prove a worthy master to Genos and a notable hero for the Association, which though humorous at times, it’s all ultimately not enough to bring about complete development (that is mostly due to it being a mere adaptation).

Notice the lack of similarities between typical heroes? Unlike ERASED’s Satoru Fujinuma, who received supernatural help, fought on to improve himself and save others, and even challenged fate, Saitama is a laughing stock, and his anime, the “proclaimed satire of hero genre” is more just for action and comedy than anything. HOWEVER, Saitama still manages to mangle himself into the hero mold—especially by the end—and I only wish we got more. I’m sure much deeper and emotional struggles await ALL of the cast, but based on these 12 episodes, you’ll walk away giggling rather than contemplating heroism and life as we know it, that blah-blah stuff. We like Saitama because he’s different—because he’s a dork.

Watch One Punch Man for the grotesque, energetic, explosive, out-of-this-world action scenes and the natural hilarity and fun that is Saitama. Should neither of those things intrigue you, then it wouldn’t be a crime to skip it (Genos might say otherwise). I had an epic time with the show, and I’ll leave you with an inspiring quote to contrast the nonsense the anime is more infamously known for. One Punch Man is A-“OK.”

“The true power of us human beings is that we can change ourselves on our own.” – Saitama

ZOOM-BANG-POW! These are my thoughts on 9/10 “Caffé Mocha” One Punch Man. As you can tell, I was pretty darn satisfied with what I signed up for. Most people were. Did OPM satisfy your craving for brutal bashing, or did the quirky facial expressions fuel your smiles? You really ought to let me know! Also, do you have any Saitama or Genos-like figures in your life? I’ve known this guy who’s always trying to do the right thing, but his clunky demeanor and unsuspected heroic deeds hardly ever get credited. Haha, the whole situation just makes me laugh, but should I? ‘Till next time everyone,

– Takuto, your host

This is why people are awesome. See? I’m not crazy. He does look like an egg.

If I Went Missing . . . ERASED | Hero Week Review

A brief review of the 12-episode winter 2016 anime “Boku dake ga Inai Machi” (trans. “The Town Where Only I am Missing”) or simply “ERASED,” produced by A-1 Pictures, based on the manga by Kei Sanbe.

Hearing about anime with time travel immediately make me feel two things: Exhilaration and skepticism. The rush of adrenaline is an obvious one. I mean, doesn’t finding out that trial and error will play a key part make you excited? The concept usually entails a character going through repetitive hardships to eventually overcome a goal that will better either themselves or the future or both. Often, however, shows will fail to use the gimmick to its maximum potential, either not developing a character enough to show improvement (or drastic change) or making an inconsistent story just for thrill’s sake.

ERASED executes a surprising mix of these turnouts, and depending on how you interpret the lead, Satoru, by the end, you’ll either walk away awestruck or feeling quite underwhelmed about the whole package.

Dismal 29-year-old Satoru Fujinuma is a pizza delivery man/part-time manga artist/time traveler in modern-day Japan. Well, sort of. He just has these occasional bursts where, right as a disaster occurs, he is sent back a few moments to before the incident. He calls the unexplained phenomenon “Revival,” and he seems to be tasked with saving those facing inevitable peril.

Returning to his apartment from a seemingly normal outing, Satoru finds his mother brutally skewered on the floor and is unfairly accused of murder. Just as the adrenaline is enough to cause his heart to burst, Satoru is tossed back once again through “Revival.” But this time, a few breather minutes beforehand becomes 18 years—1988—and is enough to send him back to elementary school!

A man trapped in a boy’s body, Satoru comes to realize that his mother’s untimely death could be tied to the abduction and killing of a lone classmate of his during childhood, Kayo Hinazuki. Given a second chance at righting wrong and changing his own presently-dull fate, Satoru is challenged to save those lost in the past, protect beloved ones in the present, and ultimately expose the mastermind behind the killings.

Let’s get one thing straight: ERASED is not a good mystery anime. It has mystery elements, yes, but the identity of the killer at large is far too predictable. This mainly stems from the otherwise lack of possible suspects. A good mystery anime wouldn’t toss in a character at the end and label him the murderer—thankfully ERASED doesn’t do that. Where it fails is in the tiny toss up of possible killers. I wanted to say I was truly shocked by the end, but the abrupt change in slower pace and lack of characters to choose from left little room to ponder. Some of the animation cues are also at fault, but we’ll cover that department’s actual brilliance in a bit.

While we’re discussing the cons, I’ll add that the unexplained notion of how or why Satoru undergoes these “Revivals” really bothered me when I reached the end of the series. It’s as if they show us a preview of the power in a few beginning instances, then toss the idea once we hit the halfway point. Being a time travel fanatic, I was disappointed with how it was handled, unless . . . The gimmick doesn’t revolve around needing to save Kayo. Some otherworldly force did it so he could save himself, a man not interested in society and partially life. And where else do you meet friends and solidify family? Childhood. I see each “Revival” as a wake-up call for Satoru, like, “Get a hold of your life, man!”

At least the show’s wild predictability and faulty concept were led by memorable characters, specifically speaking, Satoru, Sachiko Fujinuma (his big-lipped, sharp-eyed momma and arguably best character of the season), and Kayo Hinazuki. The wide screen narrative for his revisited childhood days was fantastic contrast, and it fits the movie theater theme as represented by the opening and the “Revival’s” running film. While the background characters served their purpose, nothing was more entertaining than 28-year-old Satoru’s thoughts being accidently leaked from his little kid mouth. The fixed goal set by his favorite manga hero that is always referenced helps guide his character. I could go on about how smart and well-intertwined these main characters are, but my friend Rocco B laid it all out in his comprehensive review, which I urge you to check out for more depth on every layer.

As for production quality, it’s once again A-1 Pictures and Yuki Kajiura—could a guy ask for more? Honestly, the intense color palette and flowing imagery accompanied by Kajiura’s deeply-felt and haunting main melody brought the story to life. She conveys Satoru’s soliloquy with excellent intensity.

The real question is for ERASED, are you an OP or ED guy/gal. For me, the tune of the ending “Sore wa Chiisana Hikari no Youna” by Sayuri was much addicting and romantic, albeit Sayuri’s voice being a bit on the high and nasally end. Fight me.

With a future thrown into mayhem (Satoru running from the cops and getting into house fires 24/7), ERASED only seemed fun and truly thrilling in childhood; the future seems lost in purpose. Speaking of excitement, where its mystery failed to convince me, its thriller levels were off the charts! It seems every time red flashed across the white 1988 snow, my heart skipped a beat. That is, until you reach the last episode or two.

HERO WEEK SEGMENT: Archetypical Hero qualities represented by Satoru

I’ve taken a quick trip to Google to provide qualities of the typical hero. Let’s briefly exercise each prompt:

• Unusual circumstances of birth; sometimes in danger or born into royalty
  • Other than the fact that his father is out of the picture, not much can be said for this one.
• Leaves family or land and lives with others
  • Satoru, as we see it, is on a long journey from age 10 to 28. In the present, he lives by himself with a part-time job and a hobby he wishes to pursue. I assume he moved out not only because he was old enough, but because he wanted to get a job as a manga artist for his hero story, and his career path led him to the city where these kinds of options are more prevalent.
• An event, sometimes traumatic, leads to adventure
  • The death of Sachiko is the big one, obviously. Satoru lost his one and only crutch supporting him in these seemingly purposeless days.
• Hero has a special weapon only he can wield/always has supernatural help
  • “Revival” anyone? This is the weakest point, as his power is truly the unexplained supernatural, but all that matters is that he is given a second chance—only he can change fate.
• The Hero must prove himself many times while on adventure
  • Protect Kayo Hinazuki. Keep Airi out of harm’s way. Prove Jun Shiratori’s innocence. Save Sugita and Nakanishi. Find the murderer. These and many more challenges await Satoru on his rugged journey.
• ***SPOILERS START HERE***
• The journey and the unhealable wound
  • Coming in episode 9, Satoru is drowned by the killer, thus becoming ‘erased.’ Though the story proceeds to save his rear with the ‘sudden coma treatment,’ this imprisons Satoru for several years. When he reawakens, he is a changed man—he suffers brief amnesia, but then quickly marks the line between good and evil by pointing out the killer on the cold hospital rooftop. He won’t be able to regain these lost years, but they have changed him for the better, as he is able to see the wonderful lives that have sprouted from those he saved.
• Hero experiences atonement with the father
  • Upon her sudden death, Satoru melts at being with his mom once again in the past. He uses her passing as a motivator (avengement) for seeking Kayo’s safety, watching over her and struggling against the inevitable.
• When the hero dies, he is rewarded spiritually
  • THIS is the key one, and tends to affect people’s enjoyment. Clearly Satoru didn’t die at the end, but the part of him that revisited the past and was able to undergo “Revivals” is no longer with him. The traumatic event in episode 9 caused the split in spirit. For his work, Satoru is rewarded with a new start at middle-aged life rife with opportunity and good fortune, contrasting the beginning. But unlike most heroes, Satoru loses his special power, leaving us to assume that his journey wasn’t about a kid saving the lives of many, one about a man seeking redemption through experiencing loss. Because he mentions in the epilogue that he never experienced another “Revival,” we are led to believe that his mission is complete, which somewhat defies the typical hero. He ACTUALLY gets to relive his life, while most retire to death following their journey.
• ***SPOILERS END HERE***

Good things have been said about ERASED for a reason: Its intense thriller fantasy atmosphere is awesome, the music and animation are top-notch, and Satoru is an exciting main character (voiced by an incredible actor, mind you). Fair enough. The end also gets a lot of slack for being anticlimactic. That I really also agree with. It all comes down to how you interpret the hero’s journey—Was the enemy too easily identifiable, or was Satoru’s reward too gracious? All that can be surely said is that we tend to notice how much we have only once we’ve lost it. In a town where only you went missing, I’m sure I would realize the impact you’ve made.

“Kayo, my fate is my own. There’s no need for you to feel responsible. I’m sure that what’s become of me was a result of something I wanted.” – Satoru Fujinuma

Being entertaining is not the same as being well-written. A solid “Cake (4/5),” ERASED was definitely my favorite from the winter 2016 season, then again I only watched two anime. What did you think of the show? How did you interpret the same issues everyone had with it? FEEL FREE TO TALK ABOUT SOMEONE IMPORTANT IN YOUR LIFE, or how you thought Satoru was a good/bad hero! I want to celebrate the cause with all of you! Until next time, this has been

– Takuto, your host

Just look at how happy momma Fujinuma is. Best mom 2016!

 

What do we have in Common? WE ARE HEROES!

There’s a reason for my frequent absences. Hosts hold social get-togethers, and I feel I’ve been failing a bit in that department. 

Join Takuto in celebrating “Hero Week” from May 2^nd through the 8^th! To combat my recent stumblings in anime with heroic themes, throughout the week I will be posting reviews of the following anime:

Erased (Boku dake ga Inai Machi)

One Punch Man

Yuki Yuna is a Hero

My Hero Academia (episodes 1-3, possibly 4)

What can you do to help (besides reading and commenting, like ya do)? Comment on any of these posts with your favorite heroes in anime or heroes in real life. These can be both the characters we love and people you value on your side of the fence. Each review will also contain a special mini-segment regarding the values of the hero archetype presented, and any flaws behind their ideology.

I urge you to involve as many spirited bloggers as you can! I want this to be a HUGE project that dominates the café for a solid week and floods it with iconic idols and wonderful people! I’ll be working around the clock trying to respond to each and every comment that comes in as soon as possible (because comments typically tend to slip by me once I unintentionally open them up to preview them). At the very end, I’d like to write a “Café Talk” post to encompass our many ponderings, much like I did with the Revisit of Evangelion and to an extent In Defense of Fairy Dance.

If you don’t have (for whatever reason) a favorite being of justice, feel free to browse around and get to know your other fellow bloggers and the important figures in their lives—Use this as your makeshift Memorial Day if you don’t celebrate such a holiday! Comment below if this interest you, or that you feel you’d like to participate 😀

A small blog like this one can’t do a whole lot on its own, but together, we should be able to have a grand time and spread awareness to the awesome individuals who have dragged us out of darkness at some point in our lives. I’m overflowing with all kinds of crazy ideas, so I can’t wait to start pumping these reviews out! Until next week, stay awesome guys! – WE ARE HEROES –

– Takuto

P.S. (Spread dorky hashtags if you’d like #takutoheroweek #weareheroes :D)