In This Corner of the World: A History Lesson on Hope & Healing | OWLS “Warmth”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s twelfth monthly topic, “Warmth,” I decided to incorporate what would have been my standard review of In This Corner of the World into a sympathetic discussion on the hardships of war and loss, and how love gives us the strength to continue being compassionate through even the worst of times.

It’s the season of joy, thankfulness, and love. This month’s topic is “Warmth.” Whether it is spending time with family members during the holiday season or with that special someone during New Year’s Eve, we will be discussing moments in anime and pop culture media that convey a feeling of happiness in our hearts. During times of struggles, we look towards the things that matter to us as a source of strength, hope, and happiness. We hope you enjoy this round of posts and that you, too, will have a wonderful holiday season!

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I’ve nothing else to say for the intro! Thank you Lyn for twelve consecutively thoughtful topics to ponder each month—I’ve enjoyed writing for all of them!


A brief spoiler-free discussion on the fall 2016 anime film “In This Corner of the World,” produced by studio MAPPA, directed by Sunao Katabuchi (“Black Lagoon”), based on Fumiyo Kouno’s award-winning manga of the same name.

New Life, New Opportunities

In 1944, life for Suzu Urano starts slipping through her tiny calloused fingers. For one, she is married to Shuusaku Houjou, a reserved young clerk, and is sent off to the small town of Kure in Hiroshima where her husband works at the local naval base. Now living with the Houjou family, Suzu must adjust to her new life, which is made especially difficult since she quickly becomes an essential meal-making, chore-doing crutch for the family. She does all of the daily housework during the tough wartime conditions, and the familial disconnect Suzu experiences between her sister-in-law—timed with the regular air raids—makes both the political and household climates feel like battlefields.

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When intense bombings by the U.S. military finally reach Kure in 1945, devastation to Hiroshima and its townsfolk, as well as its culture, forever shake the nation, and Suzu’s life is permanently impacted by the tragedies. “Much is gained by living in Kure, but with war, many things cherished are also lost.” It is only through the greatest perseverance and courage that Suzu manages to continue caring for those around her, and to truly live life to the fullest.

“Torn apart by war. Brought together by love.”

By its end, In This Corner of the World is a somber ode to history, wherein the tragedies of WWII’s Hiroshima bombing are experienced firsthand by the main characters. But before the bomb is dropped, the entire first half of the film winds us back to the 1920s, Suzu’s peaceful childhood. It starts this way to not only show Suzu’s developing story from beginning to end, but also to create the picturesque vision of pre-war times in Japan, specifically Hiroshima and its surrounding towns. As every 5 or 10-minute interval—marked by on-screen dates—brings us closer to that horrific day, August 6, 1945, your stomach starts churning in dreadful anticipation; you know what’s about to happen, and you’re almost left disbelieving how Suzu’s whole life could just fall apart in an instant.

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Akin to African author Achebe’s world-renowned novel, Things Fall Apart, which was written to show that life, law, and liberty already existed before the white man saw the need to organize, colonize, and, get this, “save” Africa, Fumiyo Kouno’s story serves to inform the viewer about the other side of the Pacific. You are put through the trials and tribulations of Suzu’s daily life, from learning to properly make a meal using rations to understanding the familial benefits of marriage, in order to hopefully understand that despite their differing customs, both the attackers and the attacked have things they want to protect.

I set up a pretty overwhelming historical background here, but the film really isn’t that political at all. Rather, its a drama centered around one little girl’s average life during WWII, and how no matter the global circumstances plaguing a household cause ruin and chaos, life goes on. That’s right, life will always go on. There are always things to be fixed, clothes to be washed, and food to be cooked. Suzu understand this, and that’s why she faces each painstaking day blessed that there’s still a roof above her family’s head. In This Corner of the World, though rife with tragedy, is ultimately a heartwarming tale of Suzu’s prevailing love and healing hands.

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A Hero at Home: Suzu Urano

Characterized as tiny, optimistic, and a bit aloof at times, Suzu Urano goes through great lengths to help in anyway she can, even if her assistance comically ends up backfiring in the end. She’s also incredibly creative, shown in both her beautiful landscape sketches and paintings, as well as when she wields her knowledge of samurai food rationing to construct some, at the very least, “interesting” dishes. Her artistic talents act as a sort of sanctuary for her, and it is through her simple yet gorgeous works that she meets many new friends and even potential lovers. But like all artistic endeavors, chores come first, and slowly you start to see the hobbies that she once did for herself fade away to make room for aiding the family.

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On top of working her hardest around the house (her efforts eventually exceeding those of everyone around her), Suzu is a girl, a soon-to-be-woman who undergoes all of the same treatments that Japanese women received during the 1900s. From stricter expectations in the kitchen and household to family-controlled courtship, rarely is Suzu the master of her own fate. Yet somehow, Suzu makes the best of what is given to her, for merely being allowed to experience the tranquility and joys of everyday life in Kure is enough to give her hope and purpose. Honestly, what a woman!

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Suzu only speaks out once or twice in the entire film—remember, this is a film that chronicles Suzu’s ENTIRE life! She many not be honest to herself all the time, frequently disregarding her own happiness and well-being for the sake of her family and her nation’s pride, but Suzu knows how to fight the good fight, as well as when to keep pushing on through the toughest of hardships. Between watching her frugal attempts at fitting in with her husband’s family, her struggle to adjust to life in Kure, and the tragedies of war she later encounters, it feels as if you physically and emotionally cannot go through as much heartache that is thrust upon her and make it out ok. Yet Suzu manages to bandage up her scars and continue making herself useful to everyone. The warmth she brings to the war-torn world embodies the purest light of hope in a time of darkness.

Visually, the Softest Movie I’ve Ever Seen

“It was like Studio Ghibli meets the Peanuts and together they talk about some pretty serious stuff.” This was my immediate reaction to the film which I posted on Twitter, and I still stand by these words now. The backgrounds are painted so smoothly, giving off an immense sense of ease, and the magical watercolor touch just feels so right. Even the characters, for a lack of a better word, look so . . . “soft.” There’s a lack of detail in their physical features, but it’s their sometimes cute, sometimes sorrowful mannerisms and words that convey their true characters. Seeing characters this adorable almost feels wrong for the tone of the film’s second half where the air raids become prominent, but it somehow works altogether as one moving, breathing, snapshot of history.

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(If you watch the special feature clip “Hiroshima & Kure: Then & Now,” you’ll understand how and why it all looks so historically accurate; the attention to detail in re-creating several destroyed sites where famous architecture once stood was very commendable.)

The luscious animation is accompanied by equally gentle music, as kotringo’s (Rieko Miyoshi) soundtrack matches perfectly with the tone. At times uplifting, other times more tender or melancholic, tracks like “Kanashikute Yari Kirenai” or my personal favorite, the ED theme “Migite no Uta (みぎてのうた)” provide lovely messages to live by: “Even in this painful and broken world, there IS hope.”

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Learn From Fiction: Heartwarming Tenderness Comes From How We Live

It is stories like Suzu Urano’s that give us all the fuzziest feelings of contentment and comfort. But like all stories, they eventually end, and once they’re over, the books get placed back on the shelves, and the DVDs and Blu-rays are ejected from their players. And that’s it. It’s all just entertainment, anyway.

*If you’ve ever thought this, then you completely missed the point as to why certain works even exist in the first place.

All fiction is written with messages, no matter how significant or insignificant. With the case of In This Corner of the World, it’s to showcase the tragedies of war firsthand, and the devastation that comes with violence. That should’ve been apparent from the synopsis alone. Looking deeper, we can understand more big takeaways from the film:

  • Hardships exist everywhere—someone is always struggling
  • Protect family, for without it we are fundamentally alone
  • Gender roles can limit individuals from reaching their full potential
  • The youth of today ARE our future
  • With destruction comes the joy of rebirth
  • By rebuilding from the ground up, we build a stronger foundation than the one before it
  • Make the most of your life—you only get one, and it goes by incredibly fast
  • WE ALL have the choice to be happy or sad, rude or nice—live the way you want to
  • Be thankful for what the earth provides, and what you can do for it in return
  • And lastly, to quote The End of Evangelion, “Anywhere can be paradise, so long as you have the will to live”

Just LOOK AT ALL OF THOSE THINGS I CAME UP WITH. And that only took me a couple minutes of reflection.

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History will always be our greatest teacher

Authors, directors, artists, musicians—Creators improve on what skills they already have in order to teach us invaluable lessons about the human experience. They have the power to take all the world’s evil and tell us that life can be incredible, so long as we don’t repeat history’s mistakes. Don’t just watch a film: enjoy what it is trying to show you. Don’t just read a book: revel in the messages left in-between the lines. Take what you learn and monopolize on it! Essentially, BE the good in the world!

In This Corner of the World presents the catastrophic effects of humanity’s cruelty, savagery, and barbarity—yes, absolutely. But it also exists to tell us that through the ashes, we can rebuild; that we can be kind to others, even if they treat us harshly; that most of all, we have the choice to see the good in this wild, wicked, unfair world.

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As a race, we have this terrible tendency to appear on the wrong side of history (if you know what I mean). The title In This Corner of the World refers to both Suzu’s tiny Kure house on the hill AND a state of harmony achieved by acknowledging and balancing the positives and negatives that life throws at us. A heartbreaking historical ballad for those we have wronged, and the terrible things we have done, In This Corner of the World is here to say that life goes on, and that as long as we try to understand one another, hope and a warm heart will always allow us to move forward.

We can love. We can rebuild. We can move on. But we’ll never truly forget.

There is only one corner of the universe you can be certain of improving, and that’s your own self. – Aldous Huxley


This can be a hard film to watch, but it all depends on how seriously you decide to take it. It has several comedic points of value in it, as well as a very cute presentation style, but don’t let those two aspects close you off from In This Corner of the World‘s subtle brilliance and emotional depth. As a powerful, touching work of art, this film is awarded the “Caffe Mocha” seal of approval, a rating for those special titles that I consider to be a must-watch!

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This concludes my December 20th entry in the OWLS “Warmth” blog tour. Arria Cross of Fujinsei went right before me and expressed her sincere gratitude to all of her fellow readers, bloggers, and OWLS members in one emotional, heartwarming post. Now, look out for fellow aniblogger LitaKino (Lita Kino Anime Corner) with a surprise celebratory birthday video this Friday, December 22nd! Thank you so much for reading, from my first OWLS post in January to here at the end—I do hope you have enjoyed them, as I do really, really like writing them! Until next time, this has been

– Takuto, your host

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Halfway into the Summer Simulcast Season | End of July Update 8/8/17

That’s right, we’re halfway through the summer of anime! Even though school kicks up in a couple of weeks for many (myself unfortunately included), at least we’ll still have the exciting finales of many great titles to look forward to. Speaking of, what have I been following this summer? Let’s take a look!

But before we dive into what’s new, despite the lack of reviews I’ve actually watched a lot of anime this summer. For the recently finished titles, I’ll be looking as far back as the end of May until now. Crazy behind, I know! Also, I’ve got pictures in my updates now, so that’s cool!

Recently Finished:

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Bungo Stray Dogs Season I – Bungo Stray Dogs fans already form this occult following; either you love it and are willing to buy everything Bungo, or you’re just biting your nails until it’s over. I found myself on the latter side, but hear me out!! Animation: awesome. Characters: great amusement. Story: entertaining enough. So where did it go wrong for me? It lies in the identities of the characters, or rather, who they are pingbacks to in history. From what I grasped, each boy identified as an allusion to a famous author in history. Half the fun of the show was, like with Fate or Touken Ranbu, probably in seeing how these historical figures interacted with one another, and sadly, my literary history is quite lacking! Maybe I’ll give the second season a try, but I’m in no hurry at the moment.

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Buddy Complex – This was actually a title I was intending on reviewing once I finished, but I got caught up in other things before that could happen. Anyway, Buddy Complex is a title that went unnoticed as it aired—it even got a release by Funimation, sub only, though. That’s sad, cause I would’ve bought the heck out of a dub! I LOVED this anime. While it felt so cheesy and cliche at first, it kept on making all of these nonsensical calls that only made me curious as to how badly it would crash and burn in the end. Surprisingly, I found myself enthralled with how everything came together. It only goes to show how much a little OVA or two can make the world of difference. Definitely glad I didn’t give up on Buddy Complex, and hey, maybe I’ll revisit it when I pick up the Blu-ray.

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Hanasaku Iroha – If there’s one title I’ll remember for my 2017 summer, it’ll be this one. So soft and sweet but knows when to throw down the hammer, Hanasaku Iroha stands as another WIN for P.A. Works, and a huge victory for slice-of-life/drama shows. I could go on, but I actually tied my review for it into this month’s OWLS post, a two for one you could say! Here it is in case you missed it!

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Corpse Party – Ugh, I knew what I was getting myself into before I even started. Watched it with a couple of friends, one who said that we had to watch it. It wasn’t fun. At least I didn’t waste too much time on this shit show.

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Eureka Seven – Do you know of that one title that EVERYONE loved but you didn’t? For me, it’s Eureka Seven, and this is particularly tragic considering as I was really hoping to walk out of it claiming it to be perfect. I mean, it’s got all of the elements of a mecha anime that I love, but it was the characters that dropped the ball for me. All of the Gekkostate crew were dicks to Renton, and rather than taking the time to work him into the team, showing the audience some of their personalities in the process, they all either picked on him or ignored the poor guy! I guess they were certainly a realistic bunch, but not a crew that I would ever want—and these are supposed to be the good guys! The whole way I kept telling myself, “It’s gonna get better, it’s gonna get better,” and when it finally did in those last 12 episodes, it soon after ended. It’s the first time community hype has ever failed me. I’m still eager to watch the three new films within the coming years; maybe those will change my mind about the series.

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Fate/Grand Order: First Order – Anyone else utterly consumed by the Fate/Grand Order mobile game? If I ever have a spare hour, you know what I’ll be doing: plugging away, earning gold four-star EXP cards until the next story update. Anyway, this is just a 45-min adaptation of the game’s beginning, and it wasn’t bad at all. In fact, I could have watched more for sure. Like the recent Fate trend, it wasn’t done by Ufotable, but whoever did make it did a pretty solid job with it. Nothing too fancy, but pretty cool for those playing the game. Otherwise it’s a pass.

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KADO: The Right Answer – Unlike what the popular opinion about the ending is, this was a show that intrigued me from beginning to end, making me ponder endless hours as to the possibilities, the what-ifs, and could-have-beens about our own universe. KADO may have been done up in 100% CG, but not only is it good CG, the impossibly smooth texture of the models gives the series that extra edge, making it feel all the more otherworldly and spatial. The series is about a cube measuring 1 kilometer on each side (I think) that suddenly lands on a Japanese airport runway. A mysterious man calling himself a being from outside the universe offers mankind gifts beyond comprehension, but they may only keep those gifts if they make the right answers to his actions. Awesome show, might have to review!

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The Vision of Escaflowne – I DID IT LITA, I FINISHED IT!!! About a year ago, Funimation created a Kickstarter for the show’s 20th anniversary and a new English dub to go along with it. I supported it, and when I received the first part in the limited edition box I remember being overjoyed! It was my first Kickstarter, after all, so it kinda felt like owning a piece of history that I contributed to. I finally picked up part 2 this summer, watched it all, and finished just a couple days ago. While I was simply swept of my feet with the first half, the second started off pretty rough. At least it pulled itself together for the ending, and I’m glad to have watched another 90s gem. Will review this one for sure, so please look forward to that!

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Divine Gate – Hahaha I can’t believe I’m using my free 2-week Funimation trial for this dumbass show. I finished this one earlier this morning, and while the English dub was quite satisfactory, everything else about it . . . wasn’t. Like Buddy Complex and KADO, it was the trailer that convinced me to watch it, even if the YT comments were screaming otherwise. Call me a badass. But yeah, it had an exciting premise with decent animation to back it up (granted that other than the characters it was all CG), but man, either it needed a longer run than 12 episodes or Studio Pierrot (Tokyo Ghoul) just reeeaaallly sucks at adaptations. It was a tolerable show, but it’s not anything to write home about.

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Tales of Zestiria (PS3) – Takuto played a game?! Yup, gotta do anything for the Tales franchise! This marks my second Tales game, first being Symphonia. While Symphonia offered a much, much better story (it’s actually one of my favorite stories in any media ever!), Zestiria‘s gameplay was a lot more fun—and easier, at that. For me, a person who does very little gaming, that’s incredibly important. I set out on this adventure after meeting Robbie Daymond at Naka-kon. He’s the Viz Tuxedo Mask from Sailor Moon, Prompto from what is it Final Fantasy IV(?), and he’s Sorey from Zestiria. It inspired me to hear more of him, and seeing as how I’m already acquitted with the Tales franchise, and that I had been anticipating watching the anime for MONTHS now, I just put it all together! Fun game with great, playful characters. I’m very much excited to finally start the anime!

Currently Watching:

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My Hero Academia Season 2 – I mean, who’s NOT watching this show by now?? It’s the new hottest thing, all the kids love it, and I’m no exception. After the dazzling events of the sports festival AKA TOURNAMENT ARC (which I binge-watched), things had settled down in Izuku Midoriya’s world for just a second before rapidly picking back up again, reminding us that even in a world of tournaments and school games, the kids are being trained to be heroes, and heroes have to fight villains. As the second half of this sequel takes MHA back to its roots, I can’t help but miss the true fun and excitement of the tournament. My eyes are still yearning for more Todoroki being his half-n-half badass self, and the thrill of Bakugo’s explosive attitude (and powers), but season 2 is all about the original story, and I guess that’s A-OK too. It still has about 6 episodes to go, so hopefully it can peak the excitement that the first half boasted by the end!

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Re:CREATORS – This show was my EVERYTHING when I was marathoning the first 12 episodes that had already aired. Now, not so much. The show is still very good, still visually pleasing and entertaining as a story. I think it’s just the shift from watching the beginning straight through to now where I catch an episode each week. It feels very slow now, and I don’t want to blame the story on that if it’s just the way that I’m consuming the show. Re:CREATORS was a show that I myself hyped up on Twitter a couple seasons back, which has a stacked production cast including Ei Aoki (Fate/Zero) as director, Hiroyuki Sawano on music, and TROYCA as the studio, three components that made up the exciting guilty pleasure of mine: ALDNOAH.ZERO. It’s a show about popular manga and anime characters that are brought to our world by a woman in a strange military/priestess outfit, proclaiming to the creations to force their creators to change their worlds. It’s easily the most interesting simulcast I’ve watched in a while, and I can’t wait to see where it goes!

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Fate/Apocryhpa – Did someone wish for a year of Fate? Well, with Fate/Grand Order, Fate/Extella, Fate/stay night: Heaven’s Feel, and the newest adaptation to this perplexing arena, Fate?Apocrypha, it might feel this way. I’m a HUGE fan of this franchise, but I am a stranger to this tale about the Great Holy Grail War. Set in an alternate universe to Fate/stay night in where, during the Third War the Grail was stolen by the Yggdmillenia family (that name tho), the Mages Association must reclaim the relic before the family goes too crazy with it. Noticing the intended competition, the Grail conjures up 7 servants of Black to serve the Yggdmillenia family and 7 servants of Red for the Mages Association in addition to one Ruler class servant to oversee the war. It’s a clusterfudge of 14 vs. 14 and all I can say is that I’m glad this show was announced with 26 episodes cause MAN, I DO NOT KNOW ANYONE. JK, I’m slowly picking up names and goals, but if there isn’t some big fighting soon then I’m gonna be in a fit. Rather than Ufotable at the helm it’s A-1 Pictures, and while I’d like to complain, so far I can’t. I can feel the hard work that’s being put into the animation to compensate for Ufotable’s signature high quality style, and so long as the characters keep on interacting and learning about one another, I think the show will turn out just fine.

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DIVE!! – This is by far the quietest entry on my simulcast list. Very few people are tagging along with the MDC boys and their journey to the Olympics simply because, well, it’s unremarkable so far. Unfamiliar viewers have been labeling it as another Free!, but we all know it’s far inferior to that beloved title. Animation is pretty average, but the art of the characters does look quite nice. Also, I’ve been jamming to the nostalgic qualities of the ending song!! Something about it reminds me of good times I used to have, IDK. If DIVE!! is lucky, it’ll complete its run telling a full story all on its own, because I know very few would stick around for a sequel—if it even got one. Still, I like DIVE!!, and yes, I’ll keep on watching. 🙂

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Katsugeki TOUKEN RANBU – If there’s one show I’ll drop this season, here it is. No, it’s not because the show is bad by any means, it’s just that I am a complete stranger to this generally otome-catered title. It’s sword boys the anime, what can I say? From what I’ve grasped (ha, grasped), it’s about famous Japanese swords that are reincarnated as bishi boys to stop an organization that threatens to alter the course of history throughout time. Did I get that right? I just wished Ufotable took up Apocrypha instead of this because so far, while it’s a very pretty show, I’m still wondering when the main course is supposed to be served.

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Welcome to the Ballroom – Annnnd I’ve saved my favorite for last, BALLROOM E YOUKOSOOOO!!! I love everything about this anime, from the sharp character designs and snappy, fluid dance movement to the soft color palette it has. This anime has reigned as most people’s No.1 title for this summer, My Hero Academia aside since it technically is a spring leftover. The show is about Tatara, a young boy who falls in love with professional ballroom dancing after being saved by Sengoku, a dance coach, from some bullies. He’s invited to the studio, where he becomes entranced by his secret idol at school, the beautiful Shizuku Hanaoka. Shortly after, Tatara finds himself taking up lessons in anticipation to one day earn the right to dance with Shizuku on the ballroom floor. The problem is that he’s not the only one that’s head-over-heels for Shizuku, so unless he practices hard he’ll lose the girl and possibly much more! It’s a sports anime that takes me back to when I simulcasted my first sports anime, Free!. While I was hoping for DIVE!! to bring me back to those days, Ballroom has outclassed it in all areas. As the exciting opening song invites us onto the floor and the waltz-like ending theme brings the day to a close, I look forward to this show each and every week! Bless Ballroom and its 24-episode run!!

*deep inhale* And that’s what I’ve been watching lately. Thanks to the NOT-SO-LOVELY services that are Netflix and *shudders* Amazon Prime, I’ve been left with little option but to find my anime elsewhere, as I am not supporting giants that I know can get their money from other resources. That said, it’s been kinda hard moving around the various sites, and it reminds me of days where I did nothing but pirate. I don’t like to do it, but I do help when I can by paying for a Crunchyroll membership, buying Blu-rays (frequently), and very soon, paying for a FunimationNow membership. Sometimes we’re left with very little choice, and I like to think I’m still helping out.

If you didn’t already know, my lack of content here stems from some house/room remodeling and simply not wanting to write. Part of that was also my job, where I work as a lifeguard. When we work, it’s not a shift, but open to close. That means that, on the days where I work, very little watching can get done, meaning less time to review, too. Summer is coming to an end, and so is life-guarding. Maybe now I’ll get more watching, gaming, reading, and blogging in. Sound like a good plan?

Summers are hot where I live. At its peak, it was +100 degrees F for weeks at a time, but now it’s dropped quite a bit to the 80s~90s, and on a day like today, 75 and cloudy, the best kind of days. As a whole, I’m still pretty excited with all of the simulcasts that I’m following, and hopefully my interest lasts until the end of the season where I can review the ones that came out on top! I want to know what you’re watching, too, or if I should be watching something else! Let me know in the comments and (after I catch up on all of the others I’ve left unanswered) we can talk about them! Until next time, this has been

– Takuto, your host