A Sister’s All You Need: The Perverted Life of a Light Novelist | Review

A brief spoiler-free review of the 12-episode fall 2017 anime “A Sister’s All You Need.,” animated by Silver Link., directed by Shin Oonuma, and based on Yomi Hirasaka’s light novel series of the same name.

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A Hilarious Glimpse into Light Novel Culture

Arrogant, foolish, and always fighting his editor for procrastinating on deadlines, Itsuki Hashima is a light novelist in modern day Japan whose obsession with little sisters constantly finds its way into his stories. Despite his problematic personality and siscon fixation, the single 20-year-old author has garnered a tight circle of friends: Nayuta Kani, a young genius novelist yet grossly perverted girl who’s head-over-heels for Itsuki; Haruto Fuwa, a fellow male light novelist who frequently sees success with his series; Miyako Shirakawa, a friendly girl Itsuki met during his brief time in college; and Chihiro, his LITERALLY PERFECT younger step-brother who comes over on occasion and takes care of the housework and cooking.

Together, this oddball batch of young adults play strange (and fun) games, flee on spontaneous journeys across Japan, crack horny jokes, and celebrate each other’s successes with alcohol abound. Just as how work is full of ups and downs, however, each of these hesitant individuals must eventually deal with their own set of headaches, whether that’s battling the next deadline or deciding what one truly wants to do with their life.

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The overarching story of A Sister’s All You Need is simple: watching Itsuki and his friends find success with their work. Almost episodic in a sense, we follow these struggling authors through severe cases of writer’s block, the rare advent of dealing with another’s prosperity, and of course, deadlines. How each of them tackle these various problems speak volumes about their characters; Itsuki escapes to cultural hot spots around the country as sources of inspiration for his siscon trope story, while Nayuta gets her writer’s high from, well, “feeling up” another girl’s naked body, usually Miyako’s. (Yep, the wildly perverse girl, definitely a light novel staple.) Either way, they seek out their creative boosts by reminding themselves of their, errm, other passions, and that’s where the comedy (or enlightenment) ensues.

Full of meta humor for being a light novel adaptation about writing light novels, the series offers an fascinating social commentary on light novel culture, what it has become, and a parody of what its audacious authors must be like. (Cause all light novelists must’ve walked in on a girl who’s stepped out of the shower, baring it all, and got kicked in the nut sack for it, right?) It’s a series full of light novel tropes ironically about writing light novel tropes, and while it sounds dumb, the characters—when they want to be endearing—somehow make it work.

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A Group of Friends is All You Need

I’m going to start by writing that I love these characters. They’ve got such rare, humorous chemistry together, and only when Itsuki’s apartment was full was I thoroughly entertained. That said, Itsuki is an incredible narcissist and resident little shit while Nayu is practically a whore. Any chance he gets, he shamelessly plugs his pitiful writing in conversation (usually while in a drunken storm), and Nayu? Well, she strips down. With her, it’s always boobs, butts, and dicks [insert me still giggling like a middle school boy]. It’s repetitive, almost obnoxious, and STILL, I thought they were fun characters. I adored having the shy and typically out-of-the-loop Miyako play the straight man (woman?), and I got a kick out of Haruto’s “online gay facade to attract more female fans” charade. It was all so funny to me—THEY are all so funny to me—and although the comedic gags are dumb, I still enjoyed our time spent laughing in Itsuki’s little apartment immensely.

Beyond the pervy foreplay and dick jokes, this series’s characters are some of the best of its kind: Haruto is a hard worker battling on the same front as his talented friends; Nayu is a gifted writer seeking a more personal connection beyond words on a page; Miyako is starting to find herself by venturing out of her comfort zone; and Itsuki still yearns for . . . a little sister? No, hardly. All he needs is a good group of friends, and fortunately for him, he’s already got that.

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There’s NO WAY These Guys Are “Adults”

Is it just me, or do all of the characters in a Silver Link. work look like they’re ten years old?  Apologies, random point there, but the cute, underaged character designs continue in A Sister’s All You Need. Despite being a series about adults surviving on their own (except for Nayu, age 18, and Chihiro, age 16), all of the characters look like they could still be in high school. Itsuki, who is supposed to be 20, looks like a friggin’ middle school boy, and Haruto doesn’t look a day over 16 himself despite being Itsuki’s 22 year-old friend/rival. TWENTY-TWO YEARS OLD GUYS. And it’s even more conflicting when these full-blown “young adults” start going off on wildly inappropriate and lewd discussions about, well, whatever it is that gets light novelists going.

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Although the visuals might disappoint adult viewers anticipating a cast of accurate-looking adults, the art style is still nice and easy on the eyes, even if the balance between seriousness and comedy looks very inconsistent at times. (I swear, there is never “one” Itsuki, as he looks different in every frame.) On the subject of comedy, each of the tabletop games the cast play are visualized in unique styles to bring them to life. Also, all of the games they play ARE, in fact, REAL board and card games, which is awesome! I love how a group of authors play such creatively-stimulating games—it makes the life of a light novelist feel all the more real! As you can expect, I ended up buying and introducing the storytelling card game “Once Upon A Time” to my own friends, and while it requires a good amount of mental stamina, it is tons of fun.

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For the English voice cast, VA Stephen Fu overwhelmingly excels at bringing Itsuki’s narcissistic charm and asinine snarkiness to life. (Seriously, why don’t we hear from this guy more often??) While sounding a bit too old for Nayu’s character, I can’t think of anyone better than Jamie Marchi to make those insatiable lines just roll of the tongue. While I think Sara Ragsdale’s voice is not as full and confident as I’d like, I did find her extreme timidness here appropriate. And of course, it’s always nice to hear Eric Vale lay down some smack as Itsuki’s nagging editor, Kenjirou Toki.

Finding the Inspiration to Write Through Friendship

Underneath all its abundant layers of lewd nakedness, somehow, there’s something in A Sister’s All You Need. that makes me want to sit at the keyboard and write myself. I was able to find inspiration for writing in the most unlikely of places, and that to me elevates this seemingly ordinary, dime-a-dozen siscon anime based on a light novel to merit it worth the watch. For not particularly liking the little sister trope, I surprisingly enjoyed myself a great deal. You’ll also find yourself wanting to support fellow novelists after watching, or even become interested in light novel culture as a result!

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There’s also an interesting philosophical struggle tugging at our authors: whether to appeal to what’s popular—what people are currently into—and build yourself as a person to sell your books (Haruto), or to write exclusively about what you enjoy, even if that in itself might not appeal to a large audience (Itsuki). As a blogger, this is something I must always consider when publishing a post (though I’m usually the latter, as I can’t keep up with today’s standards haha).

At its worst, this stupid comedy series is downright weird and too far out-there to make any logical sense. But at its best, like when Itsuki [stops being a self-indulgent ass and] legitimately wants to try his hardest as to not fall behind Haruto or Nayuta’s immediate successes, it’s surprisingly a very compelling, almost inspiring, story. Victory and defeat come hand-in-hand, after all, and the publishing world is not exempt from that law. The biggest problem with the series right now is that, like most light novel adaptations, the story of Itsuki and his friends is far from over. This first season is but a hilarious, heartwarming glimpse into the perverted life of a light novelist, and I do hope author Yomi Hirasaka gets the green-light for a second season of his own work in the near future—and that he, too, will celebrate his success with good company, games, and a round of drinks!

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What you want, someone always has. And usually, it means nothing to the person who actually has it. It’s pretty much a miracle when you have what you want, and most comedies and tragedies happen due to the absence of that miracle. It may not be fair, but that’s just how the world works.Itsuki Hashima


Afterword

With all its light novelist insight, comedic overtones, homoerotic undertones, and dick jokes abundant, I confidently recommend this silly light novel adaptation as a “Cake” here at the cafe, as its characters lay down fascinating intentions and promising developments straight from the start, plus it’s hella funny. Just like Itsuki’s outrageous little sister stories, there’s a “mysterious appeal” to A Sister’s All You Need., and I consider it a miracle that I admittedly enjoyed it, let alone to the degree that I did. It’s simply a fun series, and if the premise of authors drinking and playing tabletop RPGs together intrigues you, all the more reason to watch it!

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Surprisingly, the anime baited me into buying the first volume of the light novel series recently published by Yen On, so that’ll be an exciting read which I’ll definitely write about if the new developments are fulfilling enough! But what did you think about this lascivious little series? Did you find it too dumb ‘n dirty or hilarious and oddly pleasant? I’d love to hear your thoughts! Thanks for reading, and until the next time, this has been

– Takuto, your host

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Mayoiga: A Village Lost, But How Far Off the Trail? | Review

A brief spoiler-free review of the 12-episode spring 2016 anime “Mayoiga” or its English title “The Lost Village,” produced by Diomedea, directed by Tsutomu Mizushima and written by Mari Okada.


While I didn’t watch every airing show this past spring season, I do know that many stirred lengthy discussions and debates. In the case of The Lost Village, you’re going to see my thoughts regarding a show which received so much negative feedback that some people even began to reinterpret its intention entirely just to decipher if it was actually clever or plain crap.

A New Life Awaits

Simply put, I’m sure more people than you’d expect would easily raise their hands at the chance of getting to restart life in a Utopian village. And that’s exactly how Mayoiga begins: 30-some-odd children and adults chosen by an internet survey are gathered on a bus ride to paradise. This village lost in the mountains is so hard to find that even the police can’t seem to mark it on a map. Only a handful in our eccentric troop dwell on the sketchy project until they reach their destination — Nanaki Village. After all, the party is more concerned about how they’ll want to live once they exit the bus.

Mysteries start piling up one by one. The village seems to be abandoned, yet everything is orderly and the houses seem fairly clean. They also discover a recently-gardened patch on one end and bloody claw marks scratched into trees on the other. The forest in particular seems like it’s shrouding something. As if more tension was needed, some members of the party vanish without a trace, and like clockwork, it becomes only a matter of time before superstition and doubt plague the group like wildfire. Now begins their true test of survival, for monsters eagerly lurk within the minds of the doubtful run rampant whenever escape is attempted. Is it a curse? An illusion? Or are these seemingly otherworldly phantoms just messin’ with our heads?

Something is Missing . . .

Does Mayoiga provide thought-provoking ideas? I’m still not entirely sure myself. On one hand there’s a certain level of personal acceptance that doesn’t go quite as far as I was hoping it would. Instead of confronting their past, they flee desperately, clinging to ignorance as bait. While its execution is unique, it isn’t all quite there. Perhaps you can lend it to the enormously underdeveloped cast, or maybe it’s the poor balance between character skepticism, village mystery, and heavy-handed theme. I suppose that’s why you end up feeling slight satisfaction for only half of the cast. The lack of character motivations (why they wanted to restart) for the remaining ensemble also didn’t give me enough reason to give two shits if someone went missing or died.

On the other hand, it’s also tackling superstition in that ugly Salem Witch Trial style. What prevents this ‘climax’ from being truly powerful is the fact that these guys are dumb. Plain stupid. Why can’t we talk each other — question each other, even — instead of raising a weapon? Unlike Salem, religion isn’t the issue here. Neither are societal bounds (cause they’re in the middle of nowhere). They’re all just FRIGGIN’ INSANE, dumping their doubt on one little shady girl in hopes that, like their pasts, the terror be offed.

A Bus Full o’Freaks

I also can’t talk much about the characters due to spoilers. When I say that, I just mean the main trio: Mitsumune, Hayato, and Masaki. Mitsumune is an awkward soul, having only been friends with Hayato and not getting much contact with the female species. He really doesn’t know anything, but we can’t blame the unknowing, now can we? Hayato is a smart guy you’ll only find hanging around Mitsumune for his own reasons. Masaki, the group’s verbal punching bag, is a young girl rooted in a suspicious past. She also claims to not know anything, yet she is somehow tied to the village . . . I really don’t mind these three, but most of the others — especially that batshit insane execution girl — are simple-minded and annoying.

Going into it, my favorite was Koharun, the shady tour guide, as she really felt suspicious and I love feeling that way. By the end, though, that position was taken by the flirtatious [I swear she was a prostitute] woman with the high heels because EVERY SINGLE THING she said was sexually implied, and that’s just awesome. Her and the pudgy detective girl. She was pretty cool, too.

Facing Our Fears. Literally.

Now, the sheer illusionary work behind the animation team really makes up for the supernatural ‘talk’ the characters boast about. Raw CG was used like crazy in most of the nightmares that stalked the cast, and while that alone looks terrible, the fake appearance enhances the oddity and spookiness of it all. For once, asking the 3DCG “What the hell are you even supposed to be?” is a complement. Let it all rattle your brain. Outside that, characters look pretty nice — almost something out of P.A. Works — but the dialogue scenes are really boring.

Masaru Yokoyama’s soundtrack is by far the winning aspect of this series! Apparently he also composed the OSTs for Your Lie in April, Rampo Kitan: Game of Laplace, and Lord Marksman and Vanadis among others, so make of that what you will. His chosen style here is obviously mystery and suspense, as the main theme and its many renditions is especially haunting, the kind of “LET’S GET OUT OF HERE” music you need with a show like this. Sadly couldn’t’ find any tracks on the web but the damned Hippopotamus song (my heart goes out to thee as best song). Just know that the OST effective in establishing mood if the creepy village didn’t do that for you.

The opening “Gensou Drive” by Ami Wajima was also fairly good, though I much preferred the ending theme “Ketsuro” by Rina Katahira. It’s much slower, more wound down, and unfitting for the show’s overall tone, but I couldn’t help but look it up afterwards to add it to my playlist. Its position is similar to Parasyte -the maxim-’s ending: slow yet oddly yearning for hope. Visuals were boring as heck, but a nice song nonetheless.

Final Thoughts

At the end of the day, I’m just so tired of reading about The Lost Village. The community has exhausted me on this one — To quote Lovepon, “Grabbed each of my legs and tore in opposite directions.” I went in with a lot of excitement for a hot mystery show and ended up with a slightly twisted yet comedic take on rebirth. I’ll admit that it had me going for the first five or so episodes, but once the ghouls revealed themselves, it didn’t take off like I thought it would. Was I supposed to be scared? Maybe . . . ? But I still laugh that I tried watching this at night and got too scared to leave my room to pee, hehe.

The Lost Village is to say the least an oddball, and regardless of whether it was trying to be a satire of horror mysteries or something like that, I can confirm that it fell flat on its mission. I think it all just strayed waaay too far from the trail it seemed to promise, much like a wanderer looking for paradise who got lost in the process. As a simulcast, however, I cannot deny the fact that I kept coming back each week just to see how it would end . . . Like, the bus went up in flames, but how far would it roll down the hill?

Pretty far, actually. I can’t see it being brought up ever again after a week or two.

“I’m interested in the results.” – Lion

Final Assessment

+ Given its composition, village mystery vibe kept up a good ¾ of the way in

+ Main theme song in OST fit the eerie tone perfectly

– Poor balance between characters’ skepticism, actual village mystery, and themes it might’ve been trying to press

Enormous cast with lack of believable drive and development from those move forward; stupidity is contagious


I’m slightly annoyed with Mayoiga as is, so you’ll find it here under the lowly “Breads” archive. It’s not bad, but there are so many other anime out there that explore the same concept, yet do it better. Like Angel Beats! for the personal acceptance stuff or Another for the superstition bit. The show also could have been interesting and made me have wanted to think had there not been so many troll characters. Did you follow The Lost Village this season? If so, how did you feel about its overall presentation? Until next time, this has been

– Takuto, your host