The End of The Promised Neverland 🕯 || Thoughts & Reflection

THE END OF NEVERLAND 🕯🗺✨

Hey guys, I’m back with a different kind of manga recap video. I recently finished The Promised Neverland, and while the emotions were running high, I figured I’d sit down in front of the camera and record some loose thoughts on this amazing manga’s ending. 📚

⚠️ THIS VIDEO CONTAINS MASSIVE SPOILERS FOR THE END. If you have read it, definitely let me know your thoughts on the series’ ending or this video down in the comments! Did you like it or find it boring? As for me, I’ll personally be recommending this one for years to come. 🧡

Interested in more anime, manga, or K-pop content? Subscribe to stick around 🙏

Thanks for watching~!

– Takuto

Evangelion 3.0+1.0’s First 12 Minutes: Thoughts on The End || Cafe Talk

The end is nigh—care to share any thoughts before the curtain closes on Evangelion?

Hey guys!

In the wake of Evangelion 3.0+1.0’s big screen debut which is set for tomorrow, March 8th, Studio Khara streamed the first 12 minutes, 10 seconds, and 10 frames of the highly anticipated final Rebuild film on their official YouTube channel. At its high, nearly 150,000 viewers were live watching the YouTube premiere (the Amazon Japan live also had a huge turnout), and I was one of them.

As a fan whose life has been irreversibly impacted by the legendary anime giant that is Eva, I felt compelled to discuss some of my thoughts on what the final film will be about, as well as express my hopes for the finale of this historic franchise.

Naturally, some spoilers for the previous films may be brought up. You have been warned!

While the action-packed opening of 3.0+1.0 displays the talents of Khara’s remarkable animators and sound design staff, it does little else to cue us about the plot. Except for showing us a glimpse of outside world that is now stained red as a direct result of 3.0’s Fourth Impact, we still don’t have much in the way of an established story.

Maybe it’s just self-assumed to many fans (including myself) that this opening scene is set up to invite us back to the world of Eva with exciting action first, plot later. And that is completely fine. I shouldn’t be judging this massive 155-minute long film on these first 12ish minutes alone.

Oh that’s right, in case you didn’t know, 3.0+1.0 is set at 2 hours 35 minutes. This is amazing news, given the relatively short runtime of the third film, which was just 96 minutes. The recently announced runtime also brings me to my next theory.

As the name 3.0+1.0 might indicate, I believe that this film will be divided into two parts: the climactic resolution to 3.0, and the return back to the world of 1.0, where the story will finally conclude. Many theorists speculate (based on recent PV content) that we will either be traveling back in time, or somehow revisiting and “redoing” the initial events of the Rebuild.

It’s crazy to think that Eva could have this element of time travel, but it’s not implausible. If anything, this will only cement the original message of the Rebuilds: That Evangelion is a story of repetition, one in which the characters fight over and over again until the can make things right. It’s a romantic sentiment, and I hope the final film commits to this noble purpose pitted by the equally optimistic (if slightly dreary) End of Evangelion.

If the 1.0 segment of the film does in fact shoot for this round table conclusion, then the first 3.0 half will feature high-octane action sequences and earth-shattering reveals about the events which took place between 2.0 and 3.0. Why does Wille and Misato hate Shinji if they are the ones who initially cheered him on to cause Second Impact? What happened to Kaji? And who the heck is Mari??

With the latest 12-minute premiere, we can now confirm that the Until You Come To Me short film is 100% canon—this is a huge step toward some answers. The third film raised a lot of questions about where the story is going, while the first film made fans curious as to why their beloved world of Tokyo-3 was different from the start of the Rebuild. Resolutely, 3.0+1.0 will aim to answer all of our burning questions. Or so, we hope.

Lastly, and if this wasn’t obvious from the start, but I believe Shinji will finally find happiness in himself—not just satisfaction with the idea of eventually being happy, but truly, confidently experiencing this joy for the first time. And that’s how the film will end—with the efforts to revisit the past (or the start another iteration), and the heroics of Shinji as he decides to pilot the robot from the start. The hero defeats all of the Angels, including the final Angel, Tabris (or Kaworu-kun), and the curtain closes on his smiling face.

From the start, this Rebuild story was never really about the other characters, just Shinji. As much as this saddens me, we’ve known this. Anno has told us this in several interviews. It’s Shinji Ikari’s story.

And tomorrow, it ends!

Congratulations Shinji—You are going to be fine! Keep fighting, and win happiness for yourself! We are all rooting for you!

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I do hope very sincerely that we somehow get a legal streaming of the film before everyone in Japan spoils the film’s story for us! Some speculate that Amazon may be streaming it, at least Amazon Japan, but we’ll see what happens. And hopefully a physical release will come sooner rather than later—if Funimation doesn’t get to release it for us, my heart might just break!

What are your thoughts on 3.0+1.0? This will be the third time that Hideaki Anno paints an ending for Evangelion, and despite the controversies, I’ve enjoyed every single interpretation. The franchise has give me so much personal hope and fascination over its world, characters, and story. The fact that it’s finally coming to an end is scary and satisfying at the same time. Anyway, share your thoughts below, and let’s enjoy a conversation over some coffee. Thanks for reading, and ‘til next time!

Bye bye, all of Evangelion!

– Takuto

TXT Fanlive SHINE x TOGETHER || Thoughts & Reflection

TXT KINGS FOREVER!!!!! ✨

Hey guys! This is my reflection over TOMORROW X TOGETHER’s Fanlive concert in Weverse, “SHINE X TOGETHER,” which just concluded earlier this morning (for me at least)! YES, at last I get to watch a TXT concert, and it was so worth it. The boys had me laughing in the first half and tearing up in the second, such wonderful memories I’ll treasure forever! 💙💛💚

Did you enjoy watching the fanlive event? What was your favorite part of the concert? Let me know in the comments! 🌌

✨➕✖️➕✨

Interested in more anime, manga, or K-pop content? Subscribe to stick around!

Thanks for watching, ‘til next time~!

– Takuto

The Scope of the Universe: Gurren Lagann Revisited

A few days ago, I took to Twitter following my rewatch of Tengen Toppa Gurren Lagann and tweeted this:

If you didn’t notice it sitting there in my collection post, I recently (and FINALLY) got a hold of the Gurren Lagann limited edition DVD set released by Aniplex of America several years back. It’s a set that I’ve wanted ever since I laid eyes on it—and that was before I even watched the series! You can only imagine my elation when I managed to get this OOP set for just $60 after haggling with the eBay seller for a couple days.

Now, as the title of this post indicates, I’m not going to review the series. Nah, I’ve already done that, and I still stand by everything I say in my review of Gurren Lagann. Rather, this is just to express my feelings about it now, three years after my first viewing. I like to think I’m a different person compared to when I first watched this series, and correspondingly, the show means different things to me now than when I first saw Lagann take flight in that iconic opening episode.

This isn’t anything new. Y’all are probably familiar with this show’s hype given how well it has been passed on from fan to fan. Heck, perhaps the only reason you watched it was because of someone else’s recommendation. And there’s a good reason for its constant spreading throughout the past decade.

From Gainax’s off-the-walls animation to the high-octane soundtrack of ROW ROW FIGHT THE POWAHHH, Gurren Lagann delivers consistent quality, still holding up TWELVE years later as one of anime’s best-looking and best-sounding. I literally started CRYING once I heard “Libera Me From Hell” again in the finale, you guys. It’s the stuff of legends, I’m telling you. And with all this recent circulation of what it means for an anime to be “classic,” well, can I just say that whatever your standards may be, Gurren Lagann most certainly fits the bill.

And the ENDING. I can’t even begin to fathom the scope of Team Dai-Gurren’s galactic quest. From a tiny hole in the ground, to the Earth’s surface, the moon, and beyond the Milky Way. That’s just nuts! Since my rewatch, I’ve found myself sitting here just staring at the wall more and more, just trying to comprehend it all. What even is at the end of the universe? What other kinds of life are out there among the stars? Will we ever earn the chance to interact with such forces? I mean, this is a Gainax series, so I’m theoretically not supposed to risk a massive headache over trying to rationalize the impossible, but that’s half the fun, really.

According to Wikipedia, the universe measures 93 billion light years across. The freakin’ Universe. Proportionally, that’s how big Gurren Lagann‘s story is. Ok, maybe a bit of an exaggeration, but when you have a climax that ends in two cosmically sized robots (or energy beings at this point) hurling galaxies at each other, you know your story is kinda big. My point is, to discount any of the events of Gurren Lagann and label it as anything less would be, well, a lie.

In my review, I called Gurren Lagann “The Larger-Than-Life Story of Us.” Pretty title, right? That’s not simply me trying to be poetic, though. The series is all about evolution. Each and every day, we try to evolve—to push ourselves to the max—just to be better, EVEN IF only the slightest bit, than we were the day before.

The death of Kamina is one of many pathos the series evokes to inspire that drive to change, to improve. Within Simon, Yoko, and everyone else is this incredible swell of kinetic energy, a rawness that can only expressed through a studio like Gainax. Sometimes this spiral force spills over as a storm of chaotic emotions; other times it is love, a powerhouse which carries the potential to change this simultaneously rational and insane universe we live in.

Gurren Lagann is zany through to the very end. So much happens in such little time, it’s absolutely unbelievable. Lagann’s bombastic protagonists and equally bizarre antagonists thrust upon you a story that demands your attention as it dares to break through the heavens. It’s a weight that doesn’t have to be shouldered alone, however; the series has solidified itself as a timeless ode to the vigor of the human spirit, and a demonstration of the sheer audacity of the human race.

I’m not quite sure where I’m going with this post anymore, but I do know one thing for certain: the day we decide to forget this classic story is the day the anime community will lose a monumental part of its core—but not without gaining something new to fill its place. What that new show or shows will be, only the future us will know. I do hope we never give up on Gurren Lagann, but the inevitability of fate that the series itself wields might prove my wish otherwise.

So, going back to my desperate-sounding tweet, please, PLEASE never stop sharing Gurren Lagann with all your friends and the wonderful people of this community. Such a vibrant star should never lose its light, but as we too continue to change and evolve, sometimes we have to leave even the best and most precious of our memories behind.

I only hope that the great Tengen Toppa Gurren Lagann doesn’t fade from our hearts anytime soon.

When does a man die? When he is hit by a bullet? No. When he suffers a disease? No. When he eats a soup made out of a poisonous mushroom? No! A man dies when he is forgotten. — Kamina

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I really haven’t done a post like this before, but I had some thoughts I needed to vent and didn’t know how else to do it. If you share the same sentiments about this beloved title, I’d love to hear them! Tell me your stories, I’ll listen. In fact, merely sharing mine with you again led me to the creation of a new category on my blog: the Revisited titles. Since I tend to rewatch stuff a bunch, it only felt right to finally honor the series that are worthy of such revisits!

The weirdest thing about all of this was that, even just a couple months ago, I didn’t even feel that passionately about the series. But as soon as summer hit—the exact same time of the year in which I initially watched Lagann—man, it just kicked on like crazy. I HAVE to watch Gurren Lagann again, I kept telling myself. So I did, and I bought it, too. If you’re strapped for cash, however, the entire series is available on Crunchyroll for FREE!

Anyway, thanks for reading my loose ramblings. It was quite enjoyable being able to get these thoughts out here. Now, I can finally move on. ‘Till next time!

– Takuto, your host

Here’s What I Got From the ARIA Kickstarter!

Hi there! How are you doing?

A couple weeks ago my life was super hectic (and it still somewhat is), but right when my ARIA Kickstarter backer awards had arrived on my doorstep in a big unsuspecting package, you already know that my week only got better from there. I had torn into the unusually large RightStuf box and immediately plugged in the first Blu-ray to hear new English dub (which is fantastic BTW).

Suddenly, I found myself at ease with everything that was going on in my life at the time, and I spent the next couple of relaxing nights enjoying the rippling canals of Neo Venezia and the charming allure of the acoustic guitar. From the tender voice cast (well, maybe except for Aika, teehee) to the slow-moving episodic nature of Aria‘s storytelling, I briefly covered my thoughts on Aria‘s healing qualities in my September OWLS post. You can check it out here in case you missed it (and yes, I’ll be getting around to answering your comments, I swear!)

Anyway, you’re probably just here to see all the neat stuff I got as a backer of Nozomi’s Kickstarter campaign, so on to the goodies!

Starting with the box, here’s an image of the slipcover (O-card?) and the chipboard box. Although the design for the slipcover is, like, really basic, I feel it better represents the show than all the loud, bright, and colorful character art we’ve seen again and again. Don’t get me wrong, I love ALL of Aria‘s art, but not every episode of the series is as cheery as its characters. Sometimes the clouds roll in, the sea lulls, and the characters have to deal with the stirring emotions in their hearts. (Speaking of, the last time I did one of these was way back during NIS America’s A Lull in the Sea release, another excellent sea-side title to make LitaKino jealous, might I add, haha!)

And here’s the backside of each. While the slipcover is a little flimsy for my liking, what with being just a piece of cardstock wrapped around a sturdy chipboard box, I’m glad that the release came with it anyway. IDK, it just completes the clean, simple aesthetic that I live for. Also, I believe someone mentioned that the art on the chipboard box was created just for this release, which would explain why the characters look so darn good compared to some of the older artwork out there. Not sure if that’s true, but I love the complimentary orange and brown sunsets against the solid aquatic blue sea!

Man, they sure did go overboard in making sure this box was covered in art! That’s alright–I’m a sucker for background art anyway. Here are the top and side spines respectively, and they continue to contrast wonderfully with their bright orange and yellow hues against the rich blue exterior and logo.

This is the paper insert for the first Blu-ray of Aria, which contains the entire first series—Aria The Animation—on three discs that mirror the basic cover design. It features the three lovely ladies that comprise the main cast of this first season. I appreciate the full image wrap around design, as well as how the art includes more of Neo Venezia’s gorgeous architecture. Once the other seasons are finished, this’ll be one nice set with wonderful continuity in its design!

And here’s the interior, AKA the art you see when you open the case. Set against gray clouds and the first snowfall of the season, this art perfectly depicts how the series concludes with the onset of the wintry New Year’s celebration.

 The set also contains 5 art cards featuring poster art for each season (designated on the back) and a sticker set. Not sure what I’ll do with the stickers, but it’s nice to get artwork not only for the first season, but the other ones to come—you can see the quality increase as the years go on (not to say that any of this art is weak)!

We’ve also got a blue and white Aria-themed stationary set and a mug. While they’re not necessarily physical extras that I desire, the mug is really nice, and currently it’s being used to hold business cards and letters from artists I’ve purchased from either on Twitter or at conventions! (Also psyched because the simplistic design I voted for won!)

We’re not done yet, though—for some reason, patches are still a thing, so the set includes the logos for the three main gondola companies, as well as magnets for each company’s feline mascot. Again, not sure what to do with these, haha, but I’m glad the patches are logos and not characters. As for the magnets, hmmm, I’m sure I can find something metal to stick them to. 😛

Last but not least is this: the giant-ass lithograph. You see, when I first pledged for this award, I assumed that the numbered lithograph would be the size of your standard art card, much like most limited edition releases have. Well, Aria and Nozomi Entertainment are both exceptionally extra, and art this gorgeous couldn’t just stay rolled up in a cardboard tube and abandoned in my closet. Soooo, I cleared off my wall and framed it, and you know what, it looks pretty damn official, doesn’t it?

Although the print doesn’t have as high a color contrast as it should to properly show off the vibrant, sparkling blue water, it’s still nice to have something that is exclusive—it’s one more thing that makes paying like $200 worth it as a backer. And 1555/1600? Nice!

So here’s everything that came in the package! This DOES NOT include the big fancy hardback art book, as well as the first part of the second season: Aria The Natural. Those will be shipped as soon as they’re completed, and if you’d like, I can probably review the art book and give you a glimpse into all that it contains once it arrives (EXCITED!). But yeah, if you pledged for Nozomi’s Kickstarter of Aria The Animation at the Prima Plus tier, this is exactly what you would’ve gotten! As a bonus, I’ve listed my real name in the on-disc credits (the backer wall), so good luck searching for me once the standard release is ready to be sold!

2,648 backers pledged $595,676 to help bring this project to life, and I’m stoked to have been a part of this little slice of anime history. Nozomi did SUCH a nice job updating us via campaign emails, including pre- and post-production notes, videos from the Englisih VAs, and mini clips of the dubbing process—and to think it’s not even halfway done yet since they’ve still got season three and the OVAs to go! Personally, I found it more enticing than the Escaflowne campaign by Funimation if you participated in that, NAMELY because the actors felt more like friends we helped support rather than “stars.” Maybe that’s just me, but regardless, I’ve enjoyed both campaigns, and I’ve already set out for the next one—Emma: A Victorian Romance!

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Did you participate in the Aria Kickstarter, and if so, how far did you pledge, and what did you think about it? Let me know! If you’ve got any thoughts on the backer awards or campaign itself, we can talk about it in the comments together! Again, in case you missed it, you can read about how I took life slowly with Aria in my OWLS post. You guys have no idea how much I appreciate each and every comment, like, share, and conversation we have, even if it does seem like I’m MIA all the time. I’ve got some more posts planned, including thoughts about the Summer Simulcast season, as well as some other anime-related experiences, and I’m looking forward to sharing those with you as well. Thanks so much for reading, and until next time this has been

– Takuto, your host

Having Unpopular Opinions Can Suck (GitS LA + more) | Cafe Talk

Uf, I can’t believe I have to write this post. But something has to be said so that I can have closure on this subject.

That’s right, we’re diving back into the live action Ghost in the Shell 2017, which I had previously covered in my review. Before we get too deep, however, I had written a more formal review about the film which you can view right here. It’s got most of my thoughts, from casting and cinematography to world-building, set design, and the soundtrack. Speaking of, Lorne Balfe has been graciously releasing a couple tracks each Friday in response to the fans’ call (mine included), so that’s really awesome of him!

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Welcome to “Cafe Talk,” a comment-welcome segment that, while it doesn’t happen as often as it should, is pretty fun to write! With this one, frankly speaking, we’re talking about being pissed off when no one likes your opinions, and exactly how much of a downer it can be. Sound relatable?

Your Opinion Doesn’t Suck, People Do

What can I say? You’re typically never in the wrong for harboring an opinion (unless that thought potentially threatens, harms, outcasts, etc. a person). Opinions are just personalized ideas, views, or judgments, and ideas are just that—intangible concepts. Alone, opinions and ideas can’t do much of anything, but when tagged together with a voice, that’s when things can get interesting.

Communication tends to happen after one’s opinion is formed; they seek out other individuals, groups, or even communities to see how their opinion stacks up, and whether it’s a favored or disfavored belief. More often than not, your position is accepted (YAY) as the popular opinion (hence the world “popular”).

You’ve done it! You’ve got nothing to fear!

Last day of shooting, posted on Instagram by Juliette Binoche (Dr. Ouelet, right) and Scarlett Johansson (Major, left). They’re so happy I’M CRYING

Unless you’re like me, in which a chorus of crickets followed by intense booing ensues upon opinion delivery. You’ve just created an unpopular opinion (DAMMIT), and should you choose to continue to be vocal with your convictions, you’re life is about to get a bit harder. Just remember, this is NOT your fault—it’s a very human thing to stick with groups and label others as outcasts. You’ve just decided to bring something new to show-and-tell, and that scares the weak, the non-creative, the non-accepting, the unadventurous, the unappreciative, the crowd-followers.

Here, to console you, I’ll share a few of my own unpopular anime-related opinions cause, like, we know your thoughts can’t be as near as bad as mine, heh heh heh . . .

1. I like Sword Art Online (oh crap, we’re starting with a strong one)
2. I like Sword Art Online II more than the first (yes I just went there)
3. Sailor Moon Crystal is a pretty enjoyable and strong adaptation of the original manga (no going back now)
4. KILL la KILL‘s fanservice isn’t that off-putting (hi Kausus :3)
5. Danganronpa: The Animation is a great adaptation of the game
6. I don’t mind Kickstarting anime localizations
7. Typically, I’d rather meet the English voice actors of a show rather than the Japanese seiyuus
8. I thought The Empire of Corpses was a cool film
9. Bryce Papenbrook is a good voice actor (in most cases, NOT Kirito)
10. The Future Diary (Mirai Nikki) is fantastic NOT just because of Yuno Gasai
11. “Monster girl anime” seem stupid
12. Fullmetal Alchemist (2003) should NOT be skipped; both it and Brotherhood hold well on their own, respectively (same goes for Deen’s Fate/ stay night)
13. Free! is NOT just about muscles and wet boys
14. No Game No Life is not recommendable because it doesn’t end (same goes for Deadman Wonderland)
15. Madoka Magica: Rebellion is a masterful film
16. I love Robotics;Notes and Chaos;Head almost as much as Steins;Gate, even if Steins;Gate is the best
17. The Viz Media English dub of Sailor Moon is better than the DiC dub
18. I enjoy all of the Pokemon films
19. Higurashi’s second season Kai is better than the first
20. The Eden of the East films complete the story wonderfully
21. Watamote is a funny anime, not a sad one
22. The live-action Ghost in the Shell (2017) is an incredible and artistic film that respects its sources and holds quite well on its own

. . . Wait, that last one, “That’s not even cool bro . . .”

*cries*

So now that we’ve broken the ice (and melted it), let’s get this out of the way.

My Unpopular Opinion, an Argument

Ghost in the Shell (2017) was a film that I walked out of not pondering endless sci-fi wonders, but feeling warm and tingly inside instead, which is quite unlike any entry in the franchise thus far has made me feel. But rather than chastise it as “something so far off of the original path that it’s unrecognizable,” think of it as a new side to the franchise. Ghost in the Shell has always been about vast interpretations and new ideas anyway, so why not welcome this unique artistic approach regardless that it looks like the black sheep in the herd.

Even Mamoru Oshii, director of the original 1995 film (which is much of 2017‘s inspiration) only wished for Directer Sanders to not be bogged down by his and Kenji Kamiyama’s Major (Stand Alone Complex), but to create his own as another face to the franchise.

Clearly, a lot of heart was put into visualization of the world—you can feel that the director was going for something GitS, but altogether a new and innovative vision [more relevant to our times].

I loved this fresh spin on the franchise, even if it admittedly bit off a little more than it could chew by trying to tie in so many homages to the franchise that, in fact, make each installment distinct from one another. And like any adaptation, if I wanted to see the original story all over again, I’D JUST WATCH THE ORIGINAL.

And about the casting, I’ve paraphrased a YouTube comment that quite honestly deserves a million likes:

“It’s controversial, but not incorrect casting. Major is an “Asian woman” in a European frame (robotic body), sure, yet part of the theme of cyberpunk and the series/movie revolves around self identity and what truly makes someone themselves—their experiences and actions. The people who said she should have been Asian were not only missing the entire movement of the franchise, but were critics just trying to push their political agenda onto a beloved title. Likely, they didn’t know the source material and went, “Oh, but, it’s Asiany and it’s made in Asia, sooooo.”

What it Feels Like to be Crushed Your Unpopular Opinion

After I put myself out there, I definitely got “politely flagged” by other community members. They were responding to me, just trying to kindly say that they didn’t care for the movie—and that’s fine, especially since they were so nice!—but you kind of feel, I don’t know, down. It’s like you’re floating on your own raft out on the open waters, which are filled with bloodthirsty hate-filled sharks. And then you’re suddenly reminded that nobody is going to come and save you, so it’s either hold strong to what you value, or let it all go to the sharks.

And you know what? I’m still here, floatin’ away in this little hell all because I like the live action Ghost in the Shell. Stupid, right?

When you value something that others simply don’t, you start to get lonely. Nobody wants to waste their time attempting to scrounge up the very few “pros” that exist (if any) just to please you. They’ll notice, maybe console you saying something like, “Yeah, it could’ve been better,” or perhaps remind you once again as to why your opinions are dumb. But then they’ll go and find something else to talk about, and it almost leaves you feeling guilty for liking (or not liking) what you do. After all, you just missed out on a potentially awesome conversation—if only you shared the same opinion, that is.

By having an unpopular opinion, you can feel isolated and at its worst, ashamed. You almost wish you could naturally hate something like everyone else did, or fall in love with something the way everyone else did. And then your problems would be gone—But THAT itself IS the problem:

Without your differing ideas, there would be only one main belief about something, and where’s the fun in that? Because you decided to explore where no one else dared, you walked out with something that no one else has, and you should embrace that, not hide it away!

Which is why I’m going to say it:

 “IT’S NOT JUST A SHELL. THE LIVE-ACTION GHOST IN THE SHELL IS NOT JUST A FREAKIN’ SHELL.”

I’m sick and tired of people—reviewers, critics, heck, even the media—calling it that just to make some stupid-ass pun. The SAME stupid-ass pun at that.

So from this experience that I had, I learned that you should always:

DELIGHT in the fact that your opinions may be different than the rest.

BE HUMBLE with your beliefs, proud but open to suggestions, discussions, and different viewpoints.

SUPPORT the things you love, for they brought you joy.

And for goodness sake, ENJOY something because YOU like it, not because others tell you not to or that you’re supposed to.

Don’t let all of the negative opinions and hate bog you down like it did me. Don’t let it! Hate puts your mind in the gutter, and honestly doesn’t feel good at all. You start second-guessing yourself, “Should I really be liking this,” which is EXACTLY what happened with this film for me. Instead, we should all keep on loving anime and the opportunities to ponder, interpret, and discuss that it has brought us. THAT is all you have to do!

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Have you ever had an unpopular opinion that struck you so deep that it brought unwanted hate your way? And did you defend your case in the respectful way you should have? Also, have you ever felt lonely or isolated for liking something that nobody else does? List some for me like I did, as I’m very curious! And almost more than that, I’m SO HAPPY to finally put my thoughts on this film and its controversy to rest. When it was in theaters, I had gone it THREE times (and saved the tickets just for this post), and as of now, I have purchased the artbook, the Blu-ray, and an adorable little Funko Pop of the iconic Geisha! And whenever the soundtrack comes, I’ll buy, support, and listen to that, too! Until next time, this has been

– Takuto, your host

My Hero Academia (Eps. 1-5) Thoughts | Hero Week

A little introduction:

I know we all are a bit quirky, but in the universe of My Hero Academia, 80% of humanity takes quirkiness to the next level. Recently discovered super powers, otherwise known as “quirks,” have overtaken the daily lives of most people. Not all were blessed with powers though, Izuku “Deku” Midoriya being one downtrodden soul. 

So while all of his friends (more so enemies) set their sights on the prestigious UA High School, an intense school dedicated to raising heroes, Deku continues his menial routine of taking abundant notes on local big-shot heroes and especially eyeing his idol – The almighty All Might!!! (Yes, the exclamation points are necessary). 

When Deku is suddenly caught in the chaos of rescuing his rival from a hideous slime villain, All Might, upon witnessing his unwavering heroism, vows to train young Deku into a muscular man and eventually pass on his quirk to him (because his quirk relies on inheritance). 

Flash forward past the months of rigorous training and it’s enrollment time – and Deku is intent on making the student roster. Not surprised to see his rival sitting at the back of the classroom, Deku’s new life full of new friendships and hardships begins. And through his academia, he will learn both the harsh realities  and unmistakable joy that come with being a true hero. 

My thoughts:

I like My Hero Academia. There’s not much else to be said that hasn’t been already. It’s a show about growing up, one of those feel-good anime that make you want to run out and punch a guy in the face after watching just because you swallowed your cat’s hair. But seriously, we’ve had more development with Deku and his two classmates than we’ve had with all of the characters in this season’s The Lost Village combined – and there are over 30 of those guys! 

Deku is a kid with a big heart for heroes, and I wish I could say that about most people. Even though he’s been quirk less since birth, his dreams are still set on UA and All Might, and while it was shattering to see that flashback of him finding out, I think that is what has made him such a loveable guy. Being of humble origins, obtaining powers from a supernatural source, and faced with challenges every day, every hour of the day, Deku practically had the hero formula drilled in him – And he knows it, too!

That development is nothing fresh, however, considering that it’s the same underdog story we all wish to resonate with. It’s managed to keep me invested thus far, and I’m daring to call it out as best anime of the season already just because of how straightforward and honest these first five episodes have been. 

It helps that the animation is bright, active, and uncensored in the body fluids department . . . I’m talking about blood, sweat, tears, and snot, of course. The action scenes with All Might are particularly empowering. It’s saddening to see him shrink to his normal scrawny human physique after being buff and superior. I hope the anime carries that torch straight through to the end, just like Deku is so far. 

Music is also pumped-up for the hero scene, yet more emotional to fit Deku’s resolves and inspiring speeches with his mentor. What especially caught my ears was the opening, “The Day” by, don’t laugh, Porno Graffiti (hah!). I can’t stop grooving to that and Kabaneri’s addicting OP. 

Full of colorful action, comedy, super powers, and likable characters, My Hero Academia is a comic book come to life by THE studio Bones being Bones again. If you’re not already heading to class each week with it, what’s going on? Add this anime to your schedule!

– Takuto, your host 

(PS: Sorry if any of this looks rough. I tried doing it all on my phone ^.^)

The End of EVA-Week: Voicing CONCERN for the Rebuild | Cafe Talk

Hello cafe-goers, welcome to cafe talk, a segment where I ramble and you are more than welcome to ramble with me! Today’s post is the last one (for some of you thinking, thank goodness he’s done) concerning my recent EVA-Week, a celebration centering around the official English release of Evangelion 3.33. I hope you have enjoyed what has come out, and I ask you to join me on this last little voyage to Tokyo-3 for the foreseeable future . . . maybe . . . ?

Here is the calendar on my board. I’ve been filling in the days with their respective colors as they pass.

This goes more along with my 3.33 review which was recently posted. I thought dividing this into two parts would tremendously help cut down on the word count (it is so far the largest post on this blog)! This comprehensive aftermath will also explain the mindset I currently have with both Neon Genesis Evangelion and the Rebuild, so SPOILERS EXIST FOR ALL OF THE EVANGELION FRANCHISE.

Three groups of people exist when it comes to the franchise, and here are my thoughts on them:

1. Those who interpret the Rebuild as its own series of 4 stand-alone films.

Stand-alone meaning that I could watch 1.11, not look back, and be satisfied with what I got; the film should be able to support itself without additional knowledge like most movies. I’ll admit, this method works fairly well for 1.11 and I dare say 2.22 if you decide to overlook the last ten or so minutes. With 3.33, this all falls apart – and NOT because of the 14-year gap. I was honestly thrilled when Anno decided to take such a ballsy risk, and it would’ve worked if

A) the events between the gap were explained by the end (Shinji’s confusion is decently handled, so putting it at the beginning would be all for not);

and B) The mental states of each character, not just Shinji, were further delved into. This viewpoint, I believe, is defunct due to the lack of both of these. Sadly, 3.33 just doesn’t stand by itself no matter how you look at it (my review will further explain why).

2. Those who interpret the Rebuild as its own singular story, requiring knowledge of all 4 films.

This interpretation kinda piggy-backs off of the first, but in more of a coherent fashion. It is comparable more to a series, in that imagine if you watched the films back-to-back in one long slew (taking out credits, disc switches, etc.). This helps support the idea that the third leg of a four-person race is most tiring, complex, and occasionally (if you already assume how it’ll end), most climactic. I swam the 100-yd free, which is down-back-down-back. Without a doubt, that second down is the hardest part, as you have to manufacture your own adrenaline rush. For ROE, this means that 3.33 decides to take a more emotional approach and build up to the “beginning of the end,” much like a typical plot diagram. Still, this method lacks explanations for the unreasonable character motives and those deep psychological treats we savored in NGE. This viewpoint will be defunct should the last film present itself similarly to 3.33 or add nothing “new” like 3.33 did (I say “new” lightly, as causing the Fourth Impact isn’t something to just shrug off).

HEAVY THEORY/POSSIBLE SPOILERS FOR THE FUTURE AHEAD, TREAD CAREFULLY

3. Those who interpret the Rebuild as a rehashing of the original series, and believe elements between the two stories are interchangeable or that the Rebuild continues the story . . . somehow.

This is the wacky one. 1.11 is basically an exact copy of the first six episodes of NGE, only introducing Lilith earlier, showing off the red sea and the corpse outline on the hill, and sliding down the Angel appearance count by one – That’s it. It’s a wonderful remake of the original and deserves more appreciation. 2.22 is the break, the deviation. We get Asuka, but less Asuka (her name is even changed, WTF). Rei is kickin’ out hormones like crazy. Misato fails to tell her own story. Ritsuko is sidelined. Mari has little purpose other than to contrast against the others and be different. It’s a high-quality film, just a little lacking in the character department (nothing that the remaining two films can’t fix, right?). Then 3.33 comes along and breaks the flow. This is Anno’s different route, and unless that theory about the Rebuild being a successor to The End of Evangelion is true– That it might all be a “dream,” another world route, or a chance to redo the past – then this is what we get. This viewpoint FORGIVES EVERYTHING that the Rebuild has caused thus far, as we fans can just plug n’ chug the backstories and memories, but should this fantastical theory prove false then this viewpoint is defunct as well. It is a well-constructed theory with much evidence, though. Then again, there’s the keyword. Theory.

I have much concern for this series, this franchise, at this point in time. Making 4.44, 3.0+1.0, Shin Evangelion Theatrical Edition 😐| – WHATEVER you want to call it – a masterful conclusion to the Rebuild series like The End of Evangelion was so many years ago is nearly impossible (unless something like option 3 happens, but it sounds all too easy). Its lack of characters which thought for themselves and had psychological issues that were conquered by individual experience and self-evaluation doesn’t even feel like the same Evangelion. And god dammit, SHOCK VALUE that receives no logical explanation is a SIN. Should the last film fail, ROE will be remembered as a series loaded with Grade A+ animation and soundtrack, a high-powered story full of twists and turns, and an emotional ride for some that found their calling with it. But hardly will you hear them say, “That doctor chick with the blond hair was an excellent character full of dynamic and emotional struggle,” because kid, the Rebuild‘s Ritsuko Akagi is not such a powerful woman.

Here is EVERYTHING referenced throughout The Revisit of Evangelion, or EVA-Week. It is mainly here as a compilation for me to look back on and remember all the fun times we had. You’re more than welcome to browse the menu and comment/reminisce with me 🙂

Happy Valentine’s Day: You Are (Not) Alone

Neon Genesis Evangelion Review

The End of Evangelion Review

Evangelion: 1.11 You Are (Not) Alone. Review

Evangelion: 2.22 You Can (Not) Advance. Review

The Revisit of Evangelion: We Have Begun Third Impact | Cafe Talk

Evangelion’s Rebirth isn’t so Sweet after this Disposable Death | Review

THIS IS WHY WE CAN (NOT) REDO | Comprehensive Review

ATTENTION: 2 More Treats EVA Fans Might Have Missed!

The End of EVA-Week: Voicing CONCERN for the Rebuild | Cafe Talk

This concludes the EVA-Week celebration here at the cafe . . I’m starting to get emotional now, trying to hold back the tears! If you stuck around to read, like, or even comment with your own meaningful thoughts once, I thank you! This series means a lot to me, to many of us, and we just want to see it do well – So damn well we cry our eyes out and meld into the proverbial sea of life. Do you have any similar thoughts on the subject, or are you completely indifferent and just watch it for the giant robots? How do you prefer to interpret the Rebuild? Any other interpretations?? Let me know so we can party hard in the comments! Thanks for celebrating this joy with me, and may the inevitable conclusion of a lifetime rock our world!~

– Takuto, your host

I’m gonna be humming “A Cruel Angel’s Thesis,” “Beautiful World,” and “Canon in D” for the next several weeks, aren’t I. . .

Fate/stay night: Unlimited Blade Works 1st Season English Dub Thoughts

As you all know, I once again sold my left arm and my magic circuits over to Aniplex of America so that I could purchase their DVD set of the first season (episodes 1-12) for Fate/stay night: Unlimited Blade Works (TV). The fantasy action anime all about the 5th fight for that elusive chalice includes an all-new English dub. This is particularly exciting considering that I’m a veteran who watched the original Fate/stay night (2006) and the Unlimited Blade Works Movie (2010) in SUBTITLES. Curiosity did get the best of me, and I ended up watching segments from these Studio Deen adaptations, but their dubs sucked (just cuttin’ to the chase). Luckily, I pretty much only have positive reviews for the Ufotable version, so read on for more depth!

This is just epic. To watch it go from simulcast, to Japanese set, to English DVD is a beautiful journey.

While the image above is the cool slipcover art, the DVD case itself contains this absolutely stunning artwork. The only difference is that where the text is, the English logo for F/sn: UBW is stamped.

Let’s kick things off with Shirou Emiya, portrayed by the infamous Bryce Papenbrook. Now, Papenbrook has quite the streak in misplaced voice acting, his role of Kirito being my biggest turnoff. But for a character like Shirou, his age and position, I thought Papenbrook pulled things off without a hitch! He does a damn good job at imitating Noriaki Sugiyama’s rather high and somewhat obnoxious voice, so my hat’s off to you, Papenbrook!

On to everyone’s favorite tsundere mage, Rin Tohsaka is voiced by Mela Lee. Apparently Lee’s been with Tohsaka since the first dub of the adaptations, but every one of her performances lacked the natural stuck-up attitude I’ve been searching for – Until now. Once you get past the first hour-long pilot, Lee’s voice stops ringing in my ears and becomes one of the more fun – and pretentious – performances to hear from. It sure isn’t as great as Kana Ueda, but it’ll do.

B*tchy-Mc-B*tch-Face Archer is brought to life by the smart-assy Kaiji Tang (as you can see, I don’t fancy Archer). Brilliant in every way possible, Tang milks all that he can out of Archer and puts up a stunning fight on the vocal front. He, too, fits the range of voice necessary to Archer’s arrogant dialect. Love it!

And last (but certainly not least) for the main cast, Kari Wahlgren once again dons armor and all to surmise Queen-friggin’-Arthur herself – Saber! *Slight spoilers* Because she is no longer partnered with the cold and distant Kiritsugu from Fate/Zero, Saber speaks with much more curt and “oogly” expressions as she develops her relationship with her idiot partner. And since I don’t speak Japanese, Ayako Kawasumi’s five-star performance doesn’t come for me as naturally as it does with my native speak. I’m obviously biased to this [literally] English role, so I stop before the sparkles start gleaming ^.^

Since those are the main characters, I’ll just list the minors with a brief reaction:

Todd Haberkorn as Assassin – F*ck yeah, even though I kinda forgot whom he was in the original, I’ll now never forget! Just YES, YES TO ALL!

Megan Hollingshead as Caster – THIS RIGHT HERE was surprisingly fantastic! Caster’s sly, mature voice reflects so well in Hollingshead’s performance. It was also so darn sexy 😉

Matthew Mercer as Kiritsugu Emiya – He’s only around for a couple of flashbacks, but those are just enough to bring tears to your eyes as you recall Fate/Zero‘s tragedy.

Julie Ann Taylor as Fujinee, or Taiga Fujimura – Always. Excited. Is the Taiga. Fujinee~ has a very nice English voice actress, simple as that!

David Vincent as Gilgamesh – More F/Z carry-over drama, and in fact, Vincent has such a pompous and snarky that its perfect for the King of Heroes. We’ll hear more of him in the second season, though.

Dorothy Elias-Fahn as Kane Himuro – One of Tohsaka’s classmates, can’t say she was very memorable, but not bad either

Crispin Freeman as Kirei Kotomine – This is one “fake priest” that you don’t want to run into on a dark night. Freeman will never be as solid as Jouji Nakata, but so, so damn close! It was a pleasure to listen to Kirei’s rich, melt-in-your-mouth voice again.

Lex Lang as Souichirou Kuzuki – “Mr. Kuzuki” as he is in the dub also shares the same voice as Count Cruhteo from A.Z, who just happened to be one of my favorites! Ironically, he was Issei in the old dub, the student who shares residence with Kuzuki.

Tony Oliver as Lancer – Oh boy, oh boy, Lancer’s English voice will not disappoint whatsoever! I’ll admit, Nobutoshi Canna was excellent, but Oliver wins it for me!

Erica Lindbeck as Kaede Makidera – Another one of Tohsaka’s gals, nothing fancy

Kyle McCarley as Shinji Matou – Now, this might be the only exception to an otherwise wonderful English dub. McCarley’s not by any means bad; Hiroshi Kamiya just has a skimpier edge and superiority to the damned Shinji we all know and hate :>

Cristina Vee as Sakura Matou – Agh, it’s Cristina Vee – and aww, it’s Sakura! This combo goes hand in hand, but I’m interested to see if they’ll keep the same actress when “Heaven’s Feel” makes it over here in the States, fingers crossed.

Brina Palencia as Ayako Mitsuzuri – Mitsuzuri is given a shocking amount of lines despite her role, and it was on the tip of my tongue as to who voiced her – and it was this chick all along! Hooray for Brina Palencia, I just love hearing her voice 🙂

Melissa Fahn as Rider – And the most enchanting voice goes to Rider without a doubt!! *Slight spoiler* It’s a shame she doesn’t last very long, as I could listen to Rider talk on and on. Yet another reason why they should’ve adapted F/sn instead of UBW, but I digress. Fantastic job, Fahn!

Robbie Daymond as Issei Ryuudou – Just another guy in glasses, what can I say?

Jessica DiCicco as Yukika Saegusa – A friend of Tohsaka’s? Gosh, I don’t even remember who this is.

Stephanie Sheh as Illyasviel von Einzbern – We’re gonna finish this dub reaction strong with another veteran from the original series and Fate/Zero. Sheh’s “Time to kill you” cute/deadly Illya voice is one I really enjoy. While she did sound too mature in F/Z, her older reappearance tosses that issue away easily. I love Illya, and Sheh does her justice, she really does, and I can’t wait for the epic fight in the second half. The only thing I’ll miss is her charming “Bah-sah-kah” *cue superhuman barbarian with a huge-ass club charging at you*

Below is the English Dub Trailer Aniplex posted a while back. See it for yourself!

I don’t care who says they hate this dub. I don’t care who thinks Papenbrook is a terrible Shirou. I don’t care how much people think Rin’s voice is a letdown. I LOVE THIS DUB, and I will be buying the second season, mind you! It’s gonna be a tragic long wait for the second half, and yes, it will break my wallet, but what can I say – I support things that I like! For those curious, the sub is still superior, and I recommend watching the entire series on Crunchyroll before blindly buying this uber-expensive dub (cause it was an atrocious $80 USD for only the first half on DVD only). However, like with A.Z, I had so much fun each night plugging in each of the voices and watching the first half of the Fifth Holy Grail War play out all over again . . .

But you mages and Masters, what did you think of this new English dub? How do you think it stands up to all of the previous versions and the Japanese itself? I’ll await your answers in the comments below, and until next time, this has been

– Takuto, your Servant, in this war or the next