Having Unpopular Opinions Can Suck (GitS LA + more) | Cafe Talk

Uf, I can’t believe I have to write this post. But something has to be said so that I can have closure on this subject.

That’s right, we’re diving back into the live action Ghost in the Shell 2017, which I had previously covered in my review. Before we get too deep, however, I had written a more formal review about the film which you can view right here. It’s got most of my thoughts, from casting and cinematography to world-building, set design, and the soundtrack. Speaking of, Lorne Balfe has been graciously releasing a couple tracks each Friday in response to the fans’ call (mine included), so that’s really awesome of him!

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Welcome to “Cafe Talk,” a comment-welcome segment that, while it doesn’t happen as often as it should, is pretty fun to write! With this one, frankly speaking, we’re talking about being pissed off when no one likes your opinions, and exactly how much of a downer it can be. Sound relatable?

Your Opinion Doesn’t Suck, People Do

What can I say? You’re typically never in the wrong for harboring an opinion (unless that thought potentially threatens, harms, outcasts, etc. a person). Opinions are just personalized ideas, views, or judgments, and ideas are just that—intangible concepts. Alone, opinions and ideas can’t do much of anything, but when tagged together with a voice, that’s when things can get interesting.

Communication tends to happen after one’s opinion is formed; they seek out other individuals, groups, or even communities to see how their opinion stacks up, and whether it’s a favored or disfavored belief. More often than not, your position is accepted (YAY) as the popular opinion (hence the world “popular”).

You’ve done it! You’ve got nothing to fear!

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Last day of shooting, posted on Instagram by Juliette Binoche (Dr. Ouelet, right) and Scarlett Johansson (Major, left). They’re so happy I’M CRYING

Unless you’re like me, in which a chorus of crickets followed by intense booing ensues upon opinion delivery. You’ve just created an unpopular opinion (DAMMIT), and should you choose to continue to be vocal with your convictions, you’re life is about to get a bit harder. Just remember, this is NOT your fault—it’s a very human thing to stick with groups and label others as outcasts. You’ve just decided to bring something new to show-and-tell, and that scares the weak, the non-creative, the non-accepting, the unadventurous, the unappreciative, the crowd-followers.

Here, to console you, I’ll share a few of my own unpopular anime-related opinions cause, like, we know your thoughts can’t be as near as bad as mine, heh heh heh . . .

  1. I like Sword Art Online (oh crap, we’re starting with a strong one)
  2. I like Sword Art Online II more than the first (yes I just went there)
  3. Sailor Moon Crystal is a pretty enjoyable and strong adaptation of the original manga (no going back now)
  4. KILL la KILL‘s fanservice isn’t that off-putting (hi Kausus :3)
  5. Danganronpa: The Animation is a great adaptation of the game
  6. I don’t mind Kickstarting anime localizations
  7. Typically, I’d rather meet the English voice actors of a show rather than the Japanese seiyuus
  8. I thought The Empire of Corpses was a cool film
  9. Bryce Papenbrook is a good voice actor (in most cases, NOT Kirito)
  10. The Future Diary (Mirai Nikki) is fantastic NOT just because of Yuno Gasai
  11. “Monster girl anime” seem stupid
  12. Fullmetal Alchemist (2003) should NOT be skipped; both it and Brotherhood hold well on their own, respectively (same goes for Deen’s Fate/ stay night)
  13. Free! is NOT just about muscles and wet boys
  14. No Game No Life is not recommendable because it doesn’t end (same goes for Deadman Wonderland)
  15. Madoka Magica: Rebellion is a masterful film
  16. I love Robotics;Notes and Chaos;Head almost as much as Steins;Gate, even if Steins;Gate is the best
  17. The Viz Media English dub of Sailor Moon is better than the DiC dub
  18. I enjoy all of the Pokemon films
  19. Higurashi’s second season Kai is better than the first
  20. The Eden of the East films complete the story wonderfully
  21. Watamote is a funny anime, not a sad one
  22. The live-action Ghost in the Shell (2017) is an incredible and artistic film that respects its sources and holds quite well on its own

. . . Wait, that last one, “That’s not even cool bro . . .”

*cries*

So now that we’ve broken the ice (and melted it), let’s get this out of the way.

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My Unpopular Opinion, an Argument

Ghost in the Shell (2017) was a film that I walked out of not pondering endless sci-fi wonders, but feeling warm and tingly inside instead, which is quite unlike any entry in the franchise thus far has made me feel. But rather than chastise it as “something so far off of the original path that it’s unrecognizable,” think of it as a new side to the franchise. Ghost in the Shell has always been about vast interpretations and new ideas anyway, so why not welcome this unique artistic approach regardless that it looks like the black sheep in the herd.

Even Mamoru Oshii, director of the original 1995 film (which is much of 2017‘s inspiration) only wished for Directer Sanders to not be bogged down by his and Kenji Kamiyama’s Major (Stand Alone Complex), but to create his own as another face to the franchise.

Clearly, a lot of heart was put into visualization of the world—you can feel that the director was going for something GitS, but altogether a new and innovative vision [more relevant to our times].

I loved this fresh spin on the franchise, even if it admittedly bit off a little more than it could chew by trying to tie in so many homages to the franchise that, in fact, make each installment distinct from one another. And like any adaptation, if I wanted to see the original story all over again, I’D JUST WATCH THE ORIGINAL.

And about the casting, I’ve paraphrased a YouTube comment that quite honestly deserves a million likes:

“It’s controversial, but not incorrect casting. Major is an “Asian woman” in a European frame (robotic body), sure, yet part of the theme of cyberpunk and the series/movie revolves around self identity and what truly makes someone themselves—their experiences and actions. The people who said she should have been Asian were not only missing the entire movement of the franchise, but were critics just trying to push their political agenda onto a beloved title. Likely, they didn’t know the source material and went, “Oh, but, it’s Asiany and it’s made in Asia, sooooo.”

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What it Feels Like to be Crushed Your Unpopular Opinion

After I put myself out there, I definitely got “politely flagged” by other community members. They were responding to me, just trying to kindly say that they didn’t care for the movie—and that’s fine, especially since they were so nice!—but you kind of feel, I don’t know, down. It’s like you’re floating on your own raft out on the open waters, which are filled with bloodthirsty hate-filled sharks. And then you’re suddenly reminded that nobody is going to come and save you, so it’s either hold strong to what you value, or let it all go to the sharks.

And you know what? I’m still here, floatin’ away in this little hell all because I like the live action Ghost in the Shell. Stupid, right?

When you value something that others simply don’t, you start to get lonely. Nobody wants to waste their time attempting to scrounge up the very few “pros” that exist (if any) just to please you. They’ll notice, maybe console you saying something like, “Yeah, it could’ve been better,” or perhaps remind you once again as to why your opinions are dumb. But then they’ll go and find something else to talk about, and it almost leaves you feeling guilty for liking (or not liking) what you do. After all, you just missed out on a potentially awesome conversation—if only you shared the same opinion, that is.

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By having an unpopular opinion, you can feel isolated and at its worst, ashamed. You almost wish you could naturally hate something like everyone else did, or fall in love with something the way everyone else did. And then your problems would be gone—But THAT itself IS the problem:

Without your differing ideas, there would be only one main belief about something, and where’s the fun in that? Because you decided to explore where no one else dared, you walked out with something that no one else has, and you should embrace that, not hide it away!

Which is why I’m going to say it:

 “IT’S NOT JUST A SHELL. THE LIVE-ACTION GHOST IN THE SHELL IS NOT JUST A FREAKIN’ SHELL.”

I’m sick and tired of people—reviewers, critics, heck, even the media—calling it that just to make some stupid-ass pun. The SAME stupid-ass pun at that.

So from this experience that I had, I learned that you should always:

DELIGHT in the fact that your opinions may be different than the rest.

BE HUMBLE with your beliefs, proud but open to suggestions, discussions, and different viewpoints.

SUPPORT the things you love, for they brought you joy.

And for goodness sake, ENJOY something because YOU like it, not because others tell you not to or that you’re supposed to.

Don’t let all of the negative opinions and hate bog you down like it did me. Don’t let it! Hate puts your mind in the gutter, and honestly doesn’t feel good at all. You start second-guessing yourself, “Should I really be liking this,” which is EXACTLY what happened with this film for me. Instead, we should all keep on loving anime and the opportunities to ponder, interpret, and discuss that it has brought us. THAT is all you have to do!

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Have you ever had an unpopular opinion that struck you so deep that it brought unwanted hate your way? And did you defend your case in the respectful way you should have? Also, have you ever felt lonely or isolated for liking something that nobody else does? List some for me like I did, as I’m very curious! And almost more than that, I’m SO HAPPY to finally put my thoughts on this film and its controversy to rest. When it was in theaters, I had gone it THREE times (and saved the tickets just for this post), and as of now, I have purchased the artbook, the Blu-ray, and an adorable little Funko Pop of the iconic Geisha! And whenever the soundtrack comes, I’ll buy, support, and listen to that, too! Until next time, this has been

– Takuto, your host

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Ghost in the Shell (2017) Dives Deep Enough to Prove Itself a Fascinating, Engaging Ride | Review

A brief spoiler-free review of the 2017 live action film “Ghost in the Shell,” produced by Paramount Pictures and DreamWorks, directed by Rupert Sanders (“Snow White and the Huntsman”), based on the original manga by Masamune Shirow, as well as loose ideas from the entire franchise, especially the original 1995 film of the same name.


The First of Her Kind

In a future not too far from our own, people have grown to love technology. You can bet that anyone you run into on these cold streets will sport some sort of cybernetic enhancement modded to their body: prosthetic limbs, wired inner organs, or the trending metal-encased cyberbrain. These advanced augmentations were coded to grant humans more convenient lives: quicker, safer, and less cumbersome living.

After a horrifying terrorist attack, Major Mira Killian (Scarlett Johansson) transcends into the first of her kind: the stunning results of the first-ever brain transplant into a fully synthetic body. Now a cyborg soldier programmed to eliminate cyber crime, super hackers, and back-alley schemes, the Major is automatically drafted to hunt down the ultimate next-gen terrorist—one who is able to hack into people’s minds and puppet them.

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Suffering from a faintly growing illness of glitching memory fragments, however, the deeper the Major dives into this case, the more intense her glitches become. As the possibility emerges that her new greatest enemy might in fact belong to her blurry past, the Major arms herself for a treacherous night journey. Nothing will stand in the way of satisfying her human curiosity, as well as the inevitable reawakening of her soul to a life that was stolen from her.

A New Story

While I’ll admit that we’re looking at the film’s weakest part—the plot—first, it’s impossible to deny that this live action reigns as one of sci-fi’s more interesting films in recent times, and holds the gold for the best live action iteration of an anime produced thus far, granted that I’ve only seen segments from most of them. What we’re looking at here with GitS (2017) is a fairly well-structured story of self-discovery followed by revenge, a typical Hollywood formula that feels relatively topical compared to the franchise’s classic 1995 film, which explored the deep values of being human, artificial sentience, and of course, the vastness of the Net.

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This apparent shallowness works out because of what the film is aiming at, though; in 1995 we dove into present identity and the other weighted themes previously listed—the Major as she is existing, if you will—but in 2017, we’re instead considering how the Major would feel about her past (2nd GIG did this), and what her creation ultimately means for the future of humanity, about feeling disconnected because she lacks the background that everyone else has laid out for them. Dig too deep into the original content and you risk deviating from the main intent: a new story.

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How This Live Action Holds on its Own

We take a undoubtedly cliche ride with the Major as she discovers how she came to be, and it all clicks together wonderfully and feels unique because of how huge the title is, what it means to others, and the sheer number of comparisons that can be drawn between this seemingly shallow film and its deep, thought-provoking origination. Everybody’s experience with it will be different, and that notion makes it not only thrilling to watch, but exciting to talk about.

So the film DOES in fact deliver a fresh outlook on an already well-refined series, standing out from its manga, anime, and even video game counterparts by re-imagining the Major’s previous identity, something that purposefully remained ambiguous throughout the franchise. It was a bold, completely unnecessary “prequel” adventure, but now that it’s over, I can’t help but welcome it openly with an applause. GitS is all about varying interpretations, proven true by Motoko’s complexity in 1995 and the franchise itself, which has had several makeovers. The idea of re-envisioning shouldn’t feel new, but everything from its tone, emotional pull, presentation, and core writing should. Speaking of new faces, how does ScarJo hold up as the Major?

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Casting the Characters

Several races and colors collide in the astonishing multicultural world that the franchise is known for. I had no qualms with the casting before I entered the theater, and that hasn’t changed. Johansson is a white female actress playing a traditionally Asian character, but that’s in fact where most of the misunderstandings arise—Motoko Kusanagi embodies no one race, no one color, no one gender, and she probably never will. This was stated by 1995‘s director Mamoru Oshii, and for people to be throwing up their pitchforks in revolt of the supposed “whitewashing” is actually kind of pitiful. The context of the show allows for virtually ANYONE to play the Major, and given Johansson’s overly qualified resume for sci-fi action films, I’d hope people would rescind their bombastic comments.

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TL;DR I thought Johansson was not only appropriate for the role, but her performance was great considering that Rupert was aiming for the more hot-headed, brash, young Major of the Arise series. I prefer this Major to the 1995 one because she arguably feels more relatable.

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But just like she is in her many iterations, the Major is nothing without her Section 9 team, consisting of Chin Han as the very-human Togusa [insert comment about race being appropriate here], Takeshi Kitano as rough and intelligent Chief Aramaki (who actually speaks Japanese since English is hard for him LOL), Pilou Asbæk as the big ol’ softie Batou, and a “surprise” favorite actress of mine: Juliette Binoche as the compassionate Dr. Ouelet. To quote Guy Lodge (Variety), “A warm, wistful Binoche, brings more pathos to the role than the script strictly demands.” She makes my heart weak.

There’s a real chemistry to be felt between Dr. Ouelet and the Major, as well as between Major and Batou, and that’s something that they nailed to a tee.

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“We cling to memories as if they define us, but they don’t. What we do is what defines us.” – Dr. Ouelet

The World of the Future

Where its story stumbles a bit, GitS (2017) leaves your jaw dropped with its incredibly “exciting and elaborately designed future settings,” plunging you into a visually entrancing world where cyberpunk is clearly the hottest thing. My GOD, this show is everything when it comes to its unique visual style! They use a clever lighting system that projects the color palette of the original 1995 onto the vast metropolis, giving off a vibe that’s so cold and distant, yet very interconnected with the world at the same time. CG solograms (solid holograms) layered over a typical Hong Kong-like setting give the atmosphere a very futuristic edge to it that I simply crave. You can tell that a lot of love and respect was put into the film.

 

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My favorite part of this film were the iconic shots of 1995 and Innocence that were recreated and woven into the story: the shelling sequence, building jump, deep dive, water fight, geisha attack, tank battle, and more. It’s all there, and yes, the scenes do not feel “thrown in” just for the allusions, but well-placed for the story’s flow. It’s a visual style to be praised, and its action sequences and use of practical effects (not just CG, but actual, physical props like the geisha masks, thermoptic suit, prosthetic and cybernetic enhancements, and other costumes) give us artsy people something really freakin’ cool to grasp onto. The hard work that went into replicating the world of Ghost in the Shell, largely from that of the film-loving folks of New Zealand’s Weta Workshop for prop creation and setting design, was very much appreciated.

 

The Greatest Injustice

Here it is, my biggest beef with the show and it’s NOT EVEN about the film itself. It’s about how it’s being dished out, or rather, that some of it is not. Paramount and Dreamworks refuse to offer Clint Mansell and Lorne Balfe’s mind-blowing sci-fi soundtrack for sale. I understand that the movie’s box office reception was somewhat poor, but for crying out loud AT LEAST FINISH what you started. It’s a shame that a work of art, even if it’s controversial, cannot be appreciated in full just because it might not sell. These are million, probably billion, dollar corporations—it’s NOT too much to ask for by any means. There’s currently a petition going around for the soundtrack’s release (which I have signed), so hopefully we’ll see some change this way. If you value this show and artistic justice, please consider signing here!

If you stuck around for the credits, you’d have heard a remixed version of Kenji Kawai’s memorable main theme of the original film, a remix which I honestly prefer, as the drums in the second half give it a really epic feel! Again, love the throwback! All of the music adds to the gritty sci-fi tone.

Not the Last of Its Kind

It’s not very often that a sci-fi film will shift from a typical revenge mission to a cross-examination of cultures, intertwined human connections, and the irrefutable weight of family warmth. That in itself makes Ghost in the Shell (2017), despite its somewhat cliche story line, an incredibly unique experience. I’ve got nitpicks, but I’m more so thankful that I enjoyed the film beyond those glaring issues. It’s plenty entertaining, and if you look deep enough (or watch it three times like I did), you’ll surprisingly find deep, thought-provoking layers in the subtle actions of the actors.

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However much you enjoyed the show, there are bound to be more live action adaptions like it in the future—for me, that’s a hopeful thing, something nice to look forward to. This may not be relevant (not to spoil the ending here), but as a half-white, half-Asian lover of science fiction and the entire Ghost in the Shell franchise, I hustled into the theater prepared with an engaged mind, and left with an unexpectedly touched heart. It’s a show about doing what you feel is right—following your ghost—even if that challenges the world you live in and the people that once trusted you.

Because sometimes, like here, you make the right decision. 

“I mean, the character is living a really unique experience. She is a human brain inside an entirely machinate body. She is very brave to take a risk and give up everything she knows, everything that’s ever made her comfortable to discover the truth, to follow this calling. And at the end of the film really makes a huge sacrifice for the greater good of humanity. That, to me, was what was the major draw.” – Scarlett Johansson on the Major’s character

Final Assessment:

+ It’s A LOT better than I thought it would be for an anime live action; it only gets better the more I sit and think about it

+ Homages to the original material and the rest of the franchise are worked in fantastically

+ Visuals easily rival those of high-dollar action films; cool and damp futuristic atmosphere is established with excellent lighting; stylish designs and neat aesthetic all around; a very immersive world

+ Props, costumes, etc. layered beautifully with limited special effects for maximum potential; practical, physical props engineered perfectly

Ghost in the Shell is all about varying interpretations and new ideas, to which this is no exception; multicultural and multiracial world embraced

+ A fine movie if you ignore all the pointlessly controversial backlash nonsense, and this is coming from a hardcore fan of the original

– Story remains weakest part; revolves around somewhat predictable plot twists; boring antagonist; fails to explore Kuze’s Net and the world that could potentially await

– Major’s “strandy” hair can be a bit bothersome at times

– No official soundtrack release as of yet


Ghost in the Shell (2017) may not be an anime, but I’ll still welcome it here at the cafe as a “Cake,” a film that’s shy of master status but certainly worth watching for GitS or plain-old sci-fi fans in general! Despite it being an unfairly received film, I had the time of my life witnessing my Ghost in the Shell journey come to an end. It’d been a long time since I was that happy to see a film in theaters, and I’ll be coming out with a second post chronicling my loose thoughts on its reception, controversy, and the theater experience, so stay tuned for that!

I’m happy and proud to call this one of my favorite sci-fi live action movies of all time! PLEASE, let me know your thoughts on the film! Also, had you been familiar with parts of the franchise prior to, or did you dive in blind? I may be a bit of an optimist, but I enjoy hearing all sides. If you enjoyed the review, let me know with a “like” or a comment! Until next time, this has been

– Takuto, your host

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