Loss Has Little Meaning in Yuki Yuna | Hero Week Review

A brief review of the 12-episode fall 2014 anime “Yuki Yuna is a Hero,” produced by Studio Gokumi, based on original story by Takahiro and Makoto Uezu.

For the third segment of Hero Week, I’ll warn you now that this anime is extremely hit or miss, especially if you’re familiar with Madoka Magica. Despite any polarizing comments I make, I’d like to let you know that this happens to be my favorite of the three Hero Week anime I’ve reviewed, regardless that it is indeed the “worst-written one,” should I even have to pick. I found that it had the most to offer, and I have to be critical of it because something that means so much should be sought in full light.

Five middle school girls—Yuuna, Togo, Fu, Itsuki, and Karin—are on a quest to save the world. That is, community service, volunteer work, and puppet shows for local children. It all seems trivial on the outside, but their Hero Club is determined to do good deeds for love, justice, and happiness, goals which are outlined and pursued religiously in the club’s Five Tenets. Such is the sweet and simple life of Yuuki Yuuna.

The club’s charismatic president Fu is living two lives, however, and upon phone call is forced to drag her friends into a mystical realm. There, they are to protect the God of the natural world and human blessing, the Shinju, from strange geometric entities called Vertexes. By the single tap on a phone app, the girls are transformed into the extraordinary heroes they so desired to be. But transcending the realm of God and obtaining unimaginable power comes with a price almost not worth paying.

As the girls fight for their lives and the people they love, their perception of the world dramatically warps into a cruel land of delusional grandeur. In the depressing struggle for power, the girls might have to point their guns at beings besides the Vertexes in order to preserve their very belief of what it means to be a true hero.

One of the biggest problems I had with Yuki Yuna was the lame world building. Had I not read the summary provided by Crunchyroll, I wouldn’t not have noticed that the story is set in the far future—YEAR 300, the Era of the Gods. WHAT, but it looks like modern-day Japan?! I enjoy it when stories have good reasons to break the rules set by the setting, but you can’t rebel against an outline that otherwise doesn’t exist!

My second beef with the anime was the lack of each girl’s unique drive to be a magical girl. They just sort of accepted the role because of the club’s influence. Individual motive is largely what make hero stories interesting and standout, so to have such weak trope characters (besides Fu and Togo) was a huge shame. For instance, what if the wheel-chair-bound Togo wanted to keep fighting because she could walk once again? That’s much more compelling than “I’ll do it because Yuna needs my help.” The way Yuna clings to the club tenets is also a bit cheesy and a weak excuse for ‘development.’

This is obviously less apparent if you are unfamiliar with it, but the last somewhat spoiler-free issue I had were the painfully obvious similarities to Madoka Magica. The magical girl system, character destinies, and dark, depressing themes in the second half all have strong correlation with its critically-acclaimed predecessor. Heck, even the music (which is still really, really good) and the animation sometimes feel like snippets borrowed from Madoka. While it is occasionally disappointing, Yuki Yuna managed to have fun longer than Madoka did, heavily maximizing its slice-of-life side for the earlier parts. And while I wanted darker, more twisted, nastier Madoka narrative, watching those girls have fun was what I needed more.

On a positive note, the animation was surprisingly incredible. The Vertexes themselves are CG, but because they are basically Evangelion angels crossed-over with the zodiac, it all works to create a fantastic off-putting vibe. I also appreciated the vivid color patterns for the Shinju realm and the cool magical girl outfits (Yuuna’s elegant armor was actually what got me into this show). The style was more rooted in Asian culture (petals, shrines, zodiac), while something like Madoka featured more European-like classical culture (columns, gates, witches).

HERO WEEK SEGMENT: Archetypical Hero qualities represented by Yuuna

I’ve taken a quick trip to Google to provide qualities of the typical hero. Let’s briefly exercise each prompt:

  • Hero is of humble origins
    • Yuuna is a very friendly and open girl, often willing to accept help and help others at no cost.
  • An event, sometimes traumatic, leads to adventure
    • The Taisha, the organization dedicated to the Shinju, calls upon Fu to advance on the incoming Vertex. Yuuna, even though given a choice, steps up to bat and becomes a magical girl
  • Hero has a special weapon only he can wield/always has supernatural help
    • Yuuna is a hero just like her friends. What makes her stand out is her unwavering devotion to the hero cause and her gifted fighting abilities. In episode one, she doesn’t just suddenly transform like the other girls, but is able to gradually make her armor appear upon demand. Her unusually rare strength and “true maiden’s heart” make her unstoppable on the battlefield.
  • The Hero must prove himself many times while on adventure
    • Besides fighting off the Vertexes, Yuuna must be able to lift the spirits of her comrades as the show’s ideal hero. The others will lose their way, and it’s up to Yuuna to lead them back on the path of righteousness. She doesn’t seem like a main character, nor does she change much as a character, and that’s mostly because I believe she’s not supposed to; she’s the guiding light of hope and justice, and as such doesn’t stop fighting even at the end.
  • ***SPOILERS START HERE***
  • PLEASE CONSIDER THIS THEORY TAG BEFORE PROCEEDING
  • The journey and the unhealable wound
    • In the end, the effects of going through Mankai so many times and taking on all of her friends’ pain leaves Yuuna in a catatonic state. When she does reawaken, her physical body is only a crutch for her soul, which is always off fighting. Upon the rebellion, Shinju-sama must have changed the rules so that girls don’t have to suffer long-lasting disabilities in the real world. This makes ALL LOSS ESSENTIALLY MEANINGLESS—All of the heartache the girls go through, then you turn around and say, “Oh, yeah, they don’t have to suffer anymore.” Now, I didn’t want a sad ending for the girls, especially Yuuna, but doesn’t that take away most of the emotional weight? Yuuna’s dedication to the heroic spirit causes her to be Shinju-sama’s ultimate protector, and is forced to keep on fighting even though her friends are retired.
  • Hero experiences atonement with the father
    • I like to consider the “father” not as Shinju-sama or the Taisha, but as the intelligent Togo instead. At first, Yuuna finds most of her purpose for fighting in protecting her friend and vice versa. When Togo is able to walk again at the end, she somewhat pities herself for letting Yuuna burden everyone’s pain even though she shouldn’t. Yuuna is praised like a goddess but somewhat frowned upon as a fool for sticking so close to the hero path.
  • When the hero dies, he is rewarded spiritually
    • Because I find the theory to be so interesting and quite possible, we can conclude that though her real-world body is somewhat “dead,” Yuuna is still alive and fighting behind the scenes. Her reward? She transcends the mortal world and becomes a goddess who will never stop fighting. Not exactly the prize I would want, but because Yuuna fell hook, line, and sinker for the whole hero bait, I’m sure that’s exactly how she would have wanted it from the beginning.
    • In the end, everyone’s illnesses go away, which contradicts the heavy theme of sacrifice Yuki Yuna spent its entire run on building up.
  • ***SPOILERS END HERE***

Much of Yuki Yuna is unexplained or at least not evident in the anime adaptation. Should the prequel light novels and the sequel manga ever make it here in the U.S., then I would be thrilled to revisit the franchise. Its fascinating world and the somber warriors fighting to protect it have so much more depth to them, and that lack of depth in the anime hinders a truly wonderful experience. The entire story and production of Yuki Yuna also has too many underdeveloped and forced ties to Madoka Magica, which sadly tampers with the mind-blowing aspect of it.

As a fantasy, drama, slice of life magical girl anime that attempts to see Madoka in a different light, I can appreciate all that it tried to pull off. It tackles the painfully realistic hero themes in the most interesting (and very dark) way that just excites me, yet also has rare moments of joy for our characters and a real built sense of unease instead of just scary/dark imagery like Madoka. Even though it stumbles in appreciating loss, we do wind up with one solid ideal: Ultimately, fight for what you want to save, not for what you are burdened by.

“You know that the fairest flowers fade first. But I made it.” – Fu Inubouzaki (best girl)

I award Yuki Yuna is a Hero with a benefit of the doubt 8/10, narrowly allowing it to breach the “Caffé Mocha” classification. It combats the fantastic with heavy ideals and characters that are honestly cared about (can’t say that for most series). Yuki Yuna won’t impress all—most are quite hard on it, actually—but I still encourage people to try it out especially if you like the wildly mentioned Madoka Magica. I’ve been forgetting, but both ERASED and Yuki Yuna is a Hero can be viewed for FREE on Crunchyroll! While I’d LOVE to own it on DVD, Ponycan is releasing these ‘premium’ sets with an okay English dub for a ridiculous $70 each—AND THERE ARE THREE OF THEM. How do you think Yuki Yuna did? Also, do you think Yuuna is a good hero? How about the other girls? Comment below!! Until next time, this has been

– Takuto, your host

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Cafe Talk #5: 10 Places In Anime I Would Hate to be Found DEAD In

Dying sucks. I mean, I’ve never done it myself, but it looks pretty rank. In the Halloween spirit, I could have just posted an ordinary “Top 10 Horror Anime” or something to that appeal, but I realize there are plenty of great lists already floating around the community at this time. Besides, I probably haven’t even seen ten horror anime. But back to dying. I know it’s depressing in real life, but in anime, where anything and everything is exaggerated to so much as a head tilt, deaths can pretty . . . graphic, and most are so tragic we feel as if we lost a sibling, or a mother, or a dog. Also, in the instance of Another or Higurashi, death is unusually cruel to witness and done so in the strangest of places. So what I’ve decided to do is compile my top ten places in anime I would hate to be caught dead in. Dying sucks, so enjoy! HAPPY HALLOWEEN!

By the way, there are ***SPOILERS*** for the following anime, in no particular order:

The Future Diary, Psycho-Pass, Higurashi, Steins;Gate, Madoka Magica, Deadman Wonderland, Sword Art Online, Another, [C] Control, and Attack on Titan

Though . . . If casinos were this flashy, I might spend a quarter or two . . .

# 10. From [C] Control, The Financial District

Do you know how to spend your money wisely? If not, you better learn fast! Because here, if your game of Pokemon results in your defeat, then you better expect to return home to an entirely different world. That’s right, put your money on the wrong slot and the collateral damage is astronomical! You could lose your job, your house, your family, and even your own life. And it’s all because you wanted to play the lottery. Shame.

What lies beyond this vault stays beyond this vault.

# 9. From Psycho-Pass, The Vaults of Sybil

Do you ever feel like you witnessed something that you shouldn’t have? Well b*tch, you just done it. You can’t “unsee” the computational law enforcement enterprise that runs the ‘utopia’ with an iron fist. The Chief is probably waiting behind the damp steel wall with the Dominator under her whim, ready to unleash your termination. Now your splattered body lies on the cold, hard, metal ground, just awaiting a mindless cleaning robot to sweep you into the trash. I would say curiosity killed the cat, but you’re a human, and I know you’re smarter than a domesticated fur ball. How embarrassing.

“Gather ’round, kids, it’s time for another game!”

# 8. From Deadman Wonderland, The Deadman Wonderland Amusement Park

Really, a horror amusement park? It’s cliche, but still a ruthless place to waste your life in. Imagine all of the cute bird costumed-people lined around the stadium, the audience thinking it’s all just apart of the thrilling show! NO. These security guards are armed with machine guns and rifles, and won’t think twice about your sorry corpse. Escape isn’t an option at Deadman Wonderland, so the only way to leave is by living and risking it all in the games, or by dying while the death is quick and painless. All the crowd would do is point and laugh at your decapitated head. That’s sickening!

Where would you go? What would you do?

# 7. From Steins;Gate, Any Lost World Lines

World line Theory. Whether you believe it or not, it’s a thing in this time-traveling masterpiece. So Okabe uses the microwave time machine to repetitively go back and save his friends from an ominous organization. After overworking his brain for 25 episodes, Okabe finally will get to sit on the couch and do whatever mad scientists do best. But what if this supposed “savior world line” still contained tragedy? The movie dives into that, but consider this different position: What if you ended up in a random world line where the microwave gets destroyed and your friends aren’t there anymore? What then? Let’s say that your family doesn’t recognize you either, and refuse to let you in, believing that you died in this timeline. You’ll now spend your remaining days roaming the sweaty streets of Akihabara until you die of depression. In a lost world line void of your existence, you were just a null concept, unmemorable and nonexistent. Scary AF.

I know, it looks so, sooo tempting – Don’t even think about it! Just go download ALO or something.

# 6. From Sword Art Online, The World of Aincrad

That’s right, of only 10,000 recipients of the first-ever virtual reality video game, how exhilarating! Upon your full-dive, however, there’s no escape. In a mere month, 1/5 of all players died, and you very well could have been one of them. Kirito eventually finds Asuna and also happens to know a lot of the ins-and-outs due to beta testing, so he’s all set with a dandy life. What about you? This is your first time, but you don’t get nearly as lucky as “The Flash.” You’re pretty pathetic as it is, and you don’t get along with others, so a guild is out of the question. Solo-playing might be the only way to go! WAIT, this is a trapped room – no Teleport Crystals allowed, too! They’re pouring in from the right and the left, and no one can hear your senseless yelping! It only takes 12 seconds to deplete your dinky life meter. As you fade and start to shatter, all you can do is pity yourself.

I suppose it’s more notoriously known for this giant hole. Talk about fine landscaping!

# 5. From The Future Diary, The Gasai Estate

Y’all know what goes on in this house, so I won’t even start. Even if you were a welcome guest and your terms were fair with Ms. Yuno, “you know” she’s got one giant, stark, pink eye aimed in your direction. The lights are out, so Yuno will take care of whatever you need. Thirsty? She’ll get you some water from the tap. Hungry? She’ll slice you an apple. Bathroom? Just down the hall, but only use the restroom. One turn to the left or the right will take you to a dark, damp, foul-smelling cage with two rotting corpses and vomit in it. Where were Yuno’s parents this evening?? “Oh, they went out, but don’t let that bother our private time together, Yuu-ki~”

It’s quiet . . . too quiet . . .

# 4. From Attack on Titan, Outside Wall Maria

Up for a game of tag? Great, they’re it, RUN, HIDE, not that it’ll do you any good because they can just sniff you out like bacon on a Sunday morning. Have you ever seen a mouse scrambling around a maze trying to find the prized cheese? It’s a horrifying sight, the poor cheese! Now, remove the walls and throw in 100 more mice. That’s just a square mile or two outside Wall Maria, where death is the only option – Just how long can you keep on running? Even the monarchy smells your fear from the Interior’s comfy walls!

What kind of childish nightmare is this!? It’s like my own vomit vomited on itself!

# 3. From Madoka Magica, A Witch’s Labyrinth

Your partner just got shredded into pieces by the Witch’s minions, and now they’re after you. Can you hear the chant? It’s for you. They split into groups and run with their fluffy axes of death, feeding on your trail of anxiety and fear. Run faster on the multi-colored ribbon road, dodge the cotton men, AH, there are the henchman! RUN the other way, go, HURRY! They’re catching on to you. Finally, She feels your presence and hope has just been swallowed. The wall behind you seals up with puffy candy and She licks her lips, ready to taste your despair. You shoot magic, she slithers out of the way. She wraps her slimy body all around you, ready to feast, but she can’t help it – that’s just the cycle of things. And just like a cycle, she swallows you whole, never again able to see the light of the real world. Why did I say yes? Was my wish even worth it? I guess you’ll never know . . .

Any day with these kiddos is a day closer to death. It could come at any time.

# 2. From Another, Class 3-C (Yomiyama)

“Things that were never properly buried come back to haunt the high school of the damned.” The worst part about sitting in this close-to-death class is know that you can and will die, you just don’t know how. The Calamity will consume you and the spread bloodshed by any means – you just have to die. A knife, a pole, a car, a fall, even an umbrella will do the trick. And your fellow classmates and family members will continue to perish aimlessly until the dead is sent back to death. That’s creepy!

I just can’t! NOPE, not gonna do it!

# 1. From Higurashi, Shion’s Underground Torture Chamber

Like Yomiyama, all of Hinamizawa is one large blood-red target, but Shion’s “Fun-Fun Underground Torture Chamber” takes the cake for my most-feared location out of all of the anime I’ve seen. I won’t even sugarcoat this one like I did with the others, because you all know of the horrid sh*t that goes on in this hell hole. The hard, brown, dirt ground with cells built into the cavern. A splintery table with rusty metal clasps that will hold your shaking body as Shion readies whatever ancient instrument she pleases. Now I’m shivering, and it’s not because of the cold rain outside or low thermostat (or my heart lol)! Higurashi, you win, so take your scary-ass setting and get outta my cafe!

So to recap, dying sucks. It can be even worse, however, depending on WHERE you get spirited away. This Halloween season, do yourself a favor and DON’T visit any of these horrifying places! You’ll thank me later, I know it. If you are so daring as to dive back into these terrifying settings, then please, please make sure you return in one piece. I’d feel bad for anyone who had to spend their holiday scraping up your sorry corpse 😀 If you had similar thoughts, hit the like button! I have been waiting so long to write this post you have no idea! My question for you: Where in anime would be a terrible place to die? In the meantime, thanks so much for reading, and have a spooky Halloween!!

– Takuto, your host