Shin Godzilla is a Terrifyingly Realistic & Meaningful Ode to History | Review

A brief discussion on the summer 2016 Japanese film “Shin Godzilla” (also known as “Godzilla: Resurgence”), produced Toho, co-directed by Hidaeki Anno and Shinji Higuchi, based on the original story by Anno (Evangelion). 

*I am not overly familiar with the Godzilla franchise (meaning I cannot properly decide whether it is a particularly “good” or “faithful” addition), but I do respect it and the impact it has had on the Japanese people and the rest of the world.*

“A God Incarnate. A City Doomed.”

This is how Funimation captions the deadly film containing the biggest, baddest Godzilla known to mankind, and accurately so. (He’s literally the tallest in the franchise!) But before the King of Monsters surfaced from the deep, it was just another quiet day for Japan. Chaos quickly floods the scene when a giant, strange gilled creature explodes from the ocean’s surface and begins tearing through the city.

Prioritizing citizen safety above all else, the government attempts to keep the situation under control, only to realize that their technicalities and formalities are useless in the face of true terror. It’ll take a rag-tag team of volunteer scientists, engineers, and public safety officials to come up with some sort of way to combat this seemingly perfect lifeform. “But time is not on their side—the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.” – Funimation

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More Than BOOMS! and BANGS!

Despite boasting action (it’s a Godzilla film for crying out loud), there’s a surprising amount of substance, particularly a possible social commentary on the hierarchy of the Japanese government and they way the nation handles foreign affairs during war time. Specifically, we are frequently shown how frustrating and slow policy can be. The film’s first half centralizes on political officials arguing about who should do what, when, and their reactions to the unbelievable events unfolding—most were consumed with disbelief, in fact, except for the young yet forward-thinking Deputy Chief Cabinet Secretary Rando Yaguchi, our basically-main character (and wow, what a title).

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We join Yaguchi in his frustration against the higher-ups, as well as his struggle to make amends with the innocent lives lost because of the government’s inability to act early on. While those above him in rank merely wish to hold fast to their comfortable, well-paying seats, shrugging off the impending doom that is about to likely kill them all, Yaguchi pulls together every asset that he can to find out what Godzilla is, and solve the mysteries surrounding Goro Maki’s research on the subject. It’s sad to admit how painfully real the execution of this all is.

Unlike the other officials who merely bicker about bureaucratic protocol and semantics (and not take things seriously), Yaguchi deals with exactly what’s in front of him. He knows he’s trapped within the system’s web, but he doesn’t fear questioning those above him in order to do his job correctly and honorably. Actor Hiroki Hasegawa conveys the complexity of Yaguchi’s character impressively, balancing fitting facial expressions for each emotional hit: a mix of concern, anger, sadness, and confusion.

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As I side note, I thoroughly enjoyed the excitement that came with watching Godzilla transform from the weird gilled lizard on all fours to the menacing tower of terror we’ve come to know and love. It was so much fun! One small small complaint that I did have was (and I’m not sure if this actually counts) that I couldn’t really tell if the CG done on Godzilla was “good” or not. Seriously, I couldn’t. Was he creepy lookin’? Sure, but I’m not sure how this makeover compares to previous ones. Also, while his explosive beams later on looked absolutely terrifying, I didn’t like the cheesy sound effects for the explosions—they felt like they were missing a low boom to ’em, or perhaps an epic bass you’d expect from a Hollywood explosion.

Intense Dialogue, and the Engrish Doesn’t Help

Most of the film’s complaints are targeted at the lead female, Kayoko Ann Patterson, portrayed by Satomi Ishihara, whose unfortunate script is loaded with English-heavy dialogue. In an interview, she even stated “Sometimes it’s so frustrating, I just want to cry,” and by NO means is any of this her fault—that’s a director issue. Her character is meant to seem very American, and while we definitely get that feeling, I can’t help but think that her normal Japanese speaking would’ve sufficed the whole way through. Anyway, I still love Kayoko to death because of how her character acts as an excellent foil to Yaguchi’s—both see themselves in higher positions, but for now, they work together efficiently with what they’ve got in their own ways.

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The Engrish problem is solved by switching the language settings to Funimation’s English dub, which is especially wonderful because the subtitles just fly by! Shin Godzilla is a film about talking through the problem, and less about any spectacular human actions. The political nonsense in the first 20 minutes, as well as the ending with solving Maki’s quote (which I’ll get to) are much easier to understand with the dub. If you don’t mind live-action dubs, do give this one a go—it could help immensely with understanding the film’s main messages.

Understanding the Legacy of the Atomic Bomb

More than having knowledge of the franchise, it’s historical context that is needed for full emotional effect here. Japan was rocked not once but twice by an evil that shouldn’t have even been unleashed on the planet: the atomic bomb. History has learned that the destruction that follows an atomic bomb is not cool. It’s not something the U.S. or any country should glorify, and this film makes sure of that. Godzilla was birthed once the long-term effects of radiation poisoning revealed themselves as something just as fearsome and frightful as the bomb itself—gosh, perhaps worse.

This brings us back to the film, which could stand an allegory for nuclear war and its long-standing effects, Godzilla itself mirroring the disastrous earthquakes, tsunamis, and radiation that hit the poor nation all at once. Unlike normal action films where you’re just waiting in anticipation for the bad guy to unleash their awesome powers, I was left not cheering, but shaking with fear of the results that, very closely, mimic an atomic bomb. The theme of destruction is a powerful one, a scary one, and that’s how this film shocked the viewers—the moment Godzilla unleashes its wrath is one that can only be witnessed . . . and feared.

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The People that Made this Experience Special

1. Sharla (Sharmander on YT)—Being one of my favorite YouTubers, it’s rare to ever hear about her work life as a dialogue coach, and so I was ecstatic once she put out a video saying that she worked with the cast (particularly Yaguchi and Kayoko on those stubborn English lines) and Anno himself.

2. Shiro Sagisu—Known for his epic music in Evangelion, Shiro gives the film a really neat character. His famous “intense operations planning” music that plays throughout the franchise makes several appearances in this film, and though it felt overplayed at first, a second watch through with the dub made it all feel like it blended seamlessly, as if Eva and Godzilla were truly “a match made in kaiju heaven!”

3. Hidaeki Anno—THIS MAN puts me through so much stress, and yet I can’t ever look away whenever I hear his name involved in a project. He is the reason I jumped into this foreign franchise, after all, so that’s got to mean something, right? He perfectly combs together realism, destruction, and rebirth in such a way that merits a masterpiece with every work. In Shin Godzilla, he took me back to the first time when I saw Evangelion and was impacted in such a way that I’d never be the same without it. I’m glad Anno took the break between 3.0 and the final Rebuild film, because hey, sometimes we have to “Do as we please,” and I respect that.

Thank you for giving me my Evangelion fix—it was an incredibly enjoyable experience!

“Do as you please.”

These are the few words left by the enigmatic Maki, and yet, they remain the strongest message within the work. It’s something so simple, to do as you want to, though I get the impression that it’s not a common Japanese lesson taught. No, this isn’t a wish or a passing thought, but a statement aimed DIRECTLY at Japan. Towards the end of the film, the Prime Minister must either give consent to or deny the United States’s declaration against Godzilla: “Take care of it now, or we will nuke it.” That’s right, history will repeat itself. Japan would risk losing the pride and dignity it spent so many years recuperating to the humiliation of starting at ground zero once again.

With the titular creature MIA towards the end and the U.S.’s threat, it almost begs the question: Are humans deadlier than Godzilla?

But oh, “Danger is an opportunity for personal growth,” remarks the U.S. President in the film. Yeah, not for this country. The true climax of the film comes down to a duel between philosophies—to accept help and then rebuild, or own up to the situation. And when Japan finally does decide to take matters into its own hands, fighting the way only they do best by studying their enemy, the scientific team makes work of the King of Monsters in a way that, without spoilers, makes me proud to be human. Using science, mankind’s greatest weapon, the team transforms the impossible into plausible—theory into reality.

It’s that moment when you realize you CAN stand for yourself WITHOUT having to kill another being—THAT is the big takeaway. Take pride in the things you can create and accomplish together, NOT destroy. And finally, for ONCE in your overly obedient life, do as YOU please, NOT what the others want.

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Shin Godzilla is incredibly smart, realistic, meaningful, and genuinely scary at times. Most of all, my god, if this film had come from my country, I’d be overflowing with pride, too.

“Accountability comes with the job. A politician must decide to own it or not.” – Rando Yaguchi 

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(None of these screenshots belong to me. No copyright infringement is intended.)


Have I been completely Godzilla-fied? Haha, not quite, but I will definitely be keeping an eye out for future installments, including the wildly anticipated CG Godzilla film directed by Gen Urobuchi, another one of my favorite directors in the industry! Shin Godzilla may not be anime, but I’ll let it slide into the “Caffe Mocha” selection as grade-A movie material for sure, and for everything it stands for. Shout-out to Scott (Mechanical Anime Reviews) for hyping me up about it, and for covering the film way better (and quicker) than I did here.

Lastly, thank you so much for reading, as this was a film that has grown to mean a lot to me. I’m dying to know what you thought about Shin Godzilla, especially regarding its production, so let me know your thoughts in the comments! Until next time everyone, this has been

– Takuto, your host

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Chill Season is Here | End of September Update 10/3/17

Hey everyone, what’s up? I did a header image thingy for an update! Like it?

Cool weather is finally here, ahh, yes, no more 100-degree F days. I’m in college now, in case you didn’t know that, and hey, I’m surviving (yay)! While I haven’t been utterly dumped with challenging homework yet, I am keeping busy, what with symphony orchestra and the long hours of practice that accompany it.

With all this “extra time,” I’ve done a lot of anime watching, some manga reading, and more posting. That’s always exciting. Now I have to get over the second slump—catching up on the millions of comments I’ve left unanswered. If I haven’t hunted you down in my posts yet, don’t worry, I will! I just need more energy within myself to keep the conversation going, and that can be tough. Blogging is a social sport, after all.

But slowly and steadily I am catching up. Painfully slowly, but it’s better than no progress at all. Anyway, let’s briefly check out what I’ve watched, read, and written within the past couple months!

RECENTLY FINISHED:

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Netoge: And you thought there is never a girl online?—I’ve finally signed up for a Funimation Now account, and this was one of the first shows I decided to watch. At the time, I was looking to satisfy simple needs: pretty characters, comedy, and a dash of nerd humor. And what do you know, Netoge was perfect for the job! I loved this show, and I’m not gonna lie, being able to stream a dub LEGALLY felt pretty good. This was my first time hearing Dallas Reid as Hideki “Rusian” Nishimura, and though I spent a lot of time deciding whether I liked him or not, I finally decided that if I kept needing to debate it, then he likely did a good job at it. We’ll likely hear A LOT more from Dallas Reid in upcoming dubs, I can just feel it. Anyway, fun show. Would watch more, but I likely won’t follow the novels.

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Saga of Tanya the Evil—After Netoge, I was craving something gritty, loaded with dark humor and kickass characters. Remembering Tanya from a couple seasons back as a big hit, I booted up the first episode on Crunchyroll and couldn’t put it down after that. Solid action, fantastic cast, and an engaging story of man vs. fate, or in this case, “bird mouth” Tanya vs. the cruel God who laughs from on high. It was just such a solid production that it left me here screaming, “WhErE iS sEaSoN tWo?!” I definitely plan to follow Tanya’s scheming and mocking of God in the novel series, which sees its first release I believe this winter. Awesome, high energy show that never lets up. When I watch the dub, expect a review!

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Aria the Animation—I participated in the huge Aria Kickstarter by Nozomi Entertainment AKA RightStuf back in September. At first, I donated blindly at the limited edition. Then I thought, “How stupid am I? Am I really going to blindly throw $60 at a title I don’t even know if I’d like??” And just as I questioned myself, Crunchyroll put the first season on their site to help with the campaign. After a watch of the first season, I can comfortably say that my gamble was a worthwhile one. Hopefully the +$200 that went into it will be everything that I wanted and more.

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Sailor Moon S—Awww yeah, I continue to knock through Viz’s releases of the beloved 90s series and I absolutely loved every bit of it! As a child, this was basically the first anime I was ever introduced to without knowing what anime was. It brought my whole experience of running around with sparkly ribbons and costumes full circle, and by the end (which I had never previously seen or known), I couldn’t help but melt down into an emotional wreck. I could never review a series that’s this close to heart, let alone slap a numerical rating on it, but maybe for an OWLS post or something I’ll get to dig out this series once again. Looking forward to seeing Crystal III this winter with all my heart—PLANET POWER!!!!

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Death Parade—This one you might recognize from my birthday haul! And while it’s quite up on this list, I actually started it in August and finished it just a day ago (hahaha that’s what I get for trying to watch it with my sister). Anyway, it was a wicked cool trip through the afterlife, and can’t help but think that the series needed something more for its ending . . . maybe for a future installment, right? It wasn’t as 10/10 masterpiece as everyone was making it out to be, but it was dark and fun, which is what exactly what I pegged the series for. Maybe I’ll review it, maybe I won’t. We’ll see.

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Code Geass: Akito the Exiled—Another from the b-day haul, yay! After breezing through the original Code Geass this past summer with my siblings, I was craving more of the universe. This calling just happened to be answered by Funimation’s rescue release of this spinoff, which takes place between the two halves of the original series overseas in the European Union. The dub had accents for the French and other nationalities represented, which was kind of a neat touch. I especially loved Jeannie Tirado’s resilient yet caring Leila Malcal. CG was used for the mechs this time around, and while one might find that originally distracting, the wild and dynamic movement and cinematography made for some excellent fights. My only great disappointment with it was the lack of involvement from returnees LELOUCH VI BRITANNIA and Suzaku Kururugi, as they were the main reason I even wanted more Geass. Oh well, cool show nevertheless.

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Shin Godzilla—It’s not anime, but it certainly counts for the reason I wanted to watch it: Evangelion. Director. Hidaeki Anno. Need I say more? Well, HAH, I wont’ actually, because a review of this titanic hit is coming very soon, so keep an eye out!

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Orange (anime and manga)—YES, I read some manga, and YES, it was an entry ruled off of the loooong backlog!! When the books were released and the anime adaptation of it aired, the ONLY thing people talked about was Orange. That popularity has since calmed down greatly, but the series is still definitely not one to be missed—especially that manga, dang! (I can officially recommend some manga to people, this is so fun!) The anime dedicates one episode to each chapter or two, so the pacing is absolutely flawless in terms of time/scene adaptation. Each frame of the manga held so much gorgeous facial expression, and the characters were each quirky yet very attractive. I wish the anime kept up with the quality on that front, but hey, taking a picture is easier than a video, I get it. Also, the manga was significantly more emotional than the series was. I’m not sure if that was just because I knew how it was all going to end, but hmm, yeah if someone wants the tear-jerker route, read the books. Both are still wonderful!

As a last note, though I never did actually cry, I was significantly touched by the morals of friendship, and how something so simple as friends can create beautiful moments and prevent terrible tragedies. It’s all about treasuring what we have, together, and living within each moment, not through them. I based my entire September OWLS post on the Orange manga, so if you’d like a spoiler free rundown on what it presents us with, consider checking it out! It gained a lot of traffic, and I consider it to be one of my bests posts because of how it was received. So, thank you if you decide to read it (link right here)!

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Re:CREATORS—OOH, OOH, now THIS is a show that saved itself during its run!! I was so happy with how it ended, and I won’t lie, I didn’t think the series had it in itself to finish with both story and emotional satisfaction, but it did, and because if that I do plan to review it! Until then, my lips are sealed—just go watch it!!

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Katsugeki TOUKEN RANBUKatsugeki had it all: incredible animation production, excellent digital effects by Ufotable, epic music by the composer of Fate/stay night [Unlimited Blade Works]‘s score, a solid franchise, and, of course, an overly supportive fanbase. So where did it go wrong? My theory is that it simply didn’t use the weight of each mission to fully impact the characters. From what I gathered, this is supposed to be a predominately character-driven franchise, so by not involving all of the characters, it walked away with only a couple of decently developed studs. Not to offend the fangirls, but it didn’t help when they decided to add a second wave of characters—the flashy First Unit—into the mix. Now you have +12 characters running around and all I can say was that the finale was very pretty. It was all more along the lines of “not my cup of tea” than “it sucked.”

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My Hero Academia Season 2—Bro, who wasn’t watching MHA this past season, cause like, dang! I thought the first was pretty good, but this second pulls out all the stops, especially with the famous TOURNAMENT ARC in the first half. Hell, I marathoned that shit cause I didn’t want to watch it at the time, and even though the Hero Killer/Hosu Incident Arc was a bit of a slump for me, I realize the importance it will have on not only the heroes but the villains as well. I won’t say too much more because I’d like to review it, but let’s just say it inspired me so much that I’ll be cosplaying the KING Todoroki #bestboy. Also, the first OP and the second ED were FIRE, man! Can’t stop listening!

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DIVE!!—So many thoughts. So much conflict. I think I like this show? See, I’m on the fence: I’ve admitted to the fact that this show did not turn out so well, but you can still like something that’s complete trash. I want to believe there is something of sustenance in this show, and that’s a very hard thing to do. It looks like I’ll be a bit against the crowd on this one, but don’t worry, I know that it’s garbage LOL. Review coming soon for sure!

CURRENTLY WATCHING:

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Tsuredure Children—Last spring’s trashiest show made its way to my Funi account and now I’m watching the dub. Not the greatest dub, but it’ll suffice for what I’m after: romantic nonsense. I want to watch curious kids fail miserably and hilariously with their love lives . . . is that sad? Beats me, but Tsuredure is defs fillin’ the cup up! It’s lighthearted, humorous, and charming in its own way, so sure, I’ll keep tagging along.

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Knight’s & Magic—Started this one yesterday night out of straight curiosity since half of the crowd said it was awesome and the other half hated it. I tend to like things that nobody else does, so here I come Ernesti! Episode one was good so far, but I can totally understand why people thought him being from another world was kinda pointless. I mean, in Saga of Tanya of Evil, it was part of the dude’s sin cycle, but here, IDK, Ernesti could’ve been a child genius and that would’ve rolled better with everyone. Anyway, the main reason I want to watch it is because the mechs look cool, so there’s that.

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I Hear the Sunspot—This is actually a manga that was recommended by Simply Gee over on YouTube. She found it to be lighthearted, soft, and simple; a story that doesn’t need to do very much to make our hearts warm. And she’s absolutely right. It follows a squirrely young college boy named Taichi who can’t seem to hold a job without getting into fights. This particularly sucks because he’s always hungry, that is, until stumbles upon Kohei, a quiet fellow college student who has a hearing disability. The two make a deal: Taichi be his note-taker and Kohei will provide him with free lunch!

Thus we watch the two struggle to understand just what they mean to one another, and how a problem isn’t too big of a problem when two people deal with it together. It’s got just the faintest touch of shounen-ai, but don’t let that turn you off—in fact, it’s half the magic. You’ll never know how friendly the two will get, but I’m willing to follow them throughout this standalone volume. Apparently it’s author Yuki Fumino’s first manga (which is overly impressive, my god), and due to its success, a sequel is on the way, hooray!

FALL SIMULCASTS:

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Fate/Apocrypha—I’m starting to understand characters, motives, and plugging their historical pasts with the present war. Apocrypha is getting better, but it’s still pretty rough given that only one servant has bit the bullet and we’re already halfway into this thing. I just hope they don’t start knockin’ down characters one by one. That always sucks. I don’t have much else to report on this one other than that it’s still engaging, action-packed, and rich with ancient lore. Did I ever mention the soundtrack? Besides the twisted Egoist OP (which I did finally decide that I like), the epic strings and main melody behind the show is just fantastic!

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Welcome to the BallroomBallroom is, ergmm, more fun to watch when it’s moving. There are SO many still shots it’s insane! And this is done by Production I.G.—aren’t they a powerhouse in the anime industry? That’s not to say that each frame is bad (cause they’re all friggin’ gorgeous), but man, it’s a sports show that requires a great deal of movement—so GIVE IT TO US, PLEASE! Otherwise it can sometimes be hard or embarrassing to watch. On several occasions during the first half’s Tenpei Cup, Tatara makes a comment on Gaju’s moves (“so powerful;” “oh he messed up here;” “he’s doing ___ move”), but then we see . . . nothing, it’s a SINGLE FRAME. Between the lack of movement, the loss of the season’s good first OP and ED, and the introduction of a potential new partner,  I just hope Ballroom knows what it’s doing in this second half.

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Food Wars! The Third Plate—Not much to say. It’s more Food Wars! and that’s about the best thing you could have for this fall season! I’m eagerly awaiting a tango with the Totsuki Elite Ten (dat alliteration tho) and all of the funny antics to follow! Cheers to more food porn!

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Juni Taisen: Zodiac War—The only reason I’m going to watch this series is because it sounds like the Holy Grail War. It’s a survival game; personifications of each Zodiac animal come to life and duke it out for the chance to make a wish come true (or at least I think that’s what it’s about). Sounds cool, looks cool, sure, count me in.


Blogging Projects

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Let’s see, in the last “Cafe Talk” I wrote about how “Having Unpopular Opinions Can Suck,” where I finalized my thoughts on the 2017 Ghost in the Shell Live-Action (spoiler alert: I loved it), as well as how frustrating it can be when nobody takes your side. There, I’ve jotted down just a few of my own “unpopular opinions,” so if you’re curious or feel I’m relatable, check that out. I’ve shared several great conversations with people on that post in the comments section, which is awesome—that’s what it’s there for!!! I’ll see if I can get on and answer some more soon!

I also recently partnered up with fellow gaming blogger NekoJonez on his expansive Legend of Zelda project, which brings in 13 of us to tackle the entire franchise from the first game to the latest. It was a surprisingly great deal of fun, especially at the end with those last couple hours before show time, and I made some awesome friends while reminiscing on a greatly beloved title. Honestly, it opened my eyes to the possibility of future collabs and projects with bloggers, but perhaps I should build up my own personal brand a bit more, right? Who knows, but I had a very fun time, and that’s all that matters in the end. Here are the games I covered if you are curious about Gaming Takuto!

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The Great Sea: Phantom Hourglass

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The New World: Spirit Tracks

I’m Tired of Playing Catch-Up

Whew! What an update! It’s just as large as last time’s, which means I need to get back to monthly ones, not this bimonthly nonsense! I mean, who wants to stick around for nearly 3,000 words of “I did this, and that, and didn’t do a lot of something else . . .” But inconvenience is how I roll, right guys? Haha, moving on.

I guess my biggest challenge right now isn’t “not wanting to write” as much as I’m sick and tired of playing catch-up! There are just WAY to many posts I want to read and comments that I need to respond to that, when I find myself going to draft another post, I just sigh at all of the responsibilities that should come first: responding to my readers, to my guests. What kind of host leaves their customer without their order? Not a very good one, that’s for sure. I’ll work on this more for this month as my biggest goal, and hopefully I can get out of this rut that I’ve sat in for MONTHS now.

I’m tired of playing catch-up, so I’ll change that. 🙂

I’m curious to know what you guys are following this fall season! Also, did you read any good manga or light novels recently? The new SAO series coming soon makes me want to purchase and read the Alicization books, as apparently it’s the best part of the franchise so far. But time is short, so we’ll see. ALSO INDEX III WAS ANNOUNCED HOLY CRAP I THOUGHT IT’D NEVER HAPPEN!!!! Now if we could just get an adaptation of Railgun’‘s Level Six Shift Arc, I could die happily with that franchise. I hope nicer weather has made its way to you as it has me, cause I’m partying in my fall jackets and hoodies now! Hahaha, take care you guys, until next time~!

– Takuto, your host

2017 August Anime Haul [Birthday Edition]!

Greetings cafe goers!

August was a special month for me: first day of college, beginning my Funimation Now and Amazon Prime subscriptions, and most special of all, my birthday! Thank you so much to all those who sent me birthday wishes and good cheer that August 27th! It was just another reminder as to how many friends I’ve met thanks to blogging, and how far we’ve all gone together. From the bottom of my heart, thank you!

Now, my siblings like to go overboard on birthdays. They’re HUGE in my house. Like, even if you’re 40 or 50 you’re gonna get a ton of gifts and feel celebrated for—that’s just how we roll!

This year, my siblings asked for a list, and while that doesn’t guarantee anything will get picked, it gives them an idea of what I like (even though they already know by now). As always, I try to remain cost efficient, pulling together items that are currently on sale from various sites and places into one big list of fairly inexpensive anime-related items.

At the time, the biggest sale going on was Funimation’s end of summer (or was it middle of summer, I can’t remember) sale. We’re talking $5 films, $10 classics, and $30 new shows—that’s like RIDICULOUSLY CHEAP. And for that reason, I can understand why I received so many new titles. I’m now gonna brag about how cool they are by showing off what I got, so thanks bro and sis!

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My sister gifted to me one of the big hitters, if not THE biggest, of 2015: the chic yet suspenseful Death Parade. We’ve already busted it open, and have been watching an episode each night to relieve stress (or to add to it since there’s so much suspense and, well, death). She also got me the Trigun: Badlands Rumble film, and while that’s neat and all, I don’t have Trigun, nor have I watched it. There’s a reason she gave it to me (and wrapped it in my signature paper wrapping decorated with hints to the show as a little guessing game) . . .

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AND THIS is why she got me the film, hahaha she had coordinated with my brother!! Now I can enjoy this classic and not feel bad that they spent a ton of money on anything. He also got me the last book in the Bakemonogatari trilogy, which I’ve been reading since the first, Kizumonogatari.

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But he doesn’t stop there, oh no. He got me the SECOND big-hitter of 2015, everybody’s favorite Blood Blockade Battlefront, as well as the next film in the Project Itoh trilogy, harmony. (I showed the first film, The Empire of Corpses, to them, and told them the history of the project’s writer. Guess it must’ve made him curious.) I haven’t watched either of these yet, but I can’t wait!!

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To finish of my Ghost in the Shell collection (which I also showed to them the 1995 film), he got me the second of two OVA sets, which contains borders: 3 & 4Ghost Tears and Ghost Stands Alone. While I thought that Arise was mediocre at best, I am a collector, and this is just as wonderful as receiving a 10/10 title!

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LAST BUT NOT LEAST (oh god, how truly spoiled I am), he gifted to me this curious little oddity I found in the RightStuf 30th Anniversary sale, Freedom, which is supposedly from the creators of the apocalyptic Akira. I haven’t watched either of these yet, but I’m excited to explore more of the anime sci-fi branch and its origins. Plus it came in this stupidly high-quality box set (despite being under $30), complete with a mini artbook and YES black Blu-ray cases. Again, thank you so much bro!!

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But OF COURSE, I had to spoil myself #treatyoself with two titles that I’ve been VERY excited to watch! The first, a short series (like Arise, composed of four or five one-hour-long episodes) which takes place between the legendary Code Geass‘s first and second seasons: Akito the Exiled. After rewatching the series with my siblings this past summer (which they ABSOLUTELY LOVED TO DEATH), getting this ASAP was a must. Now we can enjoy the events that took place between the two seasons, as well as witness stunning CG mecha fights. I’ve plugged in the first two episodes, and so far it’s quite entertaining. Oh, and it came with an art card set like the first did, YAY! (ugh I’m wet for Clamp artwork.)

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The other movie I picked up was the wildly anticipated 2016 Japanese masterpiece film Shin Godzilla. I’m not a huge Godzilla fan, but knowing that Evangelion director Hidaeki Anno directed this project, too, made it a MUST HAVE. I NEED to know what he worked on between 3.33 and his upcoming 3.0+1.0 in order to understand the emotions running through his mind (or dare try), so the other title I need to pick up is Sentai Filmworks’ The Dragon Dentist, which I believe comes out in the fall.

I also know that Life-in-Japan YouTuber Sharla (Sharla in Japan, Sharmander) worked with the lead actors and actresses on pronouncing their English, as there is quite a bit despite being an otherwise subtitled film. I like Sharla, her videos being a large source of relaxation, exploration, and fun for me.

For another #TakutoMovieNight on Twiter, I watched Shin Godzilla as soon as it came in and I LOVED IT to pieces!!! Still not converted to a full-on Godzilla fan, haha, no, but the directing is very much like his films (1.11 especially), to which I honestly can’t get enough of. I’ll review it sometime if you’d like, just know that it’s already a thumbs up from me! When I watch it again, I’ll try out Funimation’s English track to see if it’s any good!

That’s all from me! For those wondering, I had a nice relaxing weekend with the family, to which we exchanged good food, laughs, and films together. Specifically, we continued the tradition of watching a film of my choice, and to follow up last year’s 1.11 (review here), we watched Evangelion 2.22 (review here).

Surprisingly, it left my parents intrigued as to what happens next, so my dad decided we’d watch 3.33 (review here) the following week. That made me happy. After watching it, however, they both got pretty confused (no surprise there), but I still think that they hold as much hope for the last film as I do, and that also reassures me.

In otherwords, it’s been a very Evangelion weekend, but I wouldn’t have it any other way~!

Again, big thank you to all who said such kind things to me throughout my little holiday!! I’ll be posting an End of August Update soon, so look forward to that! I really do have the BEST, most supportive family one could ever want, both IRL and through the net. Thanks for making my day that lil’ bit of “extra” we all need! Love you all, you party crew!!!

– Takuto, your host

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