Diving Back In! A Lull in the Sea Premium Edition Unboxing

Hey café-goers, today we’ve got a little something special to take a look at! To be exact, this is NIS America’s Premium Edition release of Nagi no Asukara or A Lull in the Sea. With its steep price (which I’ll cover later), I have been skeptical on picking this up since before they even released it–In fact, you could say that this set is what pushed me to watch the sub on Crunchyroll! I consider this one of my top 15 anime (cause 10 just won’t do), and finally having it in my collection is a milestone achievement. Because I couldn’t just settle for the DVD version I bought a while ago, let’s dive back into Shioshishio and into my favorite box set of anime that I own!

~As a side note, shout out to LitaKino, the undersea maiden of this blogosphere. This one’s for you, girl!~

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IMG_1281Here is the front featuring the main poster (my favorite pic). The front and back both have a standard gloss texture to them, yet the chipboard is much firmer than any release I’ve ever touched. It’s higher quality than FUNimation Entertainment’s ‘limited edition’ boxes, and I dare say it’s better than Aniplex of America’s sets.

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Now, you’re all probably eyeing that attractively themed spine, which shows the English logo and decorative bubbles and swirls that line many of the walls in Shioshishio and Oshiooshi. That attention to detail makes this not only a creative set, but one with actual designs from the show instead of plain color patterns companies usually make. My favorite part would have to be the little sea slugs (they play a role in the show), aww, so cute! To complete the design, all of the blue parts are actually slightly raised and have this glittery shine and texture to them. They don’t show sign of coming off either, which just completes the package.

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Just like the side, the top features an engaging blue sparkly-textured design. This time, it’s the legend of the Sea God and his wife, which plays a huge role in the series. Again, the attention to detail makes this set not only gorgeous, but the designs hold meaning, too.

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I honestly was not expecting this artwork to be on the back, yet here it was, and now I love it almost as much as the front art! Same glossy texture as the front, and same high-quality printing, too. Love the bold colors of the sea and our ocean kiddos!

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Here is the open side with all of the contents. I’m diggin’ the variety of blues from light to dark. Tired of being teased? Alright, let’s pull out the guts.

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Here are the lovely (yet kinda unnecessary) three DVD-size cases which each house one Blu-ray disc. The episodes are divided evenly, which is a plus. Each case features the main characters, and while I enjoy seeing young Miuna and sleazy Lord Uroko on the third case, I wish we instead got Akari Sakishima, as she plays a huge role in the story (and she’s one of my favorites).

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And here are the insides of each case in the same order. I love their cheeky smiles on the third one and the lovely Chisaki in the middle. More beautiful water color-looking artwork, which I am a huge fan of. Each of the discs feature the same artwork as their respective cover, so I didn’t bother to snap a photo.

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I’m honestly speechless here. Just wow, artwork, wow. As much as the text disturbs the masterpieces printed on each case’s back, I do appreciate the episode and extras listing. That helps me navigate around a lot easier. But yeah, that environment is truly magical.

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Ooh, now I really love this. Soundtracks one and two are stored in this DVD case which features the Shioshishio school’s music room. Melancholic yet entrancing at the same time, and same goes for the accompanying pamphlet that is decorated in more environmental porn.

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Here’s the backs of each one. Lyrics, song listings, and more environment. Now this takes me back to Nagi-Asu‘s world.

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The discs feature the same design yet with inverted colors. The back of the case paper shows two full-shot scenes, and every time I open up the soundtrack, I’m tempted to flip that paper so I can see the inside more! The soundtrack, by the way, is easily one of my favorites. It’s chill enough to pop in anytime while cleaning, cooking, reading, or just walking around. OPs and EDs are also included, though only the TV cuts of them.

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IMG_1271Gah! The artbook! It features the main characters on the front and back, and sports a glossy cover. The binding and horizontal makes the book really easy to open. The fact that it is indeed horizontal puts many other artbooks of mine to shame, especially Sentai’s Chunibyo book. The contents are good, but that other one is a pain in the rear to keep open flat. Wanna know what’s inside?

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I have it in slideshow version, but the book is loaded with character designs and profiles, episode summaries, commentary with the creators, and environmental porn. Lots, and lots, and lots of pretty visuals of the props, landscape, and setting. I only wish there were more full-paged pictures, but alas, having it all on print is more than enough for me to trip through nostalgia land.

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What’s this?! A sideways flag!? If you order from NIS America’s homepage (link at the end), they’ll throw in a smaller replica of the Ofunehiki flag that Hikari held up and Miuna fixed! Isn’t that awesome? And it’s FREE while supplies last!! For the layout, it’s as if they took two flags together and stitched them front to back so that A) it’s double the thickness and B) the design is fullproof on both sides. While I have a barrel of fun waving it around (heavy duty flag material makes it indestructible), you’ll want a nice place to perch it. sadly, the wooden rod that holds it up is a bit too short, but hey, you can always pull it off and hang it/frame it somewhere, right?

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Isn’t this the most gorgeous set you’ve ever seen? But you don’t just have to look at my photos–Purchas your own at NIS America’s site HERE or over on Rightstuf.com HERE if you frequent that place like I do. If you want the awesome flag, do it from NISA (I also didn’t have to pay for shipping because it’s over $75 or tax for some reason). It’s about $144 on NISA and about $153 on Rightstuf.

Now, that’s not a budget for everyone, and I totally get that. Only, and ONLY, purchase this set if you are an absolute fan of the series, and are wanting to rewatch it. This Blu-ray set is regions A and B with English and Japanese audio and all 26 episodes, so none of this Part 1/Part2 bullsh*t. If this anime was only mediocre to you, but you are interested in seeing the dub (which I wholeheartedly recommend, this dub is incredible), try Crunchyroll’s premium service, as they have the dub and sub for their premium members. That, or the DVD versions by NISA, which yes, are Part 1 and Part 2 and only come as regular DVD cases with a mini insert pamphlet. Here’s the dub trailer if you’re mildly interested:

I hope you enjoyed this slight change of pace from the café before I make another huge announcement! I love everything about A Lull in the Sea, and even wrote about it RIGHT HERE if you happened to miss it! I think it’s my most viewed or most liked review. I think. In fact, I met many of my best blogger friends through this show/review, so here’s a big thanks to all of you supporting me and to P.A. Work’s stellar anime and NIS America’s fantastic release of A Lull in the Sea!

My siblings and I just completed this anime as part of our 2016 Summer Movie Theater and absolutely fell in love (for me, it was all over again). You can read about that here! Comment below any questions or thoughts about this set or the show itself. If you feel the need, share it with a friend who happens to love Nagi-Asu like we do (I’d appreciate it ^.^), and until next time, this has been

– Takuto, your host

 

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Nagi-Asu: Proving that Life is Simply Better Down Where It’s Wetter

A spoiler-free review of the 2013-2014 anime “Nagi no Asukara” or “Nagi-Asu: A Lull in the Sea,” produced by P.A. Works.

I will sacrifice all of my worldly possessions if I could live in Shioshishio for a year. In fact, Umigami, just take my soul. I’ll even be the Ojoshi-sama if it means visiting this dreamlike underwater village. Please, give me Ena ~

Shioshishio, the enchanting undersea village

Since the dawn of humanity, civilization had lived on the ocean floor. As curiosity tugged at their legs (or fins), however, several humans migrated to the land, which caused a huge splintering in lifestyles. Upon their undersea school closing, Hikari, Manaka, Chisaki, and Kaname – four 14-year-old middle school kiddos – are forced to eke out education on land and adapt to the unfamiliar environment. They aren’t alone in terms of emotional struggle, though. Three surface kids – Tsumugu, Miyuna, and Sayu – must also confront their feelings before the whole lot grows older, and the rift between the sea and the land, old and young, tears the two parties apart.

It should become clear right off the bat that we’re dealing with seven individuals, which means in terms of coupling someone will be left out. As dramatic as that sounds, Nagi-Asu manages to keep a level head, never allowing said drama to grow out of hand nor become overbearing. That’s not to say that the show is lighthearted, though! Uh, no, it’s got just the right amount of spice, but in that way, has its own way of plucking your heart strings, and thankfully it doesn’t ever snap them. The anime incorporates themes of love by using slice-of-life tactics, and it overwhelmingly succeeds on this front.

See, love – it’s easy as Hikari loves Manaka, but Manaka falls in love with Tsumugu, though Chisaki might have a crush on Hikari, but Kaname is already in love with Chisaki, and . . .

Oh the water physics – don’t try to wrap your head around it. Just admire its subtle beauty and convenience . . . writing on paper, running around, boiling food on the ocean floor . . . What is this, SpongeBob!?

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But moreover, once the drama wave sinks back into the ocean, we are left with a story about innocent crab children crawling out of their shells to deliver their unrequited love to one another. Because the characters are so unexperienced with the notion, and have even grown up together in the local village, it’s vital to pay attention to each of their reactions to the sudden emotional turns taken in the series. Thankfully, the animation directors have a very keen eye for these delicate matters, and display facial expressions with such passion! Props to the VAs, too, for putting up equally impressive vocal performances, especially Hanae Natsuki’s youthful role as Hikari and Kana Hanazawa’s adorable Manaka!

Let’s talk about those characters now. I’ll admit, they’re a great, well-developed bunch, but the only one whom particularly snatched my attention was the main character himself, Hikari Sakishima. Born ‘n raised in the deep blue, he harbors a distinct hate towards the land people. Specifically speaking, he loathes the silent but strong Tsumugu for him loving his little Manaka – or rather, Manaka sneaking a peak at this dark-tanned land dweller. Underneath his layers of stubbornness, Hikari prematurely believed that he and Manaka were an assumed pairing. Manaka has other plans. Throughout the series, Hikari struggles with his passive relationship with his other friend, Chisaki, and we witness him grow from a boy to a man (kinda sorta, not physically at least :3)!

I have much to say about the art and animation, but it’d do you justice to simply marvel at the “environmental porn” surrounding the sea village itself and its sister harbor above. The animators always use the color blue. In fact, it’s in every frame of the series. Sharply contrasting the magnificent hue is orange, blue’s complementary color. Whether it be the rust on the boats moored at the dock or the land school’s uniforms, orange manages to cancel out blue’s magic. Not only is it smart cinematography, but the most effective. Nagi-Asu is truly is the prettiest anime series I have ever seen!

There’s only one word to describe this OST: Heart. It has a lot of heart. While lively guitar strums out the cheerful opening tone, fitting for the youthful boasts of Hikari, a bittersweet piano slides in to caress the emotional moments featured in the series. “Cry for the Moon,” “Tears of the Sea,” “Prayer,” “Solitude,” and “The Ofunehiki Song” are the best examples of this mood. I could listen to this soundtrack for hours on end, but then only feel depressed that I spent so much time out of the water’s embrace 🙂

To add to the praise, I must admit that both of Ray’s openings, “lull ~Soshite Bokura wa~” and “ebb and flow” are so incredibly fitting for the undersea atmosphere! They make me want to swim around in cool, clear waters with all of my friends. But we can’t forget “Aqua Terrarium” by Nagi Yanagi, the first ending, which depicts the cold, deep blue ocean floor with a frozen Manaka.

It would be a crime to not watch Nagi-Asu. The art is divine and animation of this quality is rare to come by! Always, the story kept me intrigued, and the romance between the characters tied the package all together! But I can’t help but regret the switch to the above ground in the second half, especially when they had so much going for them down where it was wetter. So much life; carefree days of youth. The surface is a bitter cold. Adults struggle to make a living, and kids don’t have as near wide of smiles as the Shioshishio squad. Growing up and realizing your feelings, whether they are for others or nature, was a deeply felt theme in the anime. However much I disliked the change, the two halves of the series were the twin tides that brought the message in the bottle to the salty shore; truthfully, both were needed.

“Having feelings for someone just brings sorrow to someone else. Someone always gets sacrificed and suffers. If this is what it means to fall in love . . . then falling in love is terrible.” – Hikari Sakishima

+ Story felt fresh; romance and drama were never too overbearing, but enough to convey true feelings of love

+ Characters were very well-developed and entertaining, notably Hikari and maybe Chisaki

+ Themes of old vs. young, love of people vs. nature were demonstrated with a content satisfaction

+ UNDER THE FREAKIN’ SEA, absolutely stellar art and consistent superior animation quality

+ A rich OST full of heart, appropriate instruments to enhance the mood

– Switch from underwater to above land was somewhat disappointing

– A few interfering elements to the story were ‘too’ supernatural

I have returned to anime reviews! Do you prefer this new format over the previous one? It’s a work in progress, but I’m trying to find a style I’m completely satisfied with. Did you have similar thoughts about this under-the-sea fantasy drama/rom-com? Different? For the café menu, Nagi-Asu receives a solid 9/10, and I strongly recommend you watch this show on Crunchyroll – and it’s free of all things, so no excuses! If you enjoyed the review, feel free to caress that like button like a red-bellied sea slug, as that’ll let me know if you like my content! Ah, how grand it feels to be back to these reviews ~ Until next time everyone, this has been

– Takuto, your host