Code Geass: A Masterful Rebellion To Be Remembered

A review of the 2006-2007 anime “Code Geass: Lelouch of the Rebellion” and its 2008 sequel, “R2”

***Beware of slight spoilers, though everyone should have seen this show by now***

Before I start writing, we must travel back in time to December of last year – my amateur Guilty Crown review *shudders*. In it, I accused GC of “stealing something precious from every solid robot/action anime prior to its own existence,” and that it was “just a messy conglomeration of past sci-fi anime.” I actually confess to being the one guilty here, as prior to that review I was honestly just venting others’ thoughts rather than speaking my own. I knew nothing about the mecha genre of anime! So now, I apologize and atone for my sins by witnessing the very chaos where Guilty Crown got its roots – And it all rises with a single rebellious command.

Secondly, my god, how I love smart characters. Enjoy ~

By 2010, the totalitarian Holy Britannian Empire, which already claims a third of the world, captures and strips the honorable Japan down to petty people. Now renamed to Area 11, the “Elevens” no longer enjoy a life of freedom and pride, but slave away while the Britannian aristocracy stands over them with overwhelming wealth and authority, wine glasses in hand.

Lelouch vi Britannia, a banished royal youth has been taking refuge in the prestigious Ashford Academy with his blind and wheelchair-bound little sister Nunnally. Going by the last name Lamperouge to escape execution, the two became members of the spirited student council. All goes fairly well for the two, but Lelouch can hardly even call hiding in secret day by day living! So when a Japanese terrorist operation results in a horrific highway wreck, the witness Lelouch runs to check on their safety, but instead uncovers a classified Britannian “weapon” of sorts. Her name is C.C. (pronounced C2), and she bestows the near-omnipotent power of Geass upon him – the power of absolute control over another, which merely requires direct eye contact and a command to activate.

It’s at this exact moment that the scheming Lelouch ZERO begins his awe-inspiring rebellion to destroy Britannia and recreate the world anew, all for the safety of his crippled sister and to uncover the mysteries surrounding his mother’s death. Zero rallies his Black Knights, the Japanese terrorists, and sets his sights on liberation, but by donning the mask of a criminal mastermind and wielding his King’s Power mercilessly, he shall pave his own path of solitude and shoulder all of the world’s evil.

Code Geass is a complex anime to watch. Half of the show is following Lelouch as he scrambles identities from school boy to the anarchist Zero, while the other half is political mumbo jumbo. Between constant Geass brainwashing, royal court betrayals, and countless bickering, national figureheads, each complete with an ideology of their own, it’s quite easy to get lost. The plot also relies on very meticulously placed characters to show you what you need to see, when you should see it. I don’t think this overly convenient placement is considered plot armor for Lelouch, for he is quite the intelligent badass, it’s just that there is an inhuman amount of info to keep track of, considering that each character’s current knowledge, prior history and point of view is equally important toward the end result. One easy slip-up early on and his whole uprising would have fallen flat -_-

As a viewer, I was very stressed to find no answers to any of my several hundred questions after the first season, but in due time, everything became clear. Often, explanations arrive too late in the series, however, which only adds to the long-standing confusion. My episode one qualms no longer seemed relevant to what was going on.

About the mechs. While the first season valued tactics, ahem errr, strategy on the battlefield, the second season’s combat was structured on “my gun is bigger than your gun,” of which the sexy Rakshata or ridiculously quirky “Earl of Pudding” would steal the other’s ideas to invent a better one. These scientific discoveries were pointless compared to the supernatural Geass, though they were at least entertaining. The second season’s use of flight capabilities also took out the thrill that came from ground combat. All in all, I really enjoyed the solidly strategized Knightmare Frame battles, but I could have gone without the boring aerial stuff.

As for characters, we have the aforementioned Lelouch Lamperouge, the brilliant chess master who is justly one of the BEST anime characters EVER, like do I even need to explain? Always several steps ahead of the game, using whomever he needs like pawns to create a new world. One character who constantly bumps heads with him is childhood friend Suzaku Kururugi, a knight of justice who in contrast to Lelouch believes that the means are more important than the end result. Due to “Spinzaku” being Japanese, his righteousness brings punishment from leaders on the both sides, however, and his stubborn will causes never-ending interference with the Britannian nobles and Lelouch. A fine character nevertheless.

And of course, the rest of the cast is extraordinary! Nobles like Prince Schneizel and Cornelia li Britannia (BEST GIRL) continually throw in spicy curveballs. A rebel like Kallen challenges her very existence because of her being half Britannian and half Japanese. Lovers like Lulu’s sister Nunnally, Rolo, Jeremiah, Shirley, Villetta, and eventually C.C. heighten the levels of drama. There are also the Black Knights, Ashford’s student council, and other royals that play their part exceptionally well! Granted some of the characters are incredibly dumb, and in the second season there are a lot of bipolar decisions, I was pretty damn impressed with what we got. Lastly, Code Geass never forgets about a single character; each one is gradually touched on throughout the entirety of the franchise, and that is not an easy feat to pull off!

Animation was done by Sunrise, and since I have not watched many mecha anime, it was a huge change for me to see robots that were all drawn. Unlike most CG, I was never taken out of the world thanks to the drawn appearance, so that’s a plus! Another nice factor was the character designs done up by Clamp. There’s just something so incredibly sexy about those elongated chests and limbs tagged along with bold, charming, unique faces that made me go mmmm. I especially love the eye and hair designs (Leads, Euphemia, Cornelia), so rich and fierce 😉

Ahh, the OST by Kotaro Nakagawa and Hitomi Kuroishi, much like the animation, a strong point. It’s an epic, classical, string based soundtrack, which are my favorite kinds, but occasionally there are soft, Celtic-esque tracks that play during the most depressing moments, milking all that they can out of a scene. Some of the best songs include “Black Knights,” “Beautiful Emperor,” “Lullaby of M,” “All-out Attack,” and the famous “Madder Sky.” But the one that tops them all, possibly my favorite track from an OST, is the bittersweet “Continued Story” by Hitomi Kuroishi, which played in the final episode. From YouTube, this is the song that got me into the show, and literally tears run down every time . . .

The very first and last ending themes, both Ali Project songs, also added fuel to the fire of the rebellion! Check out “Yuukyou Seishunka” and “Waga Routashi Aku no Hana,” as they are both eerie and insane!

I can now easily understand why Code Geass receives so much conversation and the title of classic. I was always trying to guess what Zero would do next, but little did I know that he had everything in the bag from the start, or so I believe. The show excels in all categories and provides the genre with ONE OF THE BEST (TRAGIC) ENDINGS IN ANIME HISTORY. Code Geass is a battle of wit, a competition for science, a war of mechs, a struggle for royal power, a strife for family, and above all, a rebellion to be remembered. By accepting Geass and becoming the world’s greatest antihero, Lelouch vi Britannia dug his own grave, and once he reaches the pits of hell itself, he shall take all of the world’s hatred with him.

“Suppose there is an evil that justice cannot bring down. What would you do? Would you taint your hands with evil to destroy evil? Or would you carry out your own justice and succumb to that evil?” – Lelouch Lamperouge

+ One of the best main characters to hit anime, supporting cast also brilliant

+ Masterful varying portrayals of justice and other ideological themes

+ Excellent English dub (especially Lelouch, Suzaku, Kallen, Cornelia), strong soundtrack

+ Gripping, curious, and intense story to the finale, one of anime’s greatest endings

– Plotline involving Geass history/Emperor’s grand plan could have used more combing through

– Several moments were a bit too conventional for Lelouch, some bipolar actions made to keep story moving

– 2 seasons; 50 episodes can be very extensive for some

This was definitely a difficult review to write, as I was pretty much just fanboying the entire time 😀 I did have a few complaints, though. But after considering the clever ride from start to finish, it deserves the Caffé Mocha award without a doubt! 9/10 for both seasons to those following my MyAnimeList. Action, romance, drama, great characters and story – EVERY anime fan must watch this show! The varying genres of school, mecha, war, comedy, sci-fi and more also make this show interesting. I feel I have the room to judge anime a little better now that I’ve seen this classic (and that cart scene, I see what you did there). My god, I’ve never been so entertained by one character in such a long time ahaha AHAHAH MUAHAHA – ALL HAIL LELOUCH!! Now, I command you to like, comment and follow my blog, and until next time, this has been

– Takuto, your emperor

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Tokyo Ghoul Review

You know when you launch a firework there’s a thrilling rush as you flick the match and light the string? After, there’s this awkward wait to see if it takes off and, if it does so correctly, then it’s followed by a long, dry pause, everyone just staring at it, most losing sight of it. Finally BOOOOOOMMM!!!  it explodes furiously, and everyone applauds, expecting more to come, right?

That, friends, is Tokyo Ghoul,  a new dark fantasy/horror anime that starts and ends with quite the bang, but in the middle leaves us squinting our eyeballs to spot any real development.

Creeping around the dark alleyways of modern Tokyo are the Ghouls, monsters that devour human organs as food. Everyone knows about them, and some even fear for their lives of taking a daily death stroll, but most just continue on with their day. Why would you do something so insane?? Because these Ghouls look exactly like normal people: adults, teens, children, elderly, husbands, wives, etc. The only distinguishing feature of these demons is their black and crimson eyes that burn when they exhibit fierce emotions.

Kaneki Ken is your average college student who frequents a local cafe for one main reason: the enchanting Rize. Since they both enjoy reading from the same author, Kaneki musters the courage to ask her out, thinking that they have so much in common. Kaneki’s date quickly soils into a blood fest when Rize “the Binge-Eater” reveals her wicked Ghoul powers and then tries to kill Kaneki. Suddenly, an accident occurs in their location, and the critical medical situation results in her organs being transplanted into Kaneki to preserve his life.

But now Kaneki feels strange. All normal food makes him want to vomit, and instead he craves . . . human flesh. The story is about Kaneki’s struggle as this new “Half-Breed” for his remaining humanity, and what he’ll risk to remain moral no matter what – or give in to Ghoul within!

Right from the start Tokyo Ghoul latches on with an interesting predicament for our protagonist. The show quickly appeals to your senses when, after the operation, Kaneki tries to cram his face with his favorite foods, all to no avail. They taste like charcoal and rotten dung. Those incredibly morbid realizations that he’s become a monster attack the heart, causing you to feel all of the suffering that he does. This deep argument of human VS Ghoul develops as the show progresses, mostly to build around Kaneki and a little girl named Hinami, though.

I think Kaneki fits the mold for the intense themes of humanity and life better than any other character could have. Cocky like let’s say Eren Yeager (Attack on Titan) and everyone at the cafe will despise him. But too kind like Armin Arlert and I don’t think we’d get anywhere. Kaneki embodies the middle ground of what I’d like to call a “real human being.” He’s never too innocent, yet never totally ridiculous either, and that makes him easily likeable.

Hanae Natsuki portrays all of Kaneki’s hardships believably well, be it screaming in Ghoul mode, conversing calmly with friends, or choking on blood. He’s amazing!

The rest of the characters range from a tsundere teen somewhat goth girl, to an overly-attached whimsical genius, to a desperate family, and finally to a pair of Ghoul counter team members. Even with all of the variety, however, I just didn’t feel the characters nor relate to them in any way. In fact, I can hardly recall names, which is crucial to note because I hardly ever forget a name. Other than Kaneki and possibly Touka, another cafe Ghoul refugee, Tokyo Ghoul lacks in the character department.

Quite stunning is the art and animation by Studio Pierrot (Yona of the Dawn), who puts together intense action sequences with outrageously beautiful and surprisingly colorful animation – especially of the Kagunes, the Ghoul blood weapons. Supposedly, there’s a lot of gore, but I couldn’t see half of the screen because of all of the DAMN CENSORING!! Sheesh, like seriously, they’re only gonna make me more curious about what’s going on. And you know what, it probably wasn’t that bad of gore anyway! But I suppose that’s not the studio’s fault, as the various censoring depended on what your source you watched from.

Yutaka Yamada provides a supportive soundtrack that easily surpasses your average OST. Loneliness, tragedy, melancholy, and epicness are all packed into his tracks. “Licht und Schatten (Light and Shadow)” and a battle theme entitled “Symphony” are model examples of his high-quality work. Though the OST is a rather small one, the few tracks played are not only longer than usual but great to listen to. Quality over quantity is what I believe wins the day!

I’ve gradually become more and more familiar with Ling Tosite Sigure’s opening “Unravel,” which is a step up considering that I don’t care for that high-pitch screamo voice. The song matches the show perfectly, and it became one of my favorite parts of the experience. 🙂

As mentioned previously, the anime’s ending is an unexpected thriller, one that I didn’t see coming a mile away. The show steps away from its usual routes to do something very, very interestingsomething that hopefully pays off in the second season. If you can watch the end without flinching, then congrats to your balls of steel.

And now for my major problem with the show: we don’t have explanations for anything! Where did Ghouls come from? What determines their powers? Do the Kagunes have special properties, and how can normal people wield them? What can a half-breed do better than anyone else? How is the main antagonist roped in with all of this? How did Rize actually die?? Tokyo Ghoul has a crap ton of potential, enough to be considered one of the best – that is, if the second season pans out well, because at this point, Tokyo Ghoul is definitely unfinished. If you’re gonna get into it, just be sure you can stomach the gore, and please, watch it uncensored. It tastes better that way >.<

“What is this? What is it to be a Ghoul? Killing people . . . killing each other . . .I’m not like that! I’m . . . human!” – Kaneki Ken

+ Easily likable, non-annoying lead character with good development

+ Gripping start, intense, bloody and sweaty cliffhanger

+ Quality colorful visuals, gorgeous fights, matching OST to back it up

– SO many unanswered questions, literally no explanations!

– Weak secondary character development

– Middle of show deviates from an psychological alley horror to a slice of life coffee shop drama (no JK, but seriously, what?)

I’m pretty excited for the sequel! It has a lot riding on its shoulders, and I can only hope it doesn’t disappoint (even though I heard it sucks, I will be the judge of that myself). What did you think of Tokyo Ghoul? Were you thinking “Welp, this makes absolutely no sense, why aren’t people screaming for their lives? At least it’s pretty :3” FUNimation has licensed the anime for North America with an English dub on the way, though you can watch it for free on their site if you’re +18. Clobber that like button for more material like this and until next time, this has been

– Takuto, your host