Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s ninth monthly topic of 2019, “Lover,” I decided to travel back to one of my earliest anime watches with Michiko & Hatchin. Specifically, we’re looking at the titular Michiko’s fiery relationship from her past, and how love sometimes isn’t all it’s cracked up to be.
When it comes to romantic relationships, what do we look for in a partner? What core values do we seek when it comes to building a healthy and loving relationship? For this topic, we will be discussing some of our favorite couples in pop culture and what they have taught us about love and relationships, the good and the bad.
Sweet and simple, I like it. Thanks Lyn and Flow for the prompt this month!
A brief discussion of the 22-episode fall 2008 anime “Michiko & Hatchin,” animated by Manglobe, original story and direction by Sayo Yamamoto and Shukou Murase. MINOR SPOILERS WILL BE PRESENT.
On the Hunt for Their Man
She’s escaped from prison three times, and each time she gets farther. The name of this hardened criminal is Michiko Malandro, and she’s searching for a man from her past. Somewhere else under the harsh heat of the South American sun is Hana Morenos, nine years old, who lives a terrible life trapped under the oppressive whims of her abusive foster family. In her loneliness and despair, Hana dreams of the day when her Prince Charming will charge in and whisk her away from her captors. What Hana doesn’t know is that her “prince” would turn out to be the husky and vivacious escaped convict who’ll drive a stolen motorbike straight into the dining room window, claiming to her mother.
Free from their captors but now on the run from the law, the unlikely duo traverse the sun-soaked (and bone-dry) land of Diamandra, careening through this tumultuous adventure of betrayal, crime, child exploitation, rival gang warfare, and murder at every bend in the road. It’s a man-eat-man world out there, and Michiko and “Hatchin” are what’s for dinner.
A wild tale of vibrant lives and fateful reunions, two poor souls throw caution to the wind as all the unlikely human connections strung together by one elusive man start to converge on the dusty crossroads of destiny.
Equal parts action and drama, Michiko & Hatchin tells the timeless tale of a young girl searching for her father in a lawless land. The fictional setting of Diamandra itself is rife with drugs, alcohol, and poverty. People lie, cheat, and steal from one another—after all, everyone’s gotta make a living somehow in these ghettos. But buried within the tussles of the bad lie the good, and although they are few and far between, Michiko and Hatchin somehow make it by thanks to the handful of kind ones out there. Above all else, what Hana finds is that people are willing to do anything to survive another day—including murder and theft, of course—but also find someone to love, be it an artist, a musician, or a criminal.
Like Mother, Like Daughter . . .
. . . Is what I wish I could say about these two, but let’s face it, no one is quite like Michiko. Busty, brawny, and not afraid to kick the shit out of any man, Michiko is as gutsy as they come. A “sexy diva” who rocks her body to get whatever she wants, whenever she needs it (even if that means taking it by force), Michiko is loud, proud, and incredibly impatient, often yelling Hatchin around like someone would an animal. Plus, she’s an avid drinker and smoker, and quite often enjoys
picking fights “negotiating” with her fists.
When she’s not being a royal pain in the ass, well, let’s face it, Michiko is always a pain. This Brazilian bombshell just wants her ex-lover, Hiroshi Morenos, back in her life. She’ll whine, scream, kick—basically whatever it takes to find Hiroshi. But the one thing she won’t do is give up, and if Hana got any good trait from her mama, it’s her unbridled determination.
Again, Hatchin couldn’t be more different from her Latina madre. Polite, introverted, respectful, outwardly compassionate, “Hatchin” (nicknamed by Michiko after Hana told her she didn’t want to be called her real name anymore) does what she can to find Hiroshi within the boundaries of the law. If Michiko stole shoes for her, Hatchin would find a job and work to earn the money for them. Same goes for food, medical visits, travel fares, you get the gist.
Hatchin’s a good girl, clearly much more mature and level-headed than her loudmouth, obnoxious mother. But she looks out for Michiko nonetheless, even if that means hauling her drunk, angry ass to a nearby motel for the night. Really, the entire series is about the different forms affection takes in this south-of-the-border adventure. Although they bicker and fight frequently with one another, Michiko’s always got Hatchin’s back, and Hatchin’s got Michiko’s. It may mean saying “Wait for me” a hundred times and dropping off the face of the planet for a bit, but one way or another, the two will always find a way to see each other again, no matter the cost.
The Search for Hiroshi
Now, about the mans Michiko’s so desperate about seeing again. Once upon a time they were lovers, until the day when young Hiroshi just up and left Michiko on her own. He was the kind of guy you could tell “the embarrassing shit, and he’d always lend a sympathetic ear”—that’s what everyone remembers about Hiroshi. Ever since, Michiko’s made it her job to find him because she truly loved him. The irony of this Cinderella story is that instead of Hiroshi being in one place and also lookin’ for her, this dude’s runin’ away from her, city by city! The great escapade is twofold, a gritty push and pull between what the heart wants—and what it certainly shouldn’t get.
By the beginning, Michiko’s story has already played out. She was a bad girl who fell in love with a bad man, and had their child only long after he was gone. Her man, Hiroshi Morenos, was the only guy who was able to tame this wild vixen, and the only human who could leave such a scar on her heart when he left her for dead. But Michiko can’t see that side of him. Or rather, she refuses to, and that ends her up in a world of hurt where the bad people take what little you have left, and the good people shut their blinds cause it ain’t their problem.
Michiko’s inflated visions of Hiroshi from her memories of the past royally screw her over in the present. Would she have been happier just forgetting Hiroshi? Yeah, probably—no, absolutely. But no one forgets about Hiroshi once they’ve met him, and so Michiko hunts him down. Contrary to what most romantic tales tell us, having a lover in this story means having to share the other’s pain and anguish. Yet, love is redemption for Michiko. In her mind, if she can find Hiroshi, she and Hatchin can be happy.
As Michiko desperately pines for information of Hiroshi’s whereabouts, she is met with the unfortunate realities of the situation—that the man has long since died. But with Hatchin, they persist anyway. And what do they find? The shadow of a man, a husk with a pretty face, but the same old shitty personality. And honestly, deep down, I don’t think Michiko was expecting anything more from this fleeting encounter.
Having a lover in the world of Michiko & Hatchin is the equivalent of having an unbearably heavy weight tied to your foot. While providing an anchor for the soul in this otherwise turbulent landscape, it does little to actually make one happy. It’ll slow you down in the long run. Why? Because people and the relationships they share with one another are portrayed through the ugly side, the sad but realistic one we often tend to forget about. Michiko doesn’t want to find the real Hiroshi, but the Hiroshi of her dreams she remembers from one chance encounter long ago. And that’s why the ending is perfect. It delivers just what it should, even if it’s not the one we’d want; it’s how things would’ve realistically played out.
The Reality Love Brings
Michiko is Hiroshi’s lover, not the other way around. He ain’t lookin’ for her, nor is he worried about her safety and well-being. And she knows all she’s gonna find at the end of the rainbow is a crock a shit, not “no damn pot o’ gold.” That’s what is waiting for Michiko and Hatchin and the end of this story, and the sad truth is that they know it deep down, too.
Lovers turn good people bad in this tale, and bad people to a life of crime. Everyone wants a piece of Hiroshi, but ain’t no one gonna get it without a dollop of heartache with their slice. Because dammit, sometimes that’s just the way it is. Love isn’t the contract—it’s the bait. And boy did Michiko fall hook, line, and sinker for this piece of trash.
But Michiko can’t help it. She loves stupid guys, and the hotter and dumber they are, the better. But Hiroshi was a smart man, cunning, and she couldn’t help herself from feeling like a moth drawn to a flame every time he opened his lips. Love can be a curse that ties people down in the past, entrapping their emotions in the present to those memories long-gone.
Having a lover can also make us do rotten things to other people to make sure the relationship is protected. It’s not about staying afloat, so much as trying not to sink. I guess it’s as the saying goes, play shitty games, win shitty prizes.
At the End of the Road
So, what’s the moral of the story? True love is something you give, not something you take. Bad people only get what they want because they take it from those who already have it. But also, ironically, there is nothing that love cannot mend. Michiko and Hatchin’s relationship, even if balancing on rickety stilts, is proof that in this terrible world, love is still something you can give, not just take. Hiroshi left without a trace except the empty hole in his lover’s heart; Hatchin came into her life and was able to make the whole situation easier to bear.
They are each others’ hero, a bond stronger than man and woman, but of mother and daughter. A familial love. And an irreplaceable love at that.
What Michiko’s story also tells us about love is that a relationship fueled solely by the “good old days” of the past cannot survive in the future. At one point, Hiroshi was something special to her. But now, at the end of the road, he may not be so special anymore. After enduring 22 episodes heartache and emotional turmoil, Michiko AT LAST realizes that Hiroshi isn’t what she or her daughter need anymore. And thus, bathed and reborn in the fresh light of the rising sun, Michiko is finally able to leave her dreamy past behind, and face the future head on with Hatchin at her side.
And for a tale of two against the world, I find that ending profoundly touching.
It’s not gonna help to run, you know. I’ll come after you, no matter what. You belong to me, forever. — Michiko Malandro
When I watched this so many years ago, it didn’t really resonate much with me. But now, having rewatched the series as an adult, lemme tell you: Michiko & Hatchin slaps differently. With unforgettable character designs, vivid animation, and a charming Latin-inspired OST, it’s unbelievable how well this 2008 series holds up today!
Delusions of grandeur, memories of the past, the painful realities of unrequited love—I’ve exhausted myself with analyzing this relationship, and now, the rest is up to you! For me, Michiko & Hatchin is a certified “Caffe Mocha” title, one for the history books that should be loved and enjoyed for years to come. But I’ve talked enough. What are your thoughts on the series? Please, let me know in the comments!
This concludes my September 24th entry in the OWLS “Lover” blog tour. Yumdeku (myanime2go) went before me with a post about Yuki and Yuno from The Future Diary, a favorite of mine that I can’t wait to read! Now, look out for Flow (DenOfNyanPasu) as they talk about the Visual Novel game Kara no Shoujo tomorrow, September 25th! Thank you so much for reading, and until next time, this has been
– Takuto, your host