The V-Day Sci-Fi Special Returns for 2019!

Happy Valentine’s Day!!

It’s officially February 14th, the day of love and romance, and I’m looking forward to spending another V-day alone this year. Oh, no, wait, don’t get me wrong—I actually prefer it this way!

Every year since 2013 I’ve tried to give myself some “me” time around the middle of February. I like to think of it as self care. After all, what’s wrong with celebrating the love for oneself?

Anyway, although it’s traditionally been a sci-fi title (odd genre choice, I know), I have mixed it up a few times, 2018’s V-Day special being a sports anime. The point is that the holiday is dedicated to cracking open a decently sized franchise and all its pieces. As a refresher, here’s been the past selections:

2013 ~ Steins;Gate

2014 ~ Kokoro Connect (I think . . . )

2015 ~ Neon Genesis Evangelion

2016 ~ The Rose of Versailles

2017 ~ Ghost in the Shell

2018 ~ Haikyuu!!

Now, having actually just recently finished Haikyuu!!‘s third season (whoops!), I can proudly erase my board (which has had the episode listing on it since last February, yikes) and move on to announce the V-Day Special anime of 2019. And guess what? We’re returning to sci-fi classics. Aww yeah, give it up for . . .

2019 ~ RahXephon

Wooohooo!!! I’ve been wanting to watch this show ever since I figured out what Evangelion was and noticed everyone always kept comparing the two shows. Well, now it’s time to unearth another long-lost sci-fi classic uncover what secrets it holds. It looks so bizarre TBH and that excites me immensely. As you can see, I’m clearly well-prepared, heh:

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This year’s V-Day special will actually begin this upcoming weekend, and the marathon will last three days: Friday the 15th through Sunday the 17th. RahXephon will be streamed in English via Amazon’s Prime Video services. In the event something goes wrong, one of the alternatives I have picked out will be selected instead. Since I am a student, hopefully I’ll be able to make time for both homework and the binge-watching.

As always with this thing, I’m looking forward to stockpiling the sweets and locking myself in my room for three days straight, haha! Please enjoy this time of the year with someone (or something) that you love, and be sure to make time for yourself, too! Following the marathon, a review will eventually be published, so I look forward to reporting my findings in that.

Until then, much love and chocolates from me!

– Takuto

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WorldEnd — The Lack of Connection Between You and Me | Review

A brief spoiler-free review of the 12-episode spring 2017 anime “WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us?”, also known as “SukaSuka,” animated by Satelight and C2C, directed by Junichi Wada, and based on Akira Kareno’s light novel series of the same name.

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At the End of the World

Awakening from a cryogenic slumber 500 years after his ferocious fight with a mysterious monster, Willem Kmetsch finds himself to be the last human alive. During his icy slumber, creatures of terrifying proportions known as “Beasts” emerged on Earth’s surface and destroyed the human race—all except for one, that is. Together with the other surviving races of this fantasy world, Willem takes refuge in the floating islands, living in fear of what terror still lies below. His new life feels lonely and meaningless, for all he has tied to him now is a number of odd jobs to merely get by.

One day, a surprise offer to become a weapons storehouse caretaker graces Willem’s presence, to which he takes thinking nothing of it. When arriving at this “warehouse,” however, he finds it not to be filled with guns and other arms, but instead a handful of young girls. And boy are they a handful. Connecting the dots, Willem realizes that these Leprechauns, though resembling humans, have no regard for their own lives, as they identify themselves as mere weapons of war. These are the weapons he was tasked to look after.

Becoming something of a father figure for the young Leprechauns, Willem spends his days watching over them fondly and supporting them in any way he can. Among them is blue-haired Chtholly Nota Seniorious, the dutiful yet stubborn eldest who is more than willing to sacrifice herself if it means defeating the Beasts and safeguarding peace. The two strike up an endearing relationship, and as Leprechauns are sent off to battle at the end of the world, Willem—who knows the tragedies of war all too well—can only cling to the hope that those who fight bravely will someday return home safe and sound.

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I remember this plot stirring up a lot of hearts back when it aired in 2017, but I found myself emotionally detached from not only most of the characters but also the story itself. It’s kind of like Seraph of the End‘s opening in that you are shown a deeply impressionable first episode (made notable largely for its music, which I’ll get to), and then directed to an entirely different story. For me at least, the show has a hard time of maintaining a particular mood, be it happiness, sadness, or somewhere in between.

It also quite honestly feels like WorldEnd is trying to balance so many different genres that it fails to excel at any of them. While it’s certainly not an action series, it wouldn’t be proper to label it as slice of life. But it does have enough excitement to be this weird sci-fi/fantasy blend, something that definitely makes it feel like a light novel adaptation. Romance might be a better genre category, but even then the dramatic intensity is ALL over the place, hardly a fit for a “true” story of love and romance.

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All the Lolis in the World Can’t Make You Relatable

Ready for me to break some hearts? Alright, well I’ll start with Willem, the story’s “hero” who falls for the girl doomed to a terrible fate. While I enjoy the message of defying said fate and cautiously yet optimistically gazing toward the future, I just couldn’t get into Willem’s character. Let me explain.

His unusual circumstances as “weapons keeper” places him with the undivided attention of all the lolicauns (heh, get it?). Each of their little problems are designed to unfold around him with the intent of unlocking a new facet of his character. Oh, so we find out everyone is afraid of him? Makes sense, he’s a human and a dude at that. But he’s a good cook? And he’s able to make them all love him through food? How convenient. But wait, he can also tune their weapons, a quality that is unique only to him. And we can’t forget that he’s a lover of little kids, a pro nurse, and a massage therapist, too. Plus, even though he can whoop all of these magical fairies in combat, he’s totally willing to die for them at any given time, OF COURSE.

Willem is just . . . too perfect, and I just couldn’t connect with him because of his overwhelming home-ec expertise. And speaking of disconnection, I never really cared for Chtholly, the lead female, as much as I was *supposed* to either. The two are cute together, don’t get me wrong, but I only recall like one or two instances where I thought their chemistry felt honest and true—and not being manipulated by the choppy plot lines.

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“Are you going to Scarborough Fair?”

Studios Satelite and C2C team up to animate this breathtaking fantasy world and it’s . . . alright? Aside from a few gorgeous landscape shots, the animation merely gets the job done. WorldEnd’s characters are drawn delicately, and the copious amounts of crimson blood that spill out during the fight scenes create quite the stark contrast (which I believe was the point). Given the lack of brazen fanservice we’ve come to see with these LN adaptations, the modesty here sure is appreciated. All in all, it may not be worth solely watching for the animation, but there is one production component that makes WorldEnd stand above the crowd: Tatsuya Katou’s soundtrack.

I’m a sucker for insert songs. They can hype up a scene to unbelievable levels and allow emotions transcend logic, a quality which can be tricky to master. But oh man does Tatsuya Katou have it down. Specifically here, he arranges traditional English ballads and folk songs as insert songs. Between the rich and powerful “Scarborough Fair” opening up this story’s curtains in episode one to the deeply resonate “Always in my Heart” closing out the final fight, it’s easy to be moved to tears. I still get goosebumps thinking about it. Both sung in English by the graceful Tamaru Yamada, these insert songs become perfect representations of WorldEnd‘s tragic duality.

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The rest of the OST maintains this same orchestral beauty: soaring strings, somber violin solos, cheerful guitar, blissful piano—a winning combination. Absolutely fantastic, and perfect for the fantasy atmosphere. Also worthy of mention is the series’ OP “DEAREST DROP” by Azusa Tadokoro, a song that easily made it into my personal music playlist.

For English dub fans, Funimation’s got you covered. Perhaps it’s because I didn’t exactly enjoy Willem’s character, but this isn’t my favorite Micah Solusod performance. Amber Lee Connors’ Chtholly definitely grows on you if you allow her a few episodes, though. Overall, I’m still curious about how the Japanese handled the emotional scenes, but the dub works just fine.

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Hinging on Feelings

Between a story that is neither this nor that and a bland protagonist that I just couldn’t seem to connect with, we’ve got a few touching scenes weakly strung together by a heavy reliance on the viewer loving the cast. The romance genre hinges on your attachment to (at least one of) the leads, making it almost entirely based on personal preference (to which I didn’t quite fancy here). At least it has some encouraging messages on embracing oneself through the process of change.

I wanted to love this anime with all my heart—after all, it was the talk of 2017 for quite some time. But in the end, a lack of connection—between plot points, characters, and myself as the viewer—prevents me from recommending the series unconditionally. There’s something special going on here, there really is, but I don’t think this anime adaptation showcases WorldEnd at its true best.

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I can’t find happiness, meaning there’s really no reason to pursue it. How can one pursue what they already have? Don’t you understand—I’m already the happiest girl in the world. — Chtholly


Afterword

I admittedly feel terrible for spitting on this beloved title. But if it makes fans feel better, I would like to check out the original light novel series some day, as I’ve heard wonderful things from people who are reading it. By the way, THAT TITLE THO. This is LN culture at its peak. For all those curious, WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us? is rated a “Coffee” here at the cafe, a show that’s rich in all the right areas, and quite possibly satisfying if its characters can win over your heart.

Do you have any thoughts on this sweet little title? Let me know if you share some of the same disappointments or praises of WorldEnd that I do in the comments. I’d totally be willing to give this title a second try if given the reason to, so come and voice your thoughts on WorldEnd or this review! Thanks for reading, and until next time, this has been

– Takuto, your host

A Story That Loves Love: Go For It, Nakamura! | OWLS “Adore”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s second monthly topic of 2019, “Adore,” I wanted to stray away from the darker content I typically go for with these posts and focus on something lighthearted. Fortunately for me, none come more fluffy and adorable than the one-shot shounen-ai manga that’s got the BL community completely under its love spell: Go For It, Nakamura!

In February, we will be exploring love and romance. The word selected is “adore” because it has two main connotations: to be loved and respected or to feel worshipped. We will analyze characters that give us a feeling of admiration and explain why we love those characters. We will also be exploring different forms of love (familial, friendship, and even self-love) and how those types of love influence our lives.

Happy Valentine’s Day!

 

I myself happened to have recently finished the book, so this prompt came in good timing. Thanks Lyn!

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A brief, spoiler-free discussion on the one-shot (11-chapter) manga “Go For It, Nakamura!,” story and art by Syundei, and licensed in English by Seven Seas Entertainment.  

Ganbare! Nakamura-kun!!

Nakamura Okuto may be a shy gay high school boy, but he sure knows what he wants—the love of his life, his adorable high school classmate, Hirose Aiki. He constantly daydreams of just about every cliche romance scenario ever written, but when it comes to executing his charm, Nakamura is a total klutz! To make matters worse, the two haven’t even formally met yet, and Nakamura’s clumsy streak is sure enough to botch things before they even begin. Oh boy, good luck Nakamura!

Serialized in Opera magazine over the course of a couple years, the 11 chapters that make up this volume comprise the existing story as it currently stands. It is a collection of vignettes from the titular character’s high school life sectioned off in a way not unlike that of a 4-koma manga.

It’s also a comedy manga—and one that’s fun as heck to boot. The comedic timing will leave you giggling in your chair, and the few moments of genuine connection between Nakamura and Hirose will make your heart all warm and mushy. There’s never a dull moment in Nakamura’s pitiful yet utterly relatable life.

As mentioned earlier, the romantic scenarios are cliche: staying after class, school festival drama, chance meeting in an alley, school plays, CLUBS, you get the picture. Even though you know how the story might play out that particular chapter, Nakamura’s inner dialogue and anxious turmoil transform repetition into a breath of fresh air. And yes, the retro art style contributes immensely to Nakamura‘s uniqueness.

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A Lost Art: The 1980s Japan Aesthetic 

I’m not a historian by any means, but if I had to pin a time period, I’d say that Syundei’s story takes place in 1980s Japan. Regardless, it’s old school, but cute. Really cute. Think Rumiko Takahashi (Ranma 1/2) printed in modern day. Wacky expressions, explosive bangs, random chibi appearances, traditional hair and clothing styles, that kind of 80s Japan. Between the bright colors on the cover, the fuzzy glow effect of Nakamura’s daydreams, and the flowery patterned backgrounds, Syundei has created a retro aesthetic that is quite the rare find these days.

I really loved the revival of the cartoonishly big hair bangs (a nice choice!). Not only does this design detail take us back to the past, but it makes the characters seem even fluffier than they already are. Hirose in particular is just such a kind, SOFT boi, and I totally understand why Nakamura’s enamored with this sparkling chestnut head! Hirose’s large round eyes also make him seem more gullible, innocent, and inviting, a stark contrast to Nakamura’s gloomy aura. For a guy who is used to hugging against the shadows, Hirose’s radiant light is blinding. So pure!

The duality of Nakamura’s expressiveness—from the estranged slim-eyed “bully” look to this blushing, red-faced, obsessive weirdo—establishes an even stronger bond between Nakamura and the reader. He may have a scary exterior, but he’s just a big softie (and one who’s madly in love!), and I found myself rooting for Nakamura throughout his antics because I relate to his struggles of silent obsession and unrequited love. Slowly but surely, Nakamura is crawling out of his shell and opening up to people, and I really look forward to further developments should Syundei return to this wonderful title.

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A Refreshing Spin on BL

Although he may be a closet gay to his peers, Nakamura isn’t afraid to let the reader know, and I really enjoy how being gay isn’t a big deal in Nakamura. Even his classmates don’t mock him for desparately wanting to hang out with Hirose, and it’s just so, so refreshing. If you’re new to BL, this story would make an excellent entry point. (Being a single-volume story helps make this a recommendation even more convincing!)

Additionally, this isn’t a BL story about lust and skipping the foreplay just to do the deed. Go For It, Nakamura! is as innocent and pure as they come, and for all the right reasons. Sure, Nakamura is a bit obsessive for Hirose, but not much more than any other girl or boy tailing after their romantic idol. The story sticks to themes of adoration and manages to run as far as a lovely, blossoming friendship. And interestingly, its lack of explicit content is what marks it as one of the bests.

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A Story That Loves Love

Watching the push and pull between Nakamura and Hirose grow with each chapter sure doesn’t leave the heart with much time to rest. At times stupidly funny, other times highly resonate and heartwarming, I couldn’t think of a high school couple more deserving of mutual love and affection. More than they realize, they need a person just like the other, and the ending will leave you with so much hope and happiness.

Syundei’s Go For It, Nakamura! is a story that loves love, and about loving yourself, too. Its characters are cute and fluffy, and despite my wanting to smash the two together and shout “NOW KISS!”, I wouldn’t have wanted the story (as it stands now) to end any other way. I was left squealing and stirring in my chair for hours after reading the last page, and if there’s any BL title out there to boast the word “adore,” this is easily the one.

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Y-you’re the one who said it was important to be true to yourself. — Nakamura Okura


Afterword

Well, when you don’t have to cover animation, music, voice acting, and directing, this makes for a pretty short post! Reading Go For It, Nakamura! easily became the highlight of my week, and its short single-volume release makes it easy to consume yet hard to let go of. It’s fun, simple, and it’ll make your heart go doki-doki for sure! As if I needed to reinforce its notability, Syundei’s Go For It, Nakamura! establishes itself as a “Cafe Mocha” title, an absolute hit for anyone wanting to spend an afternoon enjoying the softest BL manga ever written. Seriously, you’ll love it.

This concludes my February 3rd entry in the OWLS “Adore” blog tour. Man, when was the last time I went this early!? In fact, it looks like I’m the one kicking off the February tour, so I hope I set the groundwork well enough for all the great posts to come. Now, look out for my good friend Hazel (Archi-Anime) with a post about After the Rain on Wednesday, February 6th! Thank you so much for reading, and until next time, this has been

– Takuto, your host

Finding a Place to Belong: Tokyo Godfathers & the Gift of Kindness | OWLS “Miracles”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s twelfth monthly topic for 2018, “Miracles,” I wanted to feature the epitome of anime Christmas films, the one and only KING of uplifting vibes and positivity, Tokyo Godfathers!

‘Tis the season where miracles happen. For December’s theme, we will be exploring faith in anime and pop culture. We will discuss some of the miracles that enter a character’s life during their darkest moments. Some of the questions we will explore: How does a “miracle” change a person’s life? How do we define miracles? Can miracles only happen due to a legend or a mystical being? Or do miracles happen every day, but we just don’t see them? We hope that you enjoy this holiday season!

– the OWLS Team

We’re down to the end here, my friends! One last OWLS post for 2018, and I’m thrilled to finish on a film so full of heart that there truly isn’t a Christmas experience like it. Thanks again Lyn for the prompt—enjoy!~

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A brief, spoiler-free discussion on the 2003 film “Tokyo Godfathers,” animated by Madhouse, and both directed by and based on the original story by the late Satoshi Kon.

A Babe in a Manger

Christmas Eve. A glistening white snow has fallen upon Tokyo, and as three homeless friends are rummaging in a dump for a Christmas present, they discover a newborn baby. Despite having nothing to their name, the three take in this pure little girl which they name “Kiyoko.” Knowing they can’t support the child on their own for long, however, they take to the streets in search of Kiyoko’s mother, based on the small amount of info they gathered from her meager belongings.

But just as how the night before Christmas is the longest for any young child, these three poor vagabonds become entangled in a wild series of events involving a kidnapping, crime, death, a fight between rival gangs, and a crazy chase throughout the vast city.

A transvestite, an alcoholic, and a runaway teenager may make for an unlikely team, but what binds them together in their search for where this baby belongs is their inherent goodwill and incredible heart. By finally raising their heads toward the future, they are also able to confront their pasts, coming just a little bit closer to finding their own place in this wild world—a Christmas miracle in itself.

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I love Satoshi Kon works, but in some ways I also hate them. His vivid artistry, unique directing style, and powerful storytelling are masterful (and totally iconic). But while he knows how to blow my mind and make me see the world in a whole new way, he also knows exactly how to make me feel weak, shameful, and powerless as a human being.

Tokyo Godfathers is very much a human story. It features three troubled individuals living in an unequal, unfinished world, and although they finally address the error of their ways, their individual revelations occur only after being ridiculed, accused, and exposed for the true sins of their past. (Also, they get physically and emotionally beat up throughout the film’s entirety, which is met with frequent crying and wailing in the Tokyo slums.)

Just as how the film is praised for its soulful story, inventive directing, lively character animation, and holiday cheer, it also, fittingly for Kon, makes the viewer feel pity for the cast and anger towards the socioeconomic imbalance in the world, yet helpless to do anything about it! But maybe there is something we can do—after all, this wouldn’t be a post about the joy of miracles if it ended in in heartache and tragedy.

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Coincidence, Miracles, & Faith

Equally touching as it is prophetic, there are a stunning number of what can only be called “coincidences” that stack up in Tokyo Godfathers. I mean, I can understand running into “the one” person you need to see in the sprawling Tokyo cityscape as a means of plot convenience, but man, talk about being in the right place at the right time!

Over the course of the film, our three homeless friends stumble into ordeal after ordeal, yet persist out of the goodness in their hearts—and fate, or more appropriately here, God, assists in their noble endeavor. How does Hana always know the right path to take? How does Miyuki seem to constantly entangle herself in trouble, yet flee at just the right time? And how does Gin manage to stay alive? Simply, it is God who is watching over our homeless friends, and his subtle roles and appearances can be found in the backgrounds. Perhaps he could be keeping tabs on them from on high through a billboard depicting a crying woman; other times, God manifests in more illusionist ways: walls and windows that create faces, figurines with pulsating stares, and angel statues representing guidance.

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In these mystical, foreshadowing ways that Satoshi Kon has mastered through cinematography, Kon transforms one of the film’s biggest critiques—its over-dependence on an unnaturally high number of plot conveniences—into a powerful, compelling theme: faith and goodwill towards others are rewarded with protection against the unknown.

Faith plays a strong role in Tokyo Godfathers. Whether in the opening Christmas Eve church sermon or the biblical motifs scattered throughout the film, Kon makes it clear that those who believe in the good in others are granted love and respect in turn—which is interesting given that Satoshi Kon supposedly wasn’t a religious man. More importantly, kindness isn’t a virtue limited to religion. Kon teaches us that anyone can be kind, and that empathy and altruism can be found in the rarest of places . . .

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Three Wise *Homeless* Men

Ok, so they’re technically not all “men,” seeing as how Hana identifies as a transwoman, but the motif still holds. As the holy scriptures dictate, Gin, Hana, and Miyuki stumble upon a babe in a dumpster, but instead of bringing Kiyoko gifts, our three wise men find her a home. What we eventually find out, however, is that the baby isn’t the only one suffering from displacement. Each in their own way, Gin, Hana, and Miyuki can’t go back to their previous way of life, and that dissolution has led them to be homeless both in the physical and mental sense.

But life has a funny way of dealing with such situations. In a tale that is equal parts dramatic as it is comedic, our homeless trio is predestined to find a sense of belonging so long as they confront the shadows of their past and persist through the present, to which they certainly do. As a new fan of the film, I just love these three silly goons!! Miyuki’s rebellious teenage side shines in her fiery dialogues with Gin. And as if they needed more reason for conflict, Gin and Hana never cease bickering with one another, much like a married old couple. A drunk, a homo, and a teen girl—who would’ve thought such a cast could be so enjoyable to watch!

In all seriousness, I especially adored Hana’s kind, motherly nature. Hana is also highly intuitive, as she’s always able to pick the right direction to take, as well as describe exactly what Kiyoko’s mother would be doing upon finding her. As the situation calls for her to sacrifice more and more, we see how willing, courageous, and caring she truly is despite suffering from (and hiding) her own personal sickness. She draws a tragic relation to the story about the Blue Demon, and knowing full-well that she, too, must eventually go away, Hana’s challenge to care for the baby she’s always wanted likely is her final test to determine her fate in the afterlife. And given that final leap of faith at the end where she literally jumps off a building to save the child—an event which can only be called miraculous—it becomes clear that she definitely passed the test. Bold and brazen, loud and proud, funny as heck and never afraid to stick out her neck for the ones she loves most, Hana is a gift to us all.

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A Christmas Miracle

As the old aphorism goes, “In the end, we only regret the chances we didn’t take,” and if there’s anything to be learned from Tokyo Godfathers, it’s that the good and bad in life comes and goes, but we always have the opportunity to be kind to others.

As Gin comes to terms with his gambling and alcohol addictions, he takes ownership of the actions in his life and becomes determined to not mess up the second chance he’s been given with his daughter.

For Miyuki, she accepts the terrible things she did to her father tries to seek him out to apologize and mend their bond.

Hana is finally granted the opportunity to be a mother—to care for a child, to love it, and to provide warmth for it in the harsh winter cold.

And lastly, a mother learns what it’s like to lose her child—to lose everything that mattered to her—as well as what it feels like to miraculously get it back.

With justice and dignity intertwined with love and hope on this eventful Christmas Eve, Satoshi Kon performs Christmas miracles and delivers a story to stand the test of time—an invaluable lesson on what it truly means to be human in this wild, wild world.

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“Being able to speak freely is the lifeblood of love.” — Hana


Afterword

To be honest with you all, I’d never actually watched Tokyo Godfathers until just the other day. Don’t get me wrong, I’ve definitely been wanting to watch it for a long time now, but if it weren’t for this post, I likely wouldn’t have seen it as early as I did—and I’m sure glad I spent that cold wintry day on my bed eating a bowl of hot soup and watching such a heartwarming movie. Guys, Tokyo Godfathers is fantastic, a “Caffe Mocha” classic for sure and the perfect family friendly anime film if you’re willing to share the holy word. This isn’t an overly complex film by any means—it’s about simple emotions, a simple act of kindness, and how even the smallest of efforts can snowball and impact the lives of others.

Spend this holiday season with someone you love. Do something nice for someone else, even if you get something out of it, too. I encourage you all to dig deep within yourself—as this film has done for me—and go out there and make a difference in someone else’s life. As I always like to forward on, we only get one of these things, one life, so be sure to take all the chances you can get. And be kind to others—a simple conviction to kindness will surround you with good company and food aplenty, that I can assure you!

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This concludes my December 19th entry in the OWLS “Miracles” blog tour. Dale (That Baka Blog) went right before me and wrote a heartfelt post on one of, if not, my favorite anime film: Kiki’s Delivery Service!  Now, look out for Jack (The Aniwriter) this upcoming Friday, December 21st! Thank you so much for following my OWLS journey this year—I’ve thoroughly enjoyed writing for every single month, and I’m looking forward to all the incredible topics to be written for in 2019! ‘Till next time, Happy Holidays!~

– Takuto, your host

From the New World: Through Horror, Calamity, & the Truth | OWLS “Journey”

Chances are that if you were linked here from another blogger pal, you might be new to this place. To those first-timers, “Hi, I’m Takuto, and welcome to my anime cafe!” As part of the OWLS blog tour’s eighth monthly topic for 2018, “Journey,” I definitely wanted to hone my focus on one of anime’s true bests. Originally intended to be a post on Fullmetal Alchemist: Brotherhood (since I had just finished rewatching it and it’s not everyday you can say “I managed to fit in a rewatch of a 64-episode show!”), another fellow OWLS member snatched it up for the taking. I know she’ll do a nice job over it though, and that makes me very excited!

Anyway, that’s why I ended up going with another series I just happened to be rewatching with my siblings: Shinsekai Yori or From the New World, a bizarre dystopian sci-fi/fantasy series that I actually covered way back in, what, 2015? You can read my fresh, immature thoughts over the series here if you enjoy the prospect of knowing what young Takuto was like! *shudders as a single tear falls down face*

We have all heard this saying in some shape or form: “Life is a journey.” We travel down a path hoping that we reach a goal or destination, but the travel in getting there isn’t always easy. Along the way, we encounter some personal struggles. It is in those moments where we must overcome an adversity to complete our journey or take a different route or path instead. In this month’s OWLS post, we will be discussing the personal journeys of pop culture creators, icons, and characters. We will explore the journeys that these characters went through, discuss the process and experiences they had on their journeys, acknowledge what they discover about themselves, or share our own personal journeys.

Seeing as how I’ve already covered the series before, this won’t be my typical review and life reflection 2-in-1 post. Instead, I’ll dive straight into the heart of the matter and dedicate this entire analytical post toward the story’s main character, a girl whom we follow from the youth of adolescence to the ripe ages of adulthood—and all the messiness in between. Thanks Mel for the adventurous prompt this month, and Lyn for turning such a simple word into a universe of thought worth exploring!

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A brief discussion on the 25-episode fall 2012 anime “From the New World,” animated by A-1 Pictures, directed by Masashi Ishihama, and based on Yusuke Kishi’s novel of the same name. Specifically, this will be a light character essay on the main female lead, Saki Watanabe. What she learns over the course of her journey—and more importantly, what she does with this new, scary knowledge—stands as attest to both humanity’s innate barbarity and its determination to pursue justice through truth—even if the truth can be the cruelest thing of all. 

Spoilers will be marked, although you should just do yourself a favor and watch this series!

A Preface to the Madness

Shinsekai Yori tells the unique coming-of-age story of Saki and her friends as they journey to grow into their roles in the supposed utopia. Accepting these roles, however, might not come easy when faced with the dark and shocking truths of society, and the impending havoc born from the new world.

(Source: MyAnimeList)

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Adolescence

Rules, Roles, Law and Order, Crime and Punishment


We open this story of a young girl and her five precious friends growing up in the 31st century with the induction of Saki Watanabe into society. Her psychic powers are sealed away only to be released back to her a moment later, perhaps to prove that the Ethics and Education Committees had absolute control of the average citizen’s entire life from the start. Made up by select adult village members of Kamisu 66 and the surrounding areas, these councils govern not only the flow of power, but of knowledge, too. A small population living in an idyllic area holding power above all, culling the weakest in education, and secretly disposing any child that failed to fit the mold—that was the true reality. While times were peaceful then, fear still snuck its way into Saki’s heart when one of her friends suddenly disappeared one day. “She was always a bit frail. Maybe the trickster cat got her?” Thus began Saki’s series of revelations, heartache, and confusion in the dark.

Rather than a sci-fi action show about revolution or a drama full of romance, From the New World is more a commentary on the fallacies of conservatism and how a society can actually be harmed by perpetuation and stagnation. This first arc happily entertains us with games of clay rollers and paper dolls, but also frightens us with things we do not know, cannot explain, and cannot comprehend, much like what we experience during childhood. “If only I had known ‘this,’ or if only I had prevented ‘that’ none of this would’ve happened.” A story told in flashback as a first person narrative, Saki reflects on how painful her youth really was now that she knows the truths surrounding her innocent circumstance.

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The foreshadowing builds when Saki and the rest of Group One (comprised of her closest friends, the other main characters) venture off the main path into forbidden territory during a school camping trip. Together, they enjoy their friendship and freedom, rowing past the safe areas in search of monsters, but what they find is much worse than what they imagined: a False Minoshiro, a walking digital library of information disguised as a creature of nature. At the children’s’ threatening request, the False Minoshiro leaks startling info regarding the world around them, such as how their society came to be and the violence and bloodshed humanity had encountered in the past millennium. Scarred and left in utter disbelief, the oriented narrative of history proves itself a guiding theme through this shocking discovery.

Then, the hero descends into the underworld; a clan of monster rats, a lower race of rat people that look up to humans as gods for their incredible powers, captures Saki and Satoru. And as fate would have it, it was there in that forest where they met Squealer, a pathetic little monster rat who spoke their language and helped them escape. Setting the groundwork for everything to come, adult Saki closes out the adolescence arc reminiscing on their ill-fated meeting not with anger and hatred, but a bitter regret for her own ignorance.

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The Teenage Years

Independence, Self-Advancement, Personality, Free Will


Beginning with scenes of teenagers of the same gender holding hands and openly making out on the grass, this next arc ushers in new emotions besides fear: deceit, desire, malice, envy, lust, and love. Just as the False Minoshiro predicted, humans, like their genetic chimpanzee counterparts the bonobos, seek passionate love as a coping mechanism for immense stress relief, hence the sudden changes in behavior. This sexual awakening causes Saki’s inner love and admiration for her friend Maria to develop into a serious relationship; the same goes for Satoru and Shun, and poor Mamoru is left out with unrequited feelings for Maria, ultimately leading to the group’s self-destruction.

– SPOILERS AHEAD – 

Hiding his inability to accurately control his psychic powers, Shun transforms into a karmic demon, or runaway esper, and meets his fate like how the adults taught them to in school: solitary confinement and suicide. His sacrifice saves civilization, but Saki and Satoru are left broken with voids echoing in their hearts. Sometimes we get left behind—but what’s worse is when we have to leave behind others.

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Despite practicing using his psychic powers every day in hopes of both not falling behind the others and getting Maria’s attention, Mamoru’s efforts are not enough. He flees the village, knowing full well that two visits by the trickster cat means certain death. Terrifying thoughts of his well-being race through Group One’s minds, and although they find him salvaged from the snow by a wild monster rat, they know that the matter of simply returning him to the village is out of the question. Bidding farewell, Maria promises to watch over Mamoru in the unknown icy landscape, and the pain of being away from Maria devastates Saki. Did Mamoru let society down, or did society let him down? Saki’s ironclad resolve to change her world begins to take shape—something must be done.

– END OF SPOILERS – 

To top it all off, prior to Mamoru’s departure Saki is met by the mentor, the head of the Ethics Committee (and Satoru’s grandmother) Tomiko Asahina, who shielded Saki and her friends from disposal by the Education Committee for knowing about their true history. Eyeing Saki for her strong mental stability as well as qualities of a leader, Tomiko seeks Saki as her successor. But Tomiko’s knowledge of humanity’s history timed with the revelation as to her sudden memory loss leaves Saki beyond disturbed. Torn between doing what was best for her people, herself, and her long-lost friends, Saki’s youthful days came to an end with the return of an old acquaintance . . .

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Adulthood

Interdependence, Empathy, Intimacy, Self-Awareness, Wise Counsel


– SPOILERS AHEAD – 

Squealer, now the self-proclaimed Yakomaru, has elevated in status from lowly Robber Fly Colony slave to its commander. With their clan’s queen shackled and practically imprisoned, Yakomaru was able to set up a two-house diet similar to humanity’s government. He deceived other clans and conquered them, subverting his intentions when questioned by the board of monster rat management, of which Saki now belongs. His armies were massive, his weapons were civilized, and his speech was greatly improved. In other words, he was ready for his next target.

– END OF SPOILERS – 

By this point, we, along with Saki, had borne witness to humanity’s miracles and carnage alike. At last, we’d understood that rebellious and reformative elements are the biggest interior threats, and that exploitation of those perceived as inferior beings is a grave and serious crime. We’d been tricked time and time again by Squealer, but were we doomed to repeat what our elders did before us? What had we learned? What made this time different?

Joy and sorrow. Loss and loneliness.

Palpitation and stagnation. History and evolution.

Past and future. Death and rebirth. Fear and freedom.

But above all, we’ve understood that to feign ignorance is the greatest crime of all. We can’t keep blaming people for their shortcomings, but instead should help guide them in becoming better. Corruption breeds from within when we close off our minds and our hearts to new peoples and ideas, and while we are weak when we are desperate, we are strong when it counts. People are twisted, easily corrupted, and worst of all, easily scared. To tear the world apart is easy; to put it all back together, not so much—that is what I’ve learned from Saki’s journey.

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A Journey Through Horror and Calamity

“It is always darkest underneath the lamp.” — Old Proverb


Together, we’ve embarked on one of the greatest journeys ever conceived, and I believe it is such because, at its core, From the New World is the story of humanity. Of us, and the terrible, absolutely horrifying things we have done and will continue to do should we look away from the truth. Often, it is closer than we think. Maria once told Saki that “Sometimes, the truth is the cruelest thing of all,” and that “Not everyone could bear it” as easily as she did. Oh, how right she was.

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And now here we are, at the end of the madness and frustration with little chance of success, yet still a sliver of hope. To kill, or to be killed—that and so much more is the subject of the final episode, and I’ll save the rest of it for you to discover on your own. Culminating into a genius story of fearing the unknown and the darkness within us all, From the New World comes right out and says “The one we should be most afraid of is ourselves.” I hope both its sheer violent nature and resounding messages of hope will stick with you, too, for a long time to come. Because this one’s not just an anime—it is a lesson on the human spirit: a cautionary tale for all those in life we change, and all those who change us.

“We have to change our way of thinking if we really want to change the future.” And to those ends, we must safeguard our hearts with an imagination great enough to change everything.

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Imagination has the power to change everything.Final line of From the New World


Afterword

I had to leave out SO MUCH STUFF in order to make it suitable for all readers, and even then, I couldn’t explain some of Saki’s developments without mentioning a couple major spoilers! Sheesh! I’ll never win. Anyway, that’s From the New World in a nutshell . . . NOT. There’s so much more to this incredible masterpiece, and I do hope you get around to this 25-episode thrill ride some day. I’d love to read any of your thoughts about this post in the comments, and if you have seen From the New World, you ought to let me know what you thought of the series! This post is absolute PROOF that I could go on forever about how great it truly is, and how phenomenal Saki is as a protagonist! Seriously, it was such a pleasure getting to revisit this hauntingly beautiful title.

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This concludes my August 7th entry in the OWLS “Journey” blog tour. Shay (Anime Reviewer Girl) went right before me with a video about the adventurous spirit of the Pokemon franchise which you can watch right here! Now, look out for blogger buddy  Matthew Castillo (Matt-in-the-Hat) with a post on Naruto‘s Jiraiya this Thursday, August 9th! Thanks for reading such a long post, and until next time, this has been

– Takuto, your host

Princess Jellyfish: Confidence, Community, & the Beauty Below the Surface | OWLS “Pride”

Chances are that if you were linked here from another blogger pal, you might be new to this place. To those first-timers, “Hi, I’m Takuto, and welcome to my anime cafe!” As part of the OWLS blog tour’s sixth monthly topic for 2018, “Pride,” I wanted to dive deep into the ocean where the jellyfish roam (and the otaku swim)! I suppose most jellies don’t actually swim that deep, as they prefer to ride the ocean’s current . . . Nevertheless, Princess Jellyfish is here to proudly de-Clara that, ultimately, we are all the same below the surface.

In honor of “Pride Month,” we will be discussing the word “Pride” and its meaning. We will be exploring pop culture characters’ most satisfying and joyful achievements or skills that they possessed, and whether or not these qualities could be seen as a positive or negative aspect in their personal lives and/or society.

Just like Haikyuu!!, this is one of those OWLS staples that every member must eventually talk about (haha, not really, but really). While I admit others in our group have explored the series more thoroughly than I will now, I do hope you enjoy what I have to say about this wonderful little title. Thanks Lyn for the month-befitting prompt!

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A brief spoiler-free discussion on the 11-episode fall 2010 anime “Princess Jellyfish,” animated by Brain’s Base, directed by Takahiro Omori, and based on Akiko Higashimura’s manga of the same name. 

All Dried-Up and Taking On Tokyo!

It took all but a single trip to the aquarium to get young Tsukimi Kurashita hooked on jellyfish. Well, Tsukimi’s fateful encounter was made more special by her late mother taking her there, but it’s impossible to ignore the adorable comparison Tsukimi makes between the glowing, flowing tentacles and the fluffy ruffles of a princess’s dress. Alone with only the memories of her mother in her heart, Tsukimi set out for Tokyo for a change. But oh, how life hits ya hard! Currently residing in the dilapidated Amamizukan apartment with five other unemployed otaku women, 19-year-old Tsukimi spends this new phase of her life as a social outcast still dreaming of becoming an illustrator.

However, her quiet life is met with sudden intrigue when a glamorous woman, one of the so-called “stylish” by Amamizukan’s “Sisterhood,” unexpectedly helps Tsukimi save a jellyfish from the careless treatment of a local pet store. After helping bring Clara (the jellyfish) back to the apartment, “the stranger—confident, fashionable, and the complete opposite of Tsukimi and her roommates—begins to regularly visit the girls’ building. This trendy hipster, though appearing shallow at first, harbors some secrets of her own, starting with the fact that “she” isn’t really a girl at all, but a wealthy male college student—and son of a major politician—named Kuranosuke Koibuchi!”

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I leaned on MAL for help with this summary a little more than I would have liked to, but I didn’t want to leave out a single detail of Tsukimi’s crazy situation. Seriously, there is NO end to the number of comedic outcomes to be found in this series! Visually and audibly, intentionally and unintentionally, the humor is excellent and always on point. Beyond the laughs, however, is also a story full of important life lessons. From coming out of one’s shell to coping with new life changes and finding strength and confidence in oneself, Princess Jellyfish never downplays the importance of pride.

Pulled from the depths of the sea that is her shut-in lifestyle, Tsukimi learns to build up her own self-esteem thanks to Kuranosuke’s stylish ways. Conversely, although he forces the Amamizukan ladies to reintegrate themselves back into society by trying new things, Kuranosuke unknowingly finds refuge for his frowned-upon love of cross-dressing in the Sisterhood’s combined passion for their own obscure hobbies.

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Doomed From the Start: The Sisterhood

Tsukimi is just one of five eccentric NEETs barely making it by on petty allowances from the apartment manager’s mother and the income of a mysterious sixth member’s popular BL manga. (Yikes.) Dubbed “the Sisterhood” for their extreme sense of purity (and complete lack of fashion sense), the ladies of Amamizukan neither excel at socializing with normal people nor supporting themselves.

Even so, I love all of them. Tsukimi’s infatuation with jellies of all kind, Banba’s enthusiasm for trains and subways, Mayaya’s fanaticism with anything “Three Kingdoms” and late Han period, Jiji’s silent lust for . . . older men(?) . . . Chieko’s obsession with traditional Japan (kimonos and dolls included)—the whole lot of them! They’ve all got such quirky yet memorable character designs, mannerisms, and speech patterns. Tsukimi’s rapid-fire jellyfish knowledge is fearsome; Chieko’s sewing skills are not-of-this-world; and Mayaya’s constantly-flailing arms and loud, seemingly illiterate shouting always proclaim a duel of sorts. Amamizukan’s ladies are heartwarming, almost overwhelmingly joyful at times, and watching them all casually grow to accept “Kurako’s” shimmering presence—from literally stoned to smiling—has got to be one of the biggest batches of character development I’ve ever seen.

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Sorry Mom, I Couldn’t Become a Princess . . .  

While Tsukimi has physically moved on to a new city where she’s made new friends, mentally, she’s still the same child yearning for mommy. This heartache results in frequent bouts of depression, which Tsukimi describes as “wanting nothing than to dive underwater and sway with the jellies.” At one of her lowest lows, she even wishes she’d be reincarnated as a jellyfish instead of a human just so that she wouldn’t have to deal with such cruel, troublesome emotions. Talk about drastic!

I’m really glad the series doesn’t suddenly drop this heavy mental weight when Kuranosuke gives her (or any of the Sisterhood) a makeover. The lesson isn’t that you’re prettier when you take off the glasses and thrown on some make-up—it’s that sometimes, you need to see yourself in a different way in order to appreciate who you’ve been this whole time. Tsukimi is still a social mess; Kuranosuke is helping in the only way he knows how: he loves fashion, and by spreading his passion with the others, he hopes that the the gals can feel happier with themselves just as how he does. Beauty is not something you simply put on: it’s an emotion you feel when you’re at your best. 

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. . . But I Made Friends With a Queen!?

This wouldn’t be a Princess Jellyfish post if I didn’t rave about our dazzling lead Kura-poo~! Ok, so I’m not Kuranosuke’s hip uncle (and friggin’ PRIME MINISTER) with an approval rating less than 10% and steadily declining, but hear me out: Kuranosuke IS a freakin’ QUEEN, an absolute diva whose own obsession with fashion ironically leaves him lonely. He’s got a mother who left his father, a father that doesn’t necessarily adore him, and a brother, Shuu, that he seems to get along with fine enough. Other than the girls who are just chasing after his looks and dad’s checkbook, however, that’s all Kuranosuke’s got for a support system. To compensate, he seeks pretty things as a memento for his missing mother who dominated the stage fabulously so many years ago, just like Tsukimi does with jellyfish. It’s a sad parallel, really.

That’s when his encounter with Tsukimi and the Sisterhood changes his life in return. Through pushing them to grow together, Kuranosuke finally finds a place to call home (and a squad to call family). Full of pride and not much else, he instills the ladies with the courage to stand on their own two feet against a city plan to demolish their beloved Amamizukan. Without any sense of pride, the Sisterhood wouldn’t stand a chance.

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Declaring their beauteous garb “battle armor,” Kuranosuke is able to shake things and bring change to a group that lives for the status quo. Every stick of lip gloss, bright-colored wig, and chic miniskirt is but a tool to help him reconnect with the past, as well as fill him (and his newfound friends) with undefinable confidence in the present. He treats the Sisterhood and their wacky hobbies with just as much appreciation and respect, as he knows that fashion means the same things to him. Kuranosuke is a rare character, a pillar of positivity—no, an absolute icon to a series that would lose all its main morals without. There’s never a dull moment with Kuranosuke around, and you’re always left wondering if he can get any better.

To which, of course, he always does.

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Precious Pastels, Lovable English Cast

Brain’s Base has crafted the perfect atmosphere that is fluffy and cute, yet realistic at the same time. The wild and hilarious character expressions shine wonderfully against the softer watercolor landscapes and cluttered Amamizukan space. And wow, the fashion transformations for Kuranosuke and the ladies are gorgeous spectacles to behold! The show’s also got a wonderful soundtrack complete with a nice OP and ED which are both, to describe in a single word, charming.

I have to—I must absolutely, without doubt, mention Funimation’s English dub before this post is over. I’ve finally found my favorite Josh Grelle performance with Kuranosuke here, and the same goes for Maxey Whitehead’s Tsukimi! His higher register for Kuranosuke’s aristocratic cross-dress mode didn’t feel fake at all, but rather powerful, graceful, ritzy, lush and, well, stylish. Monica Rial captures Mayaya’s ridiculousness and energy, and while Cynthia Cranz had never really stuck out to me before, her role here as Amamizukan’s manager, Chieko, was so full of care and motherly vibes.

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Passion & Inspiration, Acceptance & Pride

Princess Jellyfish covers a wide emotional range where several human values converge. Learning to accept yourself and love yourself is half the battle; the other half involves knowing that you are still able to change and be accepted by others. After all, you only become that confident, beautiful person once you accept yourself and feel comfortable with those around you. To quote Simply Gee, a YouTuber friend and fan of the series, “If you have a passion, if you love something, you’re a step ahead of everyone else—and you should embrace that, and not have to worry about everyone else’s perception of you.” Beautifully said, Gee!

At its very end, the story of Princess Jellyfish embodies something so pure, hopeful, and passionate that it becomes impossible to not enjoy. You grow to love the characters for who they truly are, even if we don’t get the rest of the tale. It’s an anime about community that means a lot to a good many people, as it provides comfort (and entertainment) for those leading lives similar to its cast. For its realistic premise and general themes of life and love, passion and inspiration, and acceptance and pride, Princess Jellyfish is one of the greatest Josei comedies out there.

Bold, brilliant, and tons of fun, Princess Jellyfish tells us that above all else, so long as you take pride in yourself and the things you love, all people—including us adults—still have plenty of room for growth and change. Just as how many parts of the ocean remain untouched, we all have vast seas of our own with exciting depths yet to be explored. These mystical waters, of course, are called our personality.

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Every girl is born a princess. Some just forget is all. — Kuranosuke Koibuchi


Afterword

I think I’ve said all that I’ve wanted to on this one . . . that is, until I start reading the manga! That’s right, seeing as how the anime just kinda “ends” (it’s still a pleasant stopping point, though), I want to know what happens to Tsukimi and the others. The future of Amamizukan? What of Kuranosuke’s unrequited feelings? And brother Shuu’s side plot relationship with that business woman Inari?? I just have to know, and the manga will give me those answers! I now totally understand why it’s a crying shame this anime hasn’t gotten a second season!

Despite no continuation, I recommend this “Caffe Mocha” series with every fiber of my being to all those struggling with sharing their passion for a hobby. For a coming-of-age tale, the development and growth of its cast is depicted with great realism, and I think that’s what makes it so relatable. The comedy is genuinely funny too, and the characters are utterly inspirational!

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This concludes my June 26th entry in the OWLS “Pride” blog tour. OWLS fam, you’ll have to let me know how I did with this one! Gigi (Animepalooza) went right before me with a video that you should totally check out! Now, look out for Scott (Mechanical Anime Reviews) with an epic post on the grand space opera Legend of the Galactic Heroes tomorrow, June 27th! Thanks for reading such a long post, and until next time, this has been

– Takuto, your host

The Sweetest Kind of Rom-Com: “My Love Story!!” | Review

A brief spoiler-free review of the 24-episode spring 2015 anime “Ore Monogatari!!,” also known in English as “My Love Story!!,” animated by Madhouse, directed by Morio Asaka, and based on Kazune Kawahara’s manga of the same name. 

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A Bumbling, Tumbling, Pure-Hearted Gentleman

Takeo Gouda is a big guy. Though more akin to a bear (or perhaps a gorilla) than a human, I suppose simply calling him “big” wouldn’t do this mammoth of a man any justice. Takeo is an overwhelming, brutish force of masculinity, but underneath all that beefy muscle and thick skin lies a kind, respectful, and unwavering heart of gold. While he may unintentionally scare off all the girls he meets (often coming to their rescue only to go unaccredited for his good service, of course), he’s amassed quite the male following among his high school’s freshman class for his honorable sense of duty and righteousness. Did I mention Takeo was just a freshman? Oh, and did I mention that he is a pretty big guy?

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Well, even if his nonexistent love life never takes off, at least Takeo’s got Sunakawa, his cool and handsome best friend. The two are as inseparable as brick and concrete (I’ll let you guess who is who), but maybe therein lies Takeo’s problem: Sunakawa’s irresistible yet subtle charm and dashing looks has unintentionally captured the heart of every young girl Takeo has ever loved! Suna politely turns them all down, however, and as much as that would aggravate any other guy’s best friend, things somehow always work out for the two.

One day, Takeo nobly saves one Miss Rinko Yamato from a groper on a train, ultimately throwing him head-over-heels for this sweet, kind-hearted baker! Though the two awkwardly meet several times afterwards, Takeo holds himself back, suspecting that “Miss Yamato” only has eyes for Suna. In a surprising turn of events, Rinko admits she feels love, but it’s not for Takeo’s best friend—as his good karma would have it, Rinko loves Takeo, and here begins their love story!!

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Love Comes in All Shapes and Sizes

By episode three, I honestly thought the show could’ve ended. SPOILERS but not really, the two fall in love very quickly, and Takeo’s fear of never hooking up with a cute girl disappears come this early confession. Why is it called My Love Story!! then if we already know how the story goes? WELL, unlike most shoujo series out there that tantalize viewers with a painfully slow romance that ends with the main couple holding hands (if you’re even that lucky), My Love Story!! follows Takeo and Rinko throughout their relationship: celebrating holidays together, meeting the others’ family (Takeo’s parents, oh my god, when you see them it all makes sense), and most importantly, hooking up their fellow dudes and gal pals that are looking for a high school sweetheart. It’s not a test to see how long they stay together. Rather, it’s about how they can unite the hearts of others through their love.

Because Rinko isn’t the kind of girl to wait on her man, the story moves at a pleasant pace—don’t get me wrong, it’s still very, very slow compared to most couples out there, but it’s a slow-burning tenderness that feels so honest and true. The series is, for the most part, quite episodic, as new characters are brought on the screen only to be swiftly swept off their feet by these two match-makers and eventually (and gently) “tossed aside.” Any relationships that do return to the screen build nicely over the course of the series. Takeo and Rinko are #couplegoals, and there are probably very few shows out there that are sweeter than this rom-com.

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Also, can we appreciate the unusual MC’s character design here and Rinko’s unwavering love for him? There is no joke—she legit values his looks. Bless these two.

“MISS YAMATOOOO!!!”

Takeo Gouda is truly A GOD AMONGST MEN. (This man’s lips, just wow.) He’s a big ol’ softie despite his ridiculously boarish stature, and he’s got the restraint of a freakin’ nun, no joke. Sometimes Often times that over-politeness causes Takeo to seem like an awkward lug, but it’s honestly so lovable and refreshing that I just can’t. In fact, the whole show feels like a huge refreshment from the annoying tropes of the shoujo genre, granted that I haven’t seen nearly enough to consider myself knowledgeable on the subject. Though Takeo’s personality is goofy, dutiful, and well mannered, the guy would be nothing without a voice. I DID watch My Love Story!! with Sentai’s English dub, and while they normally aren’t at the same quality as Funimation or Aniplex’s, this dub ROCKS. So much character in every comedic line, so much heart when things need to be cute, Andrew Love FINALLY plays a teenager where his macho voice is appropriate—you could say that I “Love” his burly performance!

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The very same goes to Miss Yamato, voiced by the ever-lovely Tia Ballard (I just can’t get enough of her voice)!! If Takeo is sweet, Rinko is even sweeter—and no, I’m not just talking about her mouth-watering dessert creations. She’s the rich chocolate chips to Takeo’s squishy dough, the perfectly layered icing on an impressively sized cake. This woman has no flaws, I tell ya! Just kidding: she has a less-than-delicate side that really wants to get together with her boyfriend (who’s totally not prepared) on a more intimate level. But honestly, isn’t that everyone? Friendship, the desire to connect with another, and letting go of repressed feelings are all major themes in this series, and where lovemaking is concerned, My Love Story!! is still one of the purest examples out there!

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And I couldn’t forget about our normally-the-lead-but-now-just-a-bishie Sunakawa AKA Austin Tindle. How Sentai got a magnificent beast like Tindle, the world may never know, but all that matters is he’s here, and that he plays the unamused hot guy. If it weren’t for Takeo’s overwhelming presence, Suna would absolutely take the spot as best boy. He may look like he’s bored out of his mind and dosing off half the time, but Suna is kind, attentive, and always watching out for Takeo’s large sweaty back. Every single Suna moment left me like, “Bro . . .”, as he’s a really upstanding and intelligent guy despite characters like his  typically being cast as the “high-and-mighty jealous types” in this situation. Like the rest of this all-star cast, Suna is thankfully so much more than a stereotype, and I valued his brotherhood and cool-headedness. He’s easy to miss at times, but he’s always there for his friends.

It’s. So. Funny. 

LITERALLY ME in every episode. Madhouse brought to life one of the most adorable romance titles out there, yet there’s an added level of humor to Takeo’s build and [hilariously grotesque] facial expressions that made me bust a gut at least ten times per episode. Surprisingly, the slapstick comedy here won me over as one of the biggest reasons why everyone should watch this show. Between the bestial way in which Takeo reacts to everything and his demonstrations of, umm, affection to Suna, I was left with tears in my eyes it was all so funny. Again, this is where the English dub really shines!

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A “Cake” Title in its Purest Form

My Love Story!! stole the simulcast spotlight back when it aired in 2015. Although its popularity has died down significantly (the manga picking up the anime’s slack, as it offers a continuation to what is ultimately but an adaptation), it’s still a pleasantly refreshing rom-com that cuts out all the shoujo drama BS. It’s light-hearted, cleansing, and even touching when it wants to be. Plus it’s really funny! I’ll admit that romance anime aren’t really my thing, so this series was PERFECT for a viewer who tries to avoid the unnecessarily serious stuff.

All this and more is why I recommend My Love Story!! to ALL anime fans. Should you enjoy watching it, you’ll come away feeling happy and bubbly inside, and perhaps even recall your first innocent love (or wistful bromance). We all have stories to share, and Takeo Gouda’s is one that’ll leave you laughing out loud one moment and clutching your warmed heart the next.

I helped a girl who turned out to be a nice girl. That gives me the strength to go on. — Takeo Gouda

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Afterword

Kind of short review, as the show really is sweet and simple. If you watched My Love Story!! and enjoyed it, what part in particular made you like it? Was it the atypical character setup, the laughs, Rinko’s treats, Takeo’s boundless excitement, or just Suna being Suna? You ought to let me know! I WILL try to respond to your comments quicker, haha!

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If you couldn’t already tell, this series currently sits lovingly on my shelf as the ideal “Cake” title here at the cafe, and I do hope you give it a shot if you haven’t yet. Thank you so much for reading, and until next time, this has been

– Takuto, your host